picprinter
11th of January 2008 (Fri), 14:58
I was hoping that if there were any indoor motocross photographers in here if they help me with some ideas. This year I am doing some photography at an indoor motocrossevent to support a charity. Below is a rather poor multi image composite put together toshow you the arena and the course. Don't judge this composite because I threw it together just to give you an idea of the lay out.
Where would YOU think the best photo ops are presented in a situationsuch as this? But let metell you the following, I MUST shoot with fill flash ! ! ! Sorry to all the available light fans in these forums but the promoter saw our fill flash images from last year's show and compared themto the other photographer who was shooting available light and hired us with the understanding we would shoot with flash. They also want the crowd of spectators in the background.
So, the course is run as follows, out the starting gate they dash across the whole length of the arena ( down in the image ) and turn right to go over a triple set of small bumps, then to two larger bumps which the good riders double. I primarily was shooting from what I marked as #1 and shot the riders in the air or just launching off the first big bump and had the crowd in the background. The riders then pass through the starting gate area to the other side of the arena going through a timing section of small bumps, the finish line area and then a double jump. From there they counter back through the center of the arena turning 180 degrees to jump across a big double jump in the center of the arena and around again.
Last year I shot from position #1 which gave me ops with bikes in the air and the crowd for the background. (sample below)
I also had a photographer shooting in position #2. He was shooting the riders coming straight at him, catching them in the air or just before touchdown on the back side of that double jump. The crowd also filled the background in these images. This is harder to do with the promoter requiring us to shoot fill flash because of the distance between camera and
subject.
Likewise we used position #3 catching riders coming off the big double in the center of the arena, crowd in the background. This was easier to fill flash the rider because the camera to subject distance is shorter than position #2.
Position #4 gives a shot similiar to position #1 but the rider don't get as much air there because of the quick turn they need to make.
How would you shoot this???????????
These sample images all come from the practice sessions so there isn't much of a crowd in the stands but for the finals the stands are full.
http://www.photofinishingstation.com/images/arenacross/arena2008.jpg
Position #1 Sample
http://www.photofinishingstation.com/images/arenacross/GN2V5356.jpg
Position #1 Sample
http://www.photofinishingstation.com/images/arenacross/GN2V5382.jpg
Position #2 Sample
http://www.photofinishingstation.com/images/arenacross/JMP_0786.jpg
Position #3 Sample
http://www.photofinishingstation.com/images/arenacross/JMP_0870.jpg
Where would YOU think the best photo ops are presented in a situationsuch as this? But let metell you the following, I MUST shoot with fill flash ! ! ! Sorry to all the available light fans in these forums but the promoter saw our fill flash images from last year's show and compared themto the other photographer who was shooting available light and hired us with the understanding we would shoot with flash. They also want the crowd of spectators in the background.
So, the course is run as follows, out the starting gate they dash across the whole length of the arena ( down in the image ) and turn right to go over a triple set of small bumps, then to two larger bumps which the good riders double. I primarily was shooting from what I marked as #1 and shot the riders in the air or just launching off the first big bump and had the crowd in the background. The riders then pass through the starting gate area to the other side of the arena going through a timing section of small bumps, the finish line area and then a double jump. From there they counter back through the center of the arena turning 180 degrees to jump across a big double jump in the center of the arena and around again.
Last year I shot from position #1 which gave me ops with bikes in the air and the crowd for the background. (sample below)
I also had a photographer shooting in position #2. He was shooting the riders coming straight at him, catching them in the air or just before touchdown on the back side of that double jump. The crowd also filled the background in these images. This is harder to do with the promoter requiring us to shoot fill flash because of the distance between camera and
subject.
Likewise we used position #3 catching riders coming off the big double in the center of the arena, crowd in the background. This was easier to fill flash the rider because the camera to subject distance is shorter than position #2.
Position #4 gives a shot similiar to position #1 but the rider don't get as much air there because of the quick turn they need to make.
How would you shoot this???????????
These sample images all come from the practice sessions so there isn't much of a crowd in the stands but for the finals the stands are full.
http://www.photofinishingstation.com/images/arenacross/arena2008.jpg
Position #1 Sample
http://www.photofinishingstation.com/images/arenacross/GN2V5356.jpg
Position #1 Sample
http://www.photofinishingstation.com/images/arenacross/GN2V5382.jpg
Position #2 Sample
http://www.photofinishingstation.com/images/arenacross/JMP_0786.jpg
Position #3 Sample
http://www.photofinishingstation.com/images/arenacross/JMP_0870.jpg