View Full Version : dealing w/ strobe lights
narlus
4th of September 2006 (Mon), 11:42
any suggestions? it plays absolute havoc w/ the metering system, so i figure the best way is to take a stab at manual settings, put it in continuous mode, and fire away, hoping you get some decent captures.
is there a better way?
livewire-photography.com
4th of September 2006 (Mon), 12:06
Hey Narlus,
Yeah,when i do photography for nightclubs etc, i simply dont bother lol, as i use manual anyway, its a b*tch tryig to adjust in time and then its just a white room anyway. so i just put my camera down and wait it out, this probably doesnt help lol
James....
johnstoy
4th of September 2006 (Mon), 13:40
Narlus,
I'm hoping with lots more usage time, it will get easier to work with the 30D.:oops:
There are so many moving variables on stage, compounded by the constantly changing stage(100's) lights, that I'm (as a new owner, of the 30D) finding success only through volume of shots. Lots and lots of shots to be certain for an ample # to sort out from later.:confused:
In the dark, with or worse without, reading glasses, I'm very limited timewise. Only seconds are available for setting and re- setting.:confused:
So far, Spot Metering set and with ISO set at 1600, are what I'm falling back on. I let the camera do all else, till I am comfortable with other settings. With those two settings on, I don't know how to modify and retain a third and/or fourth function, aperture or shutter speed. Any hint's? Anyone?:rolleyes:
John
PS: The PICS from 9.3.06 look very good, the blue strobe pic is very interesting too. 30mm Lens? Cool.....:cool:
Mine Equip. (all Canon): 30D Body, 50mm 1.4 USM, 50mm 1.8, 18-55mm 3.5-5.6 not USM kit stock, 28-135mm 3.5-5.6 IS USM Wide Angle Telezoom, 75-300mm 4.0-5.6 Telezoom, RS-80N3, several tripods, mono pod, no flash yet, dozens of filters/close up lenses.
narlus
4th of September 2006 (Mon), 18:12
hey john, thanks for the comments re: the SY show last night; i assume you checked 'em out on my site? i'll toss a few up later. i was discouraged after looking @ them last night, but after spending some time w/ PP i am feeling somewhat better about the night's efforts, and think i got some decent shots.
johnstoy
4th of September 2006 (Mon), 18:26
Yeah Narlus, They look pretty good...
Got any more to pick out of the strobe shots collection?..The blue one is almost right there as the big winner...
John
DwightMcCann
4th of September 2006 (Mon), 18:49
This is not often a problem at my venues but when it happens I do just as Narlus suggests and shoot away ... well, I always "shoot away" anyway. My thought is that you simply take a zillion frames in such situations and you are bound to get something at least interesting if not marvelous. This does not mean I don't attend to exposure, et alia, but I do think a lot has to do with fortuitous captures.
narlus
4th of September 2006 (Mon), 22:59
this was definitely the best one i got from the particular strobe situation which prompted the query, but there were loads of tossaways.
http://narlus.zenfolio.com/img/p377470373-4.jpg
René Damkot
5th of September 2006 (Tue), 04:44
With strobes, if the effect looks nice, I usually stop down a bit, and set the camera to Manual. I try to get one flash of the strobe in the image. Takes a lot of frames to get a decent one though....
Screamer
6th of September 2006 (Wed), 02:50
The key to strobes other than running in manual is to pick up the beat and listen to the music. Generally you can count on strobes just after a cresendo, or during double bass kick drums.
Here is a quick series of strobes from my show from hell...all backlit:
http://www.macinophotography.com/strobe1.jpg
http://www.macinophotography.com/strobe2.jpg
http://www.macinophotography.com/strobe3.jpg
http://www.macinophotography.com/strobe4.jpg
vBulletin® v3.6.12, Copyright ©2000-2012, Jelsoft Enterprises Ltd.