suyenfung
11th of September 2007 (Tue), 16:32
hey there. i've hit a snag in my post workflow and i'm curious if anyone has any suggestions to make this easier. this is somewhat complicated and thus long winded, thanks for your time.
we shoot with three cameras and a variety of lenses (see sig).
we use dim to copy files to computer with a date/time based name - yy.mm.dd_hh.mm.ss.cr2 - this neatly organizes the photos chronologically, but mixes them up camera/lens wise.
we then import into lightroom for processing. so far so good.
i would love to be able to easily batch process the photos, however it doesn't seem to be so simple. i find myself having to manually tweak the white balance of every photo. i really wish i didn't have to do this.
at the beginning of the season, i was under the impression that color temperature was objective, and that the correct white balance for a given setting would be applicable to all photos from that setting, regardless of camera/lens. this doesn't seem to be the case. the correct wb for the 85L for instance, is always too blue/green when applied to the 17-55 and vice versa.
i do believe that this is a lens issue and not a camera issue but i'm not sure. so, my first question is, how much do cameras and/or lenses play a role in the final correct white balance? what is really going on here?
to try and counter this, we started getting whibal shots with each camera/lens and/or doing custom white balances. this has given better results, however it seems, due to the (sometimes wildly) fluctuating available wedding light, that the white balance floats a few hundred degrees and several tint units either way throughout the course of whatever is happening (the ceremony for instance).
i don't know that there is any way around this, and i am willing to accept the fact that manual tweaks are going to be required of each photo, which brings me to my next issue -
as it is, because of the chronological organization, i might have two wide angle shots, followed by a tele, then a wide angle, then three teles and so on. this compunds the problem because i have to manually adjust to several standards, if you will. variable standards no less, and going back and forth between the shots can be confusing and time consuming and just annoying.
is there a way to sort photos in lightroom by lens, camera, creator or focal length or any parameter that would separate the shots? i have used aspect ratio with some success (the rebels and the 30d have different ratios), but this is not a real solution because next year we will most likely be shooting with the same cameras. maybe i am missing something here, but it doesn't seem possible. which would be lame. tell me i am wrong.
so maybe i am blowing this out of proportion or am too picky or am doing something wrong. i don't know. but any tips, tricks, advise or wisdom would be most appreciated, this is my number one post production problem and it's becoming quite the burden. i am very interested to hear how you all handle the tedious task of white balancing your photos.
we shoot with three cameras and a variety of lenses (see sig).
we use dim to copy files to computer with a date/time based name - yy.mm.dd_hh.mm.ss.cr2 - this neatly organizes the photos chronologically, but mixes them up camera/lens wise.
we then import into lightroom for processing. so far so good.
i would love to be able to easily batch process the photos, however it doesn't seem to be so simple. i find myself having to manually tweak the white balance of every photo. i really wish i didn't have to do this.
at the beginning of the season, i was under the impression that color temperature was objective, and that the correct white balance for a given setting would be applicable to all photos from that setting, regardless of camera/lens. this doesn't seem to be the case. the correct wb for the 85L for instance, is always too blue/green when applied to the 17-55 and vice versa.
i do believe that this is a lens issue and not a camera issue but i'm not sure. so, my first question is, how much do cameras and/or lenses play a role in the final correct white balance? what is really going on here?
to try and counter this, we started getting whibal shots with each camera/lens and/or doing custom white balances. this has given better results, however it seems, due to the (sometimes wildly) fluctuating available wedding light, that the white balance floats a few hundred degrees and several tint units either way throughout the course of whatever is happening (the ceremony for instance).
i don't know that there is any way around this, and i am willing to accept the fact that manual tweaks are going to be required of each photo, which brings me to my next issue -
as it is, because of the chronological organization, i might have two wide angle shots, followed by a tele, then a wide angle, then three teles and so on. this compunds the problem because i have to manually adjust to several standards, if you will. variable standards no less, and going back and forth between the shots can be confusing and time consuming and just annoying.
is there a way to sort photos in lightroom by lens, camera, creator or focal length or any parameter that would separate the shots? i have used aspect ratio with some success (the rebels and the 30d have different ratios), but this is not a real solution because next year we will most likely be shooting with the same cameras. maybe i am missing something here, but it doesn't seem possible. which would be lame. tell me i am wrong.
so maybe i am blowing this out of proportion or am too picky or am doing something wrong. i don't know. but any tips, tricks, advise or wisdom would be most appreciated, this is my number one post production problem and it's becoming quite the burden. i am very interested to hear how you all handle the tedious task of white balancing your photos.