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tdodd
2nd of September 2007 (Sun), 06:16
I've had my 30D for 14 months and my 580EX for 12. During that time I've had what I would describe as generally disappointing results from the two, with a common theme of underexposure for many of the results. There have been three major events where I have shot a lot of photographs that have nearly all needed a boost to exposure in software....

Wedding - first in large tungsten lit registry office with cream cloloured waals and bounced flash, and then in a restaurant environment with low white ceilings and bounced flash;
Christmas - indoors with very large white painted living room
Outdoor party - at night with lots of coloured lights adorning walls and marquee.

I've tried various ISOs to balance ambient light and flash light, different exposure modes - mostly AV and P and bounce and direct flash. Although I am aware of the EC and FEC features available to me I have never noticed the problems in the field, only after downloading to my laptop, so have never been alerted to the need to make manual adjustments.

Results with the builtin pop-up flash are always much better in terms of exposure success, within its limited constraints of power.

I'm beginning to wonder whether there is a problem with the flash gun or the way it interfaces with my camera. I have about two weeks left on the warranty for the flash so I'd like to understand whether there is a problem with it or if there is a reason why I need to manually override the automatic ETTL2 functioning. Maybe there are some standard tests I can try to see whether things are working as they should and that I simply need to be more aware of the conditions and what my histogram is telling me. Any advice would be appreciated. Here are some samples of uncorrected shots which have me baffled as to why they are so dim....

Exif data is included but here are the stats....

1) Bounce flash used on a low white ceiling across the dinner table.
1/60, f/5.6, 400 ISO, Program, Evaluative, 0EC, 0FEC

2) Bounce flash used on a medium height white marquee ceiling
1/60, f/2.8, 800 ISO, Program, Evaluative, 0EC, 0FEC

tdodd
2nd of September 2007 (Sun), 06:18
Two more here, this time with direct flash (not bounced)....

tdodd
2nd of September 2007 (Sun), 06:24
And yet, without doing anything any different I can also get results like these, where quite honestly there appears to be no problem with the exposure....

Derbyshire Weddings
2nd of September 2007 (Sun), 06:31
Use on manual for interrnal flash shots. Set speed 60th, 30th & whatever aperture you require, f8-5.6 etc. I'll wager you'll not suffer the same underxposure.

Curtis N
2nd of September 2007 (Sun), 06:31
Welcome to the dark and unpredictable world of Canon's E-TTL metering system.

You might want to start with some tripod testing to compare the 580EX with the built-in flash under controlled conditions. Use direct flash for this comparison, and do several tests. If the results are consistently different then your flash unit needs service.

For indoor shooting with flash as the main light, most people find that Average flash metering (custom function 14-1 on your 30D) does a better and more consistent job. And most users of E-TTL flash use +2/3 or +1 FEC as a "default" setting.

I know. You shouldn't have to do this. But Canon inexplicably designed their flash system this way.

tdodd
2nd of September 2007 (Sun), 06:53
Use on manual for interrnal flash shots. Set speed 60th, 30th & whatever aperture you require, f8-5.6 etc. I'll wager you'll not suffer the same underxposure.
I'm not averse to using manual exposure for the ambient light but I don't really see why a Manual setting of 1/60 and f/5.6 should give results any different from 1/60 and f/5.6 in Program mode. I know about NEVEC and the pitfalls of AV mode but I thought Program mode was immune from this quirk.

Why do you feel manual would work better? What am I missing?

tdodd
2nd of September 2007 (Sun), 07:01
Welcome to the dark and unpredictable world of Canon's E-TTL metering system.

You might want to start with some tripod testing to compare the 580EX with the built-in flash under controlled conditions. Use direct flash for this comparison, and do several tests. If the results are consistently different then your flash unit needs service.

For indoor shooting with flash as the main light, most people find that Average flash metering (custom function 14-1 on your 30D) does a better and more consistent job. And most users of E-TTL flash use +2/3 or +1 FEC as a "default" setting.

I know. You shouldn't have to do this. But Canon inexplicably designed their flash system this way.
I hear what you say. I've read through the flash bible a few times but I have to say I'm really unimpressed with the prospect that average metering is better than evaluative and even less impressed that a default of +ve FEC is a requirement. The thing is, if I'd used +1 FEC then my two "good" shots would have been blown. I'm sure people have got better things to do than wait patiently while I fanny about tweaking FEC and retake shots. That's not really going to capture the moment.

I can't believe this is as good as the Canon flash system gets. I really hope my flash gun is faulty and can get sorted under warranty. I'm also happier to understand that it is Canon's crap flash system rather than my own incompetence that is getting me these poor results but that won't really help me get better pictures unless I give in and bow to Canon's stupid system setup.

I will try some comparative testing and post back if I get any meaningful outcome.

Thanks for replying :)

Curtis N
2nd of September 2007 (Sun), 07:52
I'm really unimpressed with the prospect that average metering is better than evaluative...Canon gives you that option for a reason. Evaluative E-TTL works great for outdoor fill but not so great when the background is close.if I'd used +1 FEC then my two "good" shots would have been blown.I don't think so. Even your "good" shots look a little underexposed to me. The white clothing isn't anywhere close to 255/255/255.I'm sure people have got better things to do than wait patiently while I fanny about tweaking FEC and retake shots. That's not really going to capture the moment.Set your FEC before you start. Any metering system requires adjustment for conditions, like a big white tablecloth.

tdodd
2nd of September 2007 (Sun), 08:26
1. Canon gives you that option for a reason. Evaluative E-TTL works great for outdoor fill but not so great when the background is close.

2. I don't think so. Even your "good" shots look a little underexposed to me. The white clothing isn't anywhere close to 255/255/255.

3. Set your FEC before you start. Any metering system requires adjustment for conditions, like a big white tablecloth.

1. But I thought ETTL II gave a preflash and surely with segmented (evaluative) metering it can determine which areas within the frame are picking up the flash illumination and which areas are not. If anything, with the background failing to return the flash light surely the likelyhood is that the foreground gets overexposed, not underexposed. Also, I thought ETTL II was supposed to have some intelligence related to the distance information fed back from the lens on focus distance. Surely between the ambient light measurement and the distance to subject data this top of the range flash system could do a little better - no?

2. When I say "good" results, I mean about the best results I have had from this camera/flash combination.

For picture of the two girls there is a strong 255, 255, 255 specular highlight on the bottle she is holding and also on her pendant. I'm not sure where in the book it states that any white cloth should resolve to (or near to) 255, 255, 255. The blouse and the strap of her bag are at around 90%-93% luminance according to Lightroom. In my view that seems pretty reasonable overall. The faces look plenty bright enough to me. This is a scene shot at night - I don't think faces (or anything else) should look quite as bright as when illuminated by brilliant daylight/sunshine, unless you want that P&S style bleached face appearance. Of course, with "shoot to the right" histogram management I guess the shot could be a bit brighter but for the natural look it needs to be calmed down to about where it is now, I think.

Maybe the guy could stand a little more exposure but again, I prefer the more authentic look of the night scene rather than the "blasted with light" appearance that goes with hitting the 255, 255, 255 target. I've attached this photo run through auto tone in Lightroom, which did boost brightness and add +0.6 stops to the exposure but to me it looks overcooked. I think somewhere between the two would be about right. But then, once again, we appear to have another result that is underexposed (a bit). I've also attached a before/after comparison of the photo, unretouched and with auto tone applied.

3. Fair enough. But these exposure are way off the mark and really not acceptable in my opinion for "default" results. Plus, in the group shot I see nothing remarkable in the photo that should cause such poor results - no predominance of white or bright tones that might quench the flash early. There's a fair bit of dark background though, so if anything I would expect a bit of a bump in the exposure, not the opposite.

Dellboy
2nd of September 2007 (Sun), 08:47
The Canon flash system is a disgrace ETTL 2 is very inconsistent to say the least.

there are many factors which effect it, these include:

1, The lens you are using and weather it transmits distance info to the camera ( the 50mm is the only in your sig that doesn't )

2, how much ambient light is around.
Generally speaking, in good light ( using the flash as just a fill ) no FEC will be needed.
In complete darkness FEC of + 1 1/3 will be needed ( in my experience )
For in between amounts of ambient light vary FEC accordingly

3, whether the flash is pointing straight ahead.
Seems odd but the distance info is only used in the flash calculations when the flash is pointing straight ahead ( assuming your lens is capable ) so exposures will be different if you bounce or don't.

4, If your using a diffuser
The diffuser will have to be adjusted for if your using the flash straight ahead but not if bounced. This is assuming the lens is capable of distance info.

These are only mine ( and my brothers ) experiences - try them for yourself. I know that others here disagree, but most agree with the Canon flash inconsistencies in the ETTL 2 mode.

The best workaround I've found is to use average flash metering ( as Curtis suggests ) when indoors and only use evaluative flash metering when outside in good light, as a fill flash.

I wouldn't send the flash back to Canon as they all do the same ( I've tried 4 580EXs on 3 20D/30D bodies )

Either find workarounds for yourself or switch to Nikon ( their flash system is far better )
Sorry I can't be more helpful but I believe this to be the reality of the Canon flash system.:(

tdodd
2nd of September 2007 (Sun), 09:27
I have posted an album of test shots here - http://picasaweb.google.co.uk/EezyTiger/30DAnd580EXFlashTest?authkey=wkAM9Va4wJ0 and attached a summary display of all the results together, here. The summary results are crops from a much larger photograph, simulating a human in a darkened room. The album in the link above shows the original scene. The test shots were taken as follows....

Popup evaluative (P, Tv, Av, M)
Popup average (P, Tv, Av, M)
580EX evaluative (P, Tv, Av, M)
580EX average (P, Tv, Av, M)
580EX evaluative bounce (P, Tv, Av, M)
580EX average bounce (P, Tv, Av, M)

The conclusions I can draw are....
- the popup flash gives brighter results than the 580EX
- average metering give slightly brighter results than evaluative
- automatic exposure gives fairly consistent background alrhough P mode seems to dim it slightly.?. I thought Av and Tv were the modes that were supposed to suppress the background !?!
- manual exposure gives you control over ambient (background) light - no surprise!
- I'm barely any the wiser about how to combat Canon's bizarre interpretation of how to operate a flash system - the popup flash exposes better than the £300 professional flash gun. This is crazy.

I guess I'll have to wait for dusk and fire off some more test shots with a background too distant for the flash to have much/any effect. The annoying thing is that none of these test results seem anywhere near as bad as my real world efforts. That's not really helping me come up with any answers :(

Dellboy
2nd of September 2007 (Sun), 10:35
This link may help in understanding how the flash works in different camera modes:

http://photonotes.org/articles/eos-flash/index2.html#confusion

The flash shots do look better in average mode.

While I agree that this kind of performance is unacceptable if you can get consistency ( even if it's underexposed ) then at least you can set the FEC and get on with shooting .

Next time you're out ( and indoors ) set flash mode to average and check the histogram, dial in the required FEC and get on with the shoot.

Hopefully you'll get good consistent exposures but remember to keep an eye on the histogram as the normal preview often will misrepresent the shot.

Maybe others will have better suggestions but this is what I do and is the best I can offer.

Curtis N
2nd of September 2007 (Sun), 10:39
1. But I thought ETTL II gave a preflash and surely with segmented (evaluative) metering it can determine which areas within the frame are picking up the flash illumination and which areas are not.Remember, all it can do is measure light. Something close and white might give an identical reading as something a bit further away and gray. A tiny area that's extremetly bright might reflect the same amount of light as a larger area that's not so bright. Indoor scenes present very complex sets of segmented light readings that are difficult for any computer to evaluate. Your camera has only pre-programmed algorithms, not intelligence. With all due respect, providing the intelligence is your job.P mode seems to dim it slightly.?. I thought Av and Tv were the modes that were supposed to suppress the background !?!P mode will always limit the shutter speed to 1/60, which will underexpose the ambient in dark environments unless you're using a fairly high ISO setting and a fast lens.The annoying thing is that none of these test results seem anywhere near as bad as my real world efforts.One of the things that may be influencing some of your "real world" shots is direct reflections of the flash from glass and glossy surfaces. This is particularly problematic with Evaluative E-TTL.

I understand your frustration. I think most people can learn to get reasonably good results using the advice I have already given. If you're not satisfied, you may want to try a flash with a dedicated auto mode like the Metz 58.

tdodd
2nd of September 2007 (Sun), 10:42
Thanks guys. I'll keep plugging away until I get it right. At least it seems my flash is operating to spec.

tdodd
2nd of September 2007 (Sun), 17:31
I have completed further test, this time at dusk and with a distant background and present further results here, this time with histograms to better quantify the exposure differences.

These five images are all with the 580EX at 400 ISO. The first four are with evaluative metering in exposure modes - Program, Tv, Av, Manual. The fifth is with average metering and Program exposure.

It seems very clear to me that in Program mode with evaluative metering the flash exposure is badly underexposed, especially compared to the other results. This seems to be absolutely the worst combination of metering and exposure modes. I really don't understand why Manual exposure fares so much better, especially since in this example the aperture is smaller in Manual mode (f/5.6 vs f/2.8 for Program) so the flash is having to work harder in Manual but delivers better results.

I have many more results, not depicted here, and it does seem that average metering delivers better flash exposures than evaluative - I still fail to see the logic in that one but there you go.

Another odd thing I found is that the flash exposures are better at low ISO (100) than at 400 or 1600, with the 100 ISO results showing less underexposure than the higher ISO shots. This seems a bit backwards to me - surely you ncrease ISO to yield brighter photographs, not dimmer ones. Canon has some seriously perverse logic in play here.

Anyway, I'm off to bed now to ponder on all this. Maybe by tomorrow I'll have figured out what I'm supposed to do to get reliable automated flash exposures. So far the advice to use average flash metering and/or bump up the FEC seems spot on.

jargaguy
3rd of September 2007 (Mon), 09:42
That's a lot of work you've done there tdodd! Thanks for the info. I've got almost the same set up as you and done some indoor shots (reception halls) and found that using M with my Aperture between f/4-5.6 & shutter @ 100, ISO 100, Flash tilted up to 45 mark & FEC +1 give me pretty god results. I have had the flash at evaluative, but will try average next time. Iusually have LR or Bridge add +.5 to 1 exposure in Auto Tone adjustment.

I'd like to get perfect exposure, but doesn't happen for me on too many shots.


Good Luck


JA

r.morales
3rd of September 2007 (Mon), 13:00
Thanks , this helps me too

tdodd
3rd of September 2007 (Mon), 13:11
Glad this thread is helping people, including myself.

For what it's worth I just watched the Blue Crane DVD - http://www.adorama.com/DVIC580.html - in the hope that I would learn further about the quirks of the Canon flash system and there was no mention of any of this..... Nothing about evaluative vs average, next to nothing about the impact on results of P vs Tv vs Av vs M and certainly no mention of NEVEC or ISO alteration having inverse benefit on the flash exposures. All they prattled on about was lighting in the studio for portraits and product photography and controlling multiple flashguns. There was a bit about a backlit model on a beach but this was all stuff where there was time to experiment and tweak before repeating shots over and over until the light mix was perfect. Basically the DVD was as much about lighting technique as about the 580EX flash system.

Sure this was useful stuff but didn't really address the shortcomings in the Canon system. There was nothing about photojournalistic needs and how to set things up in a fast changing and uncontrolled environment. I was very disappointed.

Curtis N
3rd of September 2007 (Mon), 18:27
next to nothing about the impact on results of P vs Tv vs Av vs M.It's important to understand that these modes affect how the camera meters ambient light but they have no direct impact on flash exposure. How you meter the ambient light only indirectly affects the flash exposure. If the ambient is well-exposed then automatic fill flash reduction kicks in (Evaluative E-TTL mode only).

Since every flash photograph is two exposures in one, every shot requires two decisions:
1) How do I want to expose the ambient light?
2) How do I want flash to contribute to the exposure?
Make those decisions, consciously, in that order, and you'll get more predictable results.

As for the ISO thing - I have also noticed differences in flash exposure when changing the ISO. Theoretically it shouldn't happen, but it does.

tdodd
4th of September 2007 (Tue), 01:53
Curtis, the DVD did cover balancing ambient and flash light but not, if I recall correctly, the fact that P mode pretty much ignores ambient whereas Av and Tv suck up as much of it as they need, and certainly no mention of NEVEC screwing with your exposures.

I've done some Googling since starting this thread and the internet is rife with complaints about the 580EX (it's probably the bodies rather then the flash but people think it's the flash) underexposing when stuck on their 20D, 30D, 1D IIN etc. The common solution always seems to be to use Average instead of Evaluative and/or to dial in +2/3 to +1 (or even more) of FEC. While it is easy enough to do this, as a systemc, worldwide problem, it should not be necessary. It is like a motor manufacturer that builds cars which pull to the left a bit and the solution is - keep tugging on the wheel and she'll go straight - that is hardly the correct approach. The motor manufacturer should build cars that drive straight in the first place. Canon should build a flash system that by default exposes correctly, leaving FEC for creative control or difficult conditions. FEC is not there to be used as a permanent bias/trim to compensate for Canon's clueless flash exposure algorithms.

Curtis N
4th of September 2007 (Tue), 04:29
P mode pretty much ignores ambient whereas Av and Tv suck up as much of it as they need,The only thing different about P mode is that it limits the shutter speed to between 1/60 and X-sync speed. It will attempt to properly expose the ambient light if possible within this range of shutter speeds, given the lens' aperture range and your chosen ISO.Canon should build a flash system that by default exposes correctly, leaving FEC for creative control or difficult conditions. FEC is not there to be used as a permanent bias/trim to compensate for Canon's clueless flash exposure algorithms.I think the vast majority of E-TTL users will agree with that statement.

tdodd
4th of September 2007 (Tue), 04:58
The only thing different about P mode is that it limits the shutter speed to between 1/60 and X-sync speed. It will attempt to properly expose the ambient light if possible within this range of shutter speeds, given the lens' aperture range and your chosen ISO.
Yes, good point. It's just not intuitive to understand that P, Av and Tv can give completely different results with flash, given that without flash they should all yield identical exposures.

I must say I was rather shocked at the results I first got in Av mode in indoor lighting and the abysmal (slow) shutter speeds that followed. I thought, at the time, that switching on the flash gun was supposed to avoid those slow shutter speeds. How naive! Of course, once you know this stuff it all falls into place and makes sense.

I have read elsewhere that people have returned there cameras to be recalibrated by Canon with significant improvement to flash exposures. Perhaps we should all do that. Here's a sample thread....

http://photography-on-the.net/forum/showthread.php?t=80413

It's 7 pages long but see post 62 on page 5, by the OP.

Obtong
16th of October 2007 (Tue), 19:06
Hi. I too have had challenges with getting correct exposures with my 30D and 550EX flash. I used to use an A2e and 430EZ and hardly ever had a bad flash shot. The A2e is a film camera, and film's wide exposure latitude is very forgiving. With my 30D/550EX combination, I find I have the think a lot more about exposure before taking a flash picture, just like when shooting with slide film. When taking flash picures with my 30D/550EX combination, I generally use spot metering and the on-camera FEL (Flash Exposure Lock) button to lock on on a neutral tone or the subject's face. I find that this approach generally works for me, especially with back lit or dark backround shots like the party shots at the start of this thread. It's a hassle I know, especially when taking shots at an event for which you don't have too much time to do FEL. In these cases, I shoot RAW and do a little PP in Canon's Dogital Photo Professional.

Wilt
16th of October 2007 (Tue), 21:28
I can't believe this is as good as the Canon flash system gets. I really hope my flash gun is faulty and can get sorted under warranty. I'm also happier to understand that it is Canon's crap flash system rather than my own incompetence that is getting me these poor results but that won't really help me get better pictures unless I give in and bow to Canon's stupid system setup.

That's as good as it gets. Pretty absurd, but that's all you get...a lot like the quality of the TV series show script writing, you have to put up with it! The pathetic thing is that the newer 580EX-II in Auto mode (like other photosensor Auto flashes on the market) underexposes, too! (unlike most photosensor Auto flashes) You learn the tips about compensating for its inadequacies, and you hope that it is not too unpredictable and that your RAW convertor software can adjust out its unpredictabilities.


If you have come from film cameras with TTL flash exposure automation, the dSLR flash situation is very pathetic. And Canon isn't alone; my Nikon using colleagues gripe about it, too!

cosworth
16th of October 2007 (Tue), 23:37
I'm not posting any sock pictures here. I promise.

jargaguy
17th of October 2007 (Wed), 00:45
For what it's worth I just watched the Blue Crane DVD - http://www.adorama.com/DVIC580.html

I was planning to purchase this DVD along with http://amazon.com/gp/product/0470045280/ref=s9_asin_image_1/002-8376276-4028815?pf_rd_m=ATVPDKIKX0DER&pf_rd_s=center-3&pf_rd_r=0G6V93ZC4857TFTG7HJW&pf_rd_t=101&pf_rd_p=311499301&pf_rd_i=507846

Did you purchase this? I wanted to view it, but was a bit skeptical. I'll be glad to purchase it from you if you're done with it.


JA

tdodd
17th of October 2007 (Wed), 01:54
I was planning to purchase this DVD along with http://amazon.com/gp/product/0470045280/ref=s9_asin_image_1/002-8376276-4028815?pf_rd_m=ATVPDKIKX0DER&pf_rd_s=center-3&pf_rd_r=0G6V93ZC4857TFTG7HJW&pf_rd_t=101&pf_rd_p=311499301&pf_rd_i=507846

Did you purchase this? I wanted to view it, but was a bit skeptical. I'll be glad to purchase it from you if you're done with it.


JA
It wasn't my own copy so I have nothing to sell. But to be honest I wouldn't bother with the DVD - unless you're big on studio work. I already expressed my views about the DVD earlier and I'll repeat them here.

"Nothing about evaluative vs average, next to nothing about the impact on results of P vs Tv vs Av vs M and certainly no mention of NEVEC or ISO alteration having inverse benefit on the flash exposures. All they prattled on about was lighting in the studio for portraits and product photography and controlling multiple flashguns. There was a bit about a backlit model on a beach but this was all stuff where there was time to experiment and tweak before repeating shots over and over until the light mix was perfect. Basically the DVD was as much about lighting technique as about the 580EX flash system.

Sure this was useful stuff but didn't really address the shortcomings in the Canon system. There was nothing about photojournalistic needs and how to set things up in a fast changing and uncontrolled environment. I was very disappointed."

I was hoping to find answers to using the 580EX in real life situations - weddings (not as a pro), events, parties, where you have little or no control over the lighting environment and are having to shoot fast, as the opportunities present themselves - not controlled studio environments with lots of time to measure, compare and readjust settings. The DVD was really a generic flash lighting tutorial with specific mention of the controls on the 580EX. But this did not cover the idiosyncrasies of Canon's flash system and that is the exact guidance I was seeking. It's not a DVD I'll feel the need to view again.