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Barb42
24th of September 2006 (Sun), 19:04
I have been given permission to shoot a live orchestra concert, with an audience and while its being audio recorded. As you can see, I have lenses to choose from but I have never shot a live event like this. I am sure I won't be allowed to come too close due to the audience, so what would be the best approach and the best lenses to use? I have a few weeks to work out a plan.

SoaringUSAEagle
24th of September 2006 (Sun), 19:14
I'd take your 5D and 70-200 f2.8 IS, 50 1.4, and 24-70 2.8

crn3371
24th of September 2006 (Sun), 19:14
Well, with your gear there should be no problem at all ! You've got a nice arsenal of fast lenses with a wide focal range. Lens choice is going to be determined by how close you are able to get. Probably your 70-200 f2.8 IS and the 85 f1.8 if you're able to get close to the stage. With your gear, probably no use giving the aperture/iso/shutter speed lecture. Since it is being recorded, you might need to talk to the stage mgr, or recording engineer, so as to not interfer with that aspect of the performance.

JBillings
24th of September 2006 (Sun), 19:15
I've done live concerts using my 70-200L 2.8 at ISO 400 using my 1D. With Neatimage or Noise Ninja my results have been good enough to print onto 11 x 14s. I typically take my tripod or monopod when possible. Check and see if you can shoot during dress rehersa, it will show you where your best angles and lighting are.

Barb42
24th of September 2006 (Sun), 19:32
Thanks for the suggestions. I was thinking of the 70-200 and the 85 (which i really love and is great for low light). The 24-70 is a good idea for a wide shot. The 50 1.4 is a favorite too, and small enough to stick in a pocket. I don't want to carry a lot and will need to be quick and as invisible as possible. Its not like a rock concert - these people are the quiet sort. I shot an amazing bell choir that was being recorded a few months ago, but there was no audience. I was free then to go anywhere without getting in the way. I am a bit concerned about the audience and being careful not to be a problem.

The recording engineer is the one who recommended me, so I know what not to do. And the conductor is all in favor of the shoot. I just really don't want to blow this. I used a Canon 10D the last time and its so quiet. I am hoping the 5D will also be quiet and the lighting will be alright. I don't know what to expect for lighting.