nureality
24th of January 2008 (Thu), 15:43
Next, I tried adding the cheapo-junk tube stack to the mix and it increased magnification of the whole as well (the trick with these things is you have to release the lens mount and just turn the lens(es) a slight amount out of lock, counterclockwize). Whenever these tubes are in the setup, the camera can not communicate with the lens and change aperture. And if its mounted completely locked in place it will give you an Error00.
Knowing that stacking the Tubes can include 2 sets.
The questions I have for you all are:
a) Has anyone tried stacking 2 or 3 Kenko sets? (I'd like to know if anyone can confirm or deny that multiple Kenko's will work together, if they do I'll be getting another one.)
b) If you stack multiple "proper" tube sets like the Kenko's with complete communication with the lens/body, will that work? (Because with the case of the cheapo tubes, the camera doesn't know they are there) It would be nice to be able to control aperture.
c) Does stacking 2 or 3 Kenko sets causes some error message from the camera?
Next order of business for me will be to add some kind of Macro flash to my kit.
I'm currently torn between getting the MX-14EX now and upgrading to the MT-24EX later, or just getting the MT-24EX right off. Anyone out there care to share their experience with either model?
A big question I have about these flashes is how much of a difference they will be able to make not only with exposure/composition, but in reference to exposure length as well.
I noticed many of you guys with your rigs use standard speedlites with brackets and diffusers, is there advantages to Macro flashes or not?
-Alan
Knowing that stacking the Tubes can include 2 sets.
The questions I have for you all are:
a) Has anyone tried stacking 2 or 3 Kenko sets? (I'd like to know if anyone can confirm or deny that multiple Kenko's will work together, if they do I'll be getting another one.)
b) If you stack multiple "proper" tube sets like the Kenko's with complete communication with the lens/body, will that work? (Because with the case of the cheapo tubes, the camera doesn't know they are there) It would be nice to be able to control aperture.
c) Does stacking 2 or 3 Kenko sets causes some error message from the camera?
Next order of business for me will be to add some kind of Macro flash to my kit.
I'm currently torn between getting the MX-14EX now and upgrading to the MT-24EX later, or just getting the MT-24EX right off. Anyone out there care to share their experience with either model?
A big question I have about these flashes is how much of a difference they will be able to make not only with exposure/composition, but in reference to exposure length as well.
I noticed many of you guys with your rigs use standard speedlites with brackets and diffusers, is there advantages to Macro flashes or not?
-Alan