PDA

View Full Version : Sto-Fen Omni-Bounce quantitative analysis


Curtis N
30th of July 2006 (Sun), 12:08
While discussions will go on forever over which flash modifier is best, a point often made about the Sto-Fen product is that it wastes light. So I decided to try the Omni-Bounce and compare it to other options in quantitative terms only.

The method I used was to set the flash at full power in various configurations, shoot a neutral gray target and adjust the aperture to get a centered histogram spike.

The indoor tests were conducted in a 13 ft. x 15 ft. room with an 8 ft. high white ceiling. The walls, floor and furnishings were mostly dark-colored. The camera and target were about 5 feet high.

While some people (including me) think it's nuts to use the Omni-Bounce outdoors, nevertheless there are those who claim that it somehow "softens" the light in that environment. So I included outdoor tests which were conducted at night.

Keep in mind that the flash zoom settings are based on the field of view of a 35mm film camera. So for example, when the flash is zoomed to 105 mm, it will cover a 65mm lens on a 1.6x camera.

My observations/conclusions:
1) In either environment, the Omni-Bounce provided the same amount of light as using the 17mm wide panel on the flash.

2) Regardless of angle, the Omni-Bounce was brightest when the flash was zoomed to 28mm. For this reason I used the 28mm setting for all tests with the Omni-Bounce attached.

3) I was surprised that there was no measurable difference in the outdoor vs. indoor readings with the Omni-Bounce pointed at the target. I expected the ceiling bounce effect to provide a bit more light indoors.

4) The guide number calculations (multiply the aperture x 10) with direct flash were about 1/3 stop less than specified in the flash unit's documentation. It's fairly common knowledge that flash unit manufacturers exagerate their power to some extent.

5) For those who use the Omni-Bounce for fill flash in the sun, keep in mind that it dramatically reduces your range. My tests indicate a guide number of 63 feet with the Omni-Bounce. This is only about a stop more than the built-in flash! In the sun you'll need an aperture around f/10 at 1/250 shutter. So you'll have an effective range of only 6.3 feet for full flash exposure or about 9 feet at -1 FEC. You'll get about 1/3 stop less with the 430EX and 1/3 stop more with the 580EX.

Kristy
1st of August 2006 (Tue), 00:39
okay... this is yet another of your wonderful "flash" information postings... I am now signing up as a student of the Curtis Flash Course... My 580 EX arrived today.. I have flipped through the manual... need to start playing..

Do you have a quick start program for someone going on vacation that needs an easy jump start just to get some decent nighttime/indoor shots without them looking flashy? LOL.... I'll be reading your threads....and I have 1-week to figure it out. Thanks for the completeness of what you are doing here.. Where do you find the time?

Curtis N
1st of August 2006 (Tue), 04:02
Do you have a quick start program for someone going on vacation that needs an easy jump start just to get some decent nighttime/indoor shots without them looking flashy?Chapter 3 (http://photography-on-the.net/forum/showthread.php?p=1585420#post1585420) should help, with a bit of practice.

Since you'll be on vacation with (hopefully) plenty of time to read, maybe print out The EOS Flash Bible (http://photonotes.org/articles/eos-flash/)(remember there are three parts to it) and spend some time digesting it.

Your assignment is to have fun on your vacation and post some wonderful shots when you get back!

woffles
1st of August 2006 (Tue), 14:16
One tip is you don't always have to point the flash at your subject. Bounced behind you will take more power but will light up a room more evenly when adding flash to ambient light.
If you have okay light inside you can shoot at ISO 200-400 in AV mode, choose the aperture you want and try bouncing your light different ways. Maybe FEC 1/3 to 2/3.
One thing a lot of people don't do is use gels on their flashes. Read over the www.strobist.com . Lots of good stuff on there. Outside the flash can come in handy during the day, not just at night. In AV mode meter the sky behind your subject and dial some negative FEC to just fill in the shadows while giving a nice backdrop. Otherwise you end up with nice skies and dark faces with raccoon eyes or good exposures with blown out skies. Practice a lot! :-)