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Henry Low
27th of February 2005 (Sun), 15:41
Hi there,

I was asked to take pictures of a mansion and I am getting paid to do it... both architechturely and objects inside the house such as furniture and stuff..

I own a 20D with the 1.6 crop facter.... if i got the 28-75mm lens for it, is it wide enough on the 28 end?

If not, what do you recommend?

THanks

defordphoto
27th of February 2005 (Sun), 15:46
The 28 will not be wide enough. I'd snag the new 10-22 for that project! See this thread: http://photography-on-the.net/forum/showthread.php?t=59666

Although I would never consider dumping L-glass for S-glass, the 10-22 looks like a great performer.

Dandaman_24
27th of February 2005 (Sun), 15:48
Depend on how far back you stand. Does'nt it ?

defordphoto
27th of February 2005 (Sun), 15:53
Depend on how far back you stand. Does'nt it ?

Of course. But, he's shooting in very limited space and the 28mm becomes 44.8mm with the 1.6x factor. The 28mm, in this case, ends up NOT being a wide lens.

DeeplyDigital
27th of February 2005 (Sun), 16:08
In case you don't want to go for an EF-S lens - the Zenitar 16mm is quite tight, though has the slight disadvantage of manual focus.

I received the 8mm Peleng lens a few days ago and will post examples as soon as I take some in daylight.
I can already say that the 8mm is very sharp, the colours are nice, but it needs getting used to. And it can be very fisheye - so it needs practise and possibly defishing.

I have had very fine results with the 17-40 which I use for just about everything.

For the Russian lenses I can 200% recommend Kievcamera for the best, fastest & friendliest service ever.

Julia

Henry Low
27th of February 2005 (Sun), 16:20
Thanks guys... man i need to buy a wideangle lens... but can not afford one at this time.
anyone know where i can get a cheap wideangle lens?
I heard the Tokina ATX PRO 17mm is good for the money

defordphoto
27th of February 2005 (Sun), 17:12
If you're getting paid, yank out the plastic and invest.

Andy_T
27th of February 2005 (Sun), 18:45
... and try it out before.

You'll be confronted by something called perspective distorsion.
Make sure the first time you encounter it is not on a paid project.

Best regards,
Andy

MrChad
27th of February 2005 (Sun), 19:09
I used my Sigma 18-125mm ($260.00) for interiors of my house for showings, much better then my 28-105mm EF.

Adam Hicks
27th of February 2005 (Sun), 19:12
Check and see if Dell has rebates (go to http://www.techbargains.com) and BUY THE 10-22. You can get it for about $649 with free shipping. After you do the shoot, sell it on ebay for $625+! That's $25 usage fee and you can use the lens for a while... like 6 months or so and still get 95% of your money back.

Adam

cactusclay
27th of February 2005 (Sun), 19:28
I hate to break ranks here, but what about stitching. I never tried it, but.........................

WestFalcon
27th of February 2005 (Sun), 19:31
Henry Low.....I do interior shots for an upper scale kitchen company and use the 17-40 for everything. It is fantastic!!!! This can do everything for you. Shoot off of a tripod at f8-f11, available light. I bring a few tungsten reflectors to fill in shadows and shoot on tungsten whiote balance. I've had Mauser Cabinets buy some of the images for their national ads.

DionM
27th of February 2005 (Sun), 20:02
To do nice interior shots you need at least 90deg field of view. This means approx 19mm "real" so on a 1.6x crop, at least 12mm lens. Canon 10-22 or Sigma 12-24 is the way to go.

28 is way too long for interior shots.

I find my 17 "okay" but would prefer much wider.

Alternately, shoot film and get it scanned ... one way to get rid of the 1.6x crop. The sole reason I kept my EOS300 (Rebel 2k) film camera is for when I really truly want 17mm ... fit the 17-40 onto and shoot some film.

12345Michael54321
27th of February 2005 (Sun), 20:47
A good friend of mine's an interior decorator, and I often photograph her work.

With a 1.6x factor SLR, a 28mm wide end really isn't going to cut it.

Ideally, you want the aforementioned EF-S 10-22mm zoom. That'll give you the 35mm format equiv. of 16mm at the wide end, which is extremely wide. Probably wide enough, and a little extra besides.

Depending on the situation and your particular needs, a few shots taken at 28mm or 35mm, stitched together in a panorama, may be one way to go. But this does add significant complication to your workflow, and in many cases it just won't do.

FWIW, if I need a really wide angle, I'll just put my 20-35mm lens on a film EOS body, and scan the negative or chrome into digital form, if desired. But that's only because I haven't purchased the 10-22mm lens yet. (I'll have it in my sweaty little hands in another few weeks.)

Adam Hicks
27th of February 2005 (Sun), 21:35
Well I should also caution that while I'm very happy with the sharpness and versatility of the 10-22, there's obviously going to be some distortion at 10mm (16mm) which might not lend itself to brochure type work. I love it for exagerated effects (http://www.fotop.net/adam12hicks/MSR_Feb_2005/Roberto_wide_on_one_car) but you might need to use some software to compensate for the distortion that wide.

I will say it never ceases to amaze me how much you get in the frame with this lens. I often fear I'm going to have to use Photoshop to edit out my own ears :)