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#1 |
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User is banned from forums
Join Date: Oct 2004
Posts: 25
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Hi,
I have around $900 to spend on a good long-range lens. I shoot a lot of martial arts events and I'd like to have a good "L" series cannon lens in the 300 to 400mm range with image stabilization (IS). Could someone please recommend some model #'s? Thanks P.S. I know $900 doesn't sound like much, but I'll be buying it off ebay used. |
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#2 |
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Member
Join Date: Apr 2004
Location: Great American Desert
Posts: 153
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You might be able to get a used 100-400L on ebay for $900....but you would be lucky....or there would be something little that is wrong with it. They typically go used for about $1200 on ebay.....but it is a really good lens.
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#3 |
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Cream of the Proverbial Crop
Landscape and Cityscape Photographer 2006 Join Date: Jan 2003
Location: The middle of the UK
Posts: 17,965
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If you are shooting mostly indoors you may find the 70-200 2.8 L will be better as the speed may prove more useful than the extra range.
N
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Neil - © NHR Photography There are no rules for good photographs, there are only good photographs. ~ Ansel Adams
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#4 |
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User is banned from forums
Join Date: Oct 2004
Posts: 25
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Thanks for the info guys.
ONe other dumb question I can't figure out. I've noticed some lenses say "2.8L" and others say "3.5-5.6L" what does that mean? how come on the first one there isn't a range, and just a fixed #? Thanks |
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#5 |
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Senior Member
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I can answer the first part of your latest questions. Those numbers you listed are the apertures of the lenses. My *guess* on the second question is that the first lens has a fixed aperture while the second lens has a variable aperture. But, that's just a guess.
FlipsidE
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FlipsidE |
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#6 |
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Member
Join Date: Aug 2003
Posts: 170
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A lens that has is spec'd at f/2.8 has a maximum aperture of 2.8 across the entire focal range of the lens. One that is spec'd at 3.5/5.6 has a maximum aperture of 3.5 at the wide end, and 5.6 at the telephoto end.
Thus, for example, the Canon 70-200L f/2.8 has a maximum aperture of 2.8 from 70 through 200mm. The 100-400L f/3.5-5.6 has a maximum aperture of 3.5 at 100mm and 5.6 at 400mm. - Joe |
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#7 |
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User is banned from forums
Join Date: Oct 2004
Posts: 25
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Ah! Thanks Joe...
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#8 |
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Trigger Man - POTN Retired
Join Date: Nov 2003
Location: A Little North Of Boston, MA, USA
Posts: 12,838
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I don't think you'd be happy shooting martial arts with an f/5.6 lens - that's a full 2 stops difference from f/2.8, thus the difference between 1/125 and 1/500 shutter. I think you'll want closer to 1/500, or at least the choice to do so.
I highly recommend the Canon 70-200 L f/2.8, but it's about $1150 I think - which is about $300 cheaper than the Canon 100-400 L IS. The 70-200 also AFs much faster than the 100-400. And 200mm should be sufficient unless you're at an event in the cheap seats.
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You can take my 100-400 L away when you pry it from my cold, dead fingers. Scottes' Rum Pages - Rum Reviews And Info Finally, I have a Gallery! Follower of Fidget - Joined the cult of HAMSTTR© |
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#9 |
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Member
Join Date: Sep 2004
Posts: 165
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Why is Image Stabilization important for this application? If you are shooting martial arts, you need a fast shutter speed; thus, IS is irrelevant.
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#10 |
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Senior Member
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the sigma 70-200 2.8 ex hsm is 800 bucks then toss in a 1.4 converter and you would be right on target with your budget. this lense gets awsome reviews. I know its not an "L" but if you must have one now youve got the money.
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60D, Canon 18-135 IS, Sigma 10-20 hsm, 24-70 2.8 hsm, 70-200 2.8 hsm, 430EX II, and all the other stuff that goes along with it. |
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#11 | |
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Junior Member
Join Date: Oct 2004
Posts: 5
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Quote:
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#12 |
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Member
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I'm not sure how the lighting will be where you will be using the lens, but for less than decent lighting, f/5.6 is simply too slow to stop movement. If you want IS, I think the best lens would be the 70-200 f/2.8L IS... but that's quite a bit out of your budget range. I guess it depends on how the lighting will be whether the 100-400 will work for you. If from what I've seen on tv, martial arts venues are pretty well lit, so it may be fine... maybe go to a store and try one out in some lighting that will be similar to the venue (or as close to it as possible).
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-Matt Seattle Photography - Nature|Portrait|Event 'The negative is comparable to the composer’s score and the print to its performance.' - Ansel Adams |
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#13 | |
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User is banned from forums
Join Date: Oct 2004
Posts: 25
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Quote:
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#14 | ||
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Senior Member
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Quote:
Imagine your aperture as a door way and your shutter speed is the amount of time in which the door is open. If you have a narrow doorway not many people will get through in say 5 seconds. However if you have a large doorway many more will get through in the same 5 seconds. In this example the light is represented by the people and you need plenty of light getting through indoors! Does this makes sense?
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Jon. S. LRPS ------------ Canon 5D Mark II Canon 30D (for quick snaps) Loads of L's |
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#15 |
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User is banned from forums
Join Date: Oct 2004
Posts: 25
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yes that makes sense; so basically you want a lense with the largest aperture range?
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