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hiri
26th of May 2009 (Tue), 04:08
Hi All,
need an advice.
i am new on SLR. i just bought 50D and 24-105mm L
and i can't get a sharp head shot picture with out a photoshop

my "head shot" questions :
1. using canon aiAf switch to the center point.
should i aim it to the eyes then recompose
or to the nose/cheek/ just any parts of the face?
(assume: using f/4 or 5.6 and the distance is less than 5 meters away)

2. will it be easier to get a sharper image if the distance to the object
is more than 5 meters/ infinity?? (assume: using f/4 or 5.6)

3. for head shot, which one is better?
using longer focal w/ further distance to the object
or shorter w/ shorter distance?

4. is it true, a more expensive camera tend to produce softer image but
more detail ?

thx very much

dkspook
26th of May 2009 (Tue), 09:11
Hi All,
need an advice.
i am new on SLR. i just bought 50D and 24-105mm L
and i can't get a sharp head shot picture with out a photoshop

my "head shot" questions :
1. using canon aiAf switch to the center point.
should i aim it to the eyes then recompose
or to the nose/cheek/ just any parts of the face?
(assume: using f/4 or 5.6 and the distance is less than 5 meters away)

2. will it be easier to get a sharper image if the distance to the object
is more than 5 meters/ infinity?? (assume: using f/4 or 5.6)

3. for head shot, which one is better?
using longer focal w/ further distance to the object
or shorter w/ shorter distance?

4. is it true, a more expensive camera tend to produce softer image but
more detail ?

thx very much

Use one shot af, focus (w. one of the outer points) on one of the eyes. Recompose if needed, Press shutter button. :)

Which aperture are you using? Focus-recompose with a shallow DOF is tricky business...

cdifoto
26th of May 2009 (Tue), 09:20
I try to always choose the AF point that lays right over the nearest eye. Focus-recompose can be dangerous when you have a small depth of field in which to work.

bsaber
26th of May 2009 (Tue), 14:51
my "head shot" questions :
1. using canon aiAf switch to the center point.
should i aim it to the eyes then recompose
or to the nose/cheek/ just any parts of the face?
(assume: using f/4 or 5.6 and the distance is less than 5 meters away)

2. will it be easier to get a sharper image if the distance to the object
is more than 5 meters/ infinity?? (assume: using f/4 or 5.6)

3. for head shot, which one is better?
using longer focal w/ further distance to the object
or shorter w/ shorter distance?

4. is it true, a more expensive camera tend to produce softer image but
more detail ?

thx very much

1. What others have said.
2. No
3. Usually longer focal length is recommended because it reduces distortion of facial features.
4. No

Hope that helps.

hiri
28th of May 2009 (Thu), 02:16
Thx to 3 of you: dkspook, cdifoto, bsaber

for focus then re compose on headshot picture
is aperture (f) 4 is "dangerous"?

bsaber
28th of May 2009 (Thu), 02:47
Depends but in general I would say yes.

hiri
28th of May 2009 (Thu), 06:00
hi bsaber...

i see your pics from the flickr
the adeline and aoni is cool & sharp - very nice

if f.4 is "dangerous" so what f to considered safe for re compose?

and if i shot using big aperture like f=1.8 and can not use recompose technique
what should i do to have a sharp headshot pictures like yours..

thx...

beegeeboy
28th of May 2009 (Thu), 06:20
Hi,

I've learnt lots by trial and error too! I never focus and recompose now, I use the nearest focus point to the eye and singal that one out - same as CDiphoto says. With a narrow DOF as soon as you recompose you're asking for trouble. Well, that's what I found anyway!

David

bsaber
28th of May 2009 (Thu), 14:13
hi bsaber...

i see your pics from the flickr
the adeline and aoni is cool & sharp - very nice

if f.4 is "dangerous" so what f to considered safe for re compose?

and if i shot using big aperture like f=1.8 and can not use recompose technique
what should i do to have a sharp headshot pictures like yours..

thx...

First, thanks! :D

As David said above you should select the focus point closest to the point you want to focus on. For me f/5.6 is "safe" for focus and re-compose. Anything less than f/4 you should use the focus point that is closest to the point of interest. It also depends on the lens and camera to subject distance. For example, if you're using a wide angle (let's just say the 17-40L) and shooting at f/4 @ 17mm on a crop camera. I find that you can still do the focus and re-compose without too much trouble assuming that the distance to the subject is ~3 or more.

Hope that helps

hiri
29th of May 2009 (Fri), 00:20
thx everybody..
will try and practice again...
next week i have a models hunting session...
will try to upload later

@bsaber : i am reading your blog at this moment

bsaber
29th of May 2009 (Fri), 01:11
thx everybody..
will try and practice again...
next week i have a models hunting session...
will try to upload later

@bsaber : i am reading your blog at this moment

Haha, what do you think? :D

hiri
3rd of June 2009 (Wed), 03:32
To Bsaber:
well... i think you need to make a link and change the layout so it will be more attractive and easier to read.
regarding the contents: no problem.. and helpful for newbie

bsaber
3rd of June 2009 (Wed), 13:21
To Bsaber:
well... i think you need to make a link and change the layout so it will be more attractive and easier to read.
regarding the contents: no problem.. and helpful for newbie

What do you mean by make a link? Thanks for the feedback. :)

hiri
8th of June 2009 (Mon), 07:21
from my 1st model hunting:
learning from all of you
i shot using f/5.6 and f/8

@bsaber: about link... it will be easier if ican jump to the date/ week i want
you only divide them by months.. or a link for an articles.. you don't always write articles everyday,right? let's say when i am only interest at reading an articles...

hiri
8th of June 2009 (Mon), 07:23
here.. two more

bsaber
8th of June 2009 (Mon), 18:08
Those look great hiri! I've been planning on doing exactly what you're saying and will do some when finals are over. Looking forward to seeing more of your work.