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#1 |
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Goldmember
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Folks,
I guess this is just a warning to those who think they can jump into wedding photography. A friend of mine had mentionned that maybe I might be interested in shooting her wedding. I bluntly told her that I was not ready to take that leap. Nor could I believe that she had found someone to do her wedding for 400Cdn. I wasn't able to attend her wedding either because I was away at school...but when she got the photos back I couldn't believe the horrific results. The pics are grainy, crooked, dark, and all shot in poor locations... I cannot imagine presenting these to a client... I can't even find a way to salvage them for her...my PS skills are tapped out... I know I could have done better than this, but I am glad she has now seen the result of paying next to nothing for important photos... Take a look.... Cheers,
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Symes Symplicity Photography Symplicity Glamour 5D Mark II; 1D Mark II; 17-40L; 24-70 2.8L; 70-200 IS 2.8L Last edited by symes : 9th of December 2005 (Fri) at 19:13. |
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#2 |
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Goldmember
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one more...
One of the guests even mentionned to her about the sailboats...she tried to pass the graininess off as a photojournalistic style...
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Symes Symplicity Photography Symplicity Glamour 5D Mark II; 1D Mark II; 17-40L; 24-70 2.8L; 70-200 IS 2.8L |
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#3 |
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User is banned from forums
Join Date: Nov 2005
Location: West Mids UK
Posts: 125
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I've seen a lot worse to be honest - the group isn't badly posed.
I got into wedding photography in my teens and did it semi professionally all my life until a couple of years ago when I packed it in. I still see some horrific examples though which people have paid good money for. You don't have to be any great and gifted photographer to undertake wedding photography. If you don't have the basic skills then you're a fool to undertake it, but the biggest problem is you'll be called upon to have people skills in organizing, managing, and posing often large groups of people, that you probably don't possess and have no experience of. It can be an extremely high pressure job, and unless you're a pretty outgoing type of person, who can keep it light and chatty while coaxing people into what you want, you'd probably do well to avoid the situation. |
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#4 |
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User is banned from forums
Join Date: Nov 2005
Location: West Mids UK
Posts: 125
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LOL - OMG!
Pics on the skew like that are all too common. Unless your friend has already paid, what she should do is demand a substantial discount. If the photographer doesn't sell these pics to your friend, he wont sell them to anyone else. I realise your friend will want the pics but there's room to for negotiation there. Most of that last shot is wide angle distortion btw. The bride and the two ladies on the right are upright while the fellers are all falling over. Last edited by Tonky : 9th of December 2005 (Fri) at 19:36. |
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#5 |
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Senior Member
Join Date: May 2005
Location: Melbourne, Australia
Posts: 1,661
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harsh
i did a wedding for a LOWWWWW budget wedding a while ago with my 300D, and i'll agree that weddings are A) way to much pressure and expectations B) friggin hard to do! C) not worth doing unless you're a professional with the added wedding gift
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Matt Bennell Camera: Canon EOS 300D DSLR Black Extras: 18-55mm, 50mm 1.8, Tripod, Imagination Field: You name it, I've shot it.. Or about to shoot it today Recently Updated Folio/Gallery -> http://mbp.fotopic.net/ |
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#6 |
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Goldmember
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maybe he wanted the dark feeling =P. spooky if you ask me
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#7 |
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Goldmember
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Sorry should have made it clear that the copyright and all the images are now property of the bride and groom and this is why I was able to post them...
Cheers,
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Symes Symplicity Photography Symplicity Glamour 5D Mark II; 1D Mark II; 17-40L; 24-70 2.8L; 70-200 IS 2.8L |
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#8 |
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User is banned from forums
Join Date: Nov 2005
Location: West Mids UK
Posts: 125
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O.K. Do you have the original images or are these scanned from the prints? They're quite badly under-exposed, so I don't think you'll recover much shadow detail though. Pretty awful really.
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#9 | |
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Member
Join Date: Jul 2005
Location: POPTN
Posts: 783
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Quote:
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70-200mm f/2.8IS Canon 1.4X II|sigma 12-24mm | EF85mm f/1.8|Ef 24-105mmL | 100mm macro| RS-80N3 | MinoltaAutometer|I9900|CS2|LR|CS3| Angle Finder Manf 190MF4 tripod, 680 mono, 322RC2 Joystick Head | 580EXII,580EX,430EX,ST-E2,CP-E3 www.pbase.com/marlonjp |
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#10 | |
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Goldmember
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Quote:
it was another photog who took the photos...I know they are unexposed...I can't figure out for the life of me what kind of camera she was using... the exif data is no existant...but the photo name was P3330033 something like that... any idea what camera that was? Cheers,
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Symes Symplicity Photography Symplicity Glamour 5D Mark II; 1D Mark II; 17-40L; 24-70 2.8L; 70-200 IS 2.8L |
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#11 | |
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Senior Member
Join Date: Dec 2002
Location: New Hampshire
Posts: 1,206
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Quote:
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#12 |
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Member
Join Date: Feb 2005
Location: Aurora, Oregon
Posts: 132
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I have been photographing weddings for 33 years. The bride obviouly did not choose to hire an experienced professional, that being said the photographer had good ideas as to what they wanted to accomplish. Photohop and a good noise reduction program will do wonders. There has to be a first wedding for every wedding photographer. If this photographer is willing to study his/her work and hone his/her skills things will improve. I'm glad the bride did not pay more for what she recieved.
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#13 |
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User is banned from forums
Join Date: Nov 2005
Location: West Mids UK
Posts: 125
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Indeed there has to be a 'first' wedding for every photographer and it's a little odious ganging up to rip someone's work apart - as I said at the outset, I've seen much worse. Tbe thing I find curious about these shots is they're all crowded into cramped spaces to get the sort of shots I'd normally associate with a nightmare wet day when the shots have to be taken indoors, although it was clearly a sunny day. The outside shot of the bride and bridesmaids is a little crowded in the frame so perhaps the surroundings outside simply weren't suitable, and backgound and surroundings do make a huge difference.
In short we don't really know what problems the photographer had to contend with. |
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#14 | |
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Goldmember
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Quote:
these are just downisized versions of the originals...
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Symes Symplicity Photography Symplicity Glamour 5D Mark II; 1D Mark II; 17-40L; 24-70 2.8L; 70-200 IS 2.8L |
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#15 |
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Cream of the Crop
Join Date: Nov 2002
Location: California
Posts: 9,462
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The wedding shooters of this forum could tear these shots apart, item by item, if that were necessary. However, on the other hand, I see a few things that were done correctly in each shot.
---Bob Gross--- |
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