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#1 |
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Member
Join Date: Nov 2008
Location: Philadelphia, PA / Boca Raton, FL
Posts: 255
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I recently purchased a set of Cactus V2s wireless triggers and a Nikon SB-26 to compliment my 430EX II and get into some off camera lighting. I am using the Cactus receiver to trigger the 430EX II and the SB-26 is set to optical slave. I mainly focus on automotive photography so most of its use is outdoors. In the sunlight the SB-26 fires perfectly fine ONLY if the front of the unit is facing in the direction of the other flash. This is not a big problem since it has a swivel head.
I have decided that I want to add another flash to my collection and am thinking about another SB-26. However I am curious to know if there is a draw back to using all optical slaves vs. radio triggers. Any difference in performance?
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Canon 5D | EF 17-40mm f/4.0L USM | EF 50mm f/1.8 II | EF 135mm f/2L USM | 430EX II | SB-26 x3 | Manfrotto 055XPROB w/ 488RC2 flickr |
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#2 |
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Goldmember
Join Date: Jul 2008
Location: NJ
Posts: 3,859
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Opticals are nice and cheap and pretty reliable. I only went to triggers because I shoot weddings and I obviously can't have others firing off my strobes. If it wasn't for that, I'd have probably stayed optical. That said, I don't know how reliably optical will perform when out in bright sun.
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#3 |
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"inadequately equipped"
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Optical slaves are no fun outdoors and are not as reliable as (good) radio triggers. Line of sight is also not necessary with radio. And as previously stated, optical slaves get activated by others too, not just yourself.
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Las Vegas Wedding Photographer: http://www.joeyallenphoto.com |
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#4 |
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Member
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Although you may see a few photographer enthusiasts triggering your strobes and looking at the image taken trying to figure out why their images are completely washed out.
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It's a good day if I'm looking down at the grass and not up at the roots. Kevin |
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#5 |
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Member
Join Date: Nov 2008
Location: Philadelphia, PA / Boca Raton, FL
Posts: 255
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Other photographers flash is definitely an issue.
What if you were trying to trigger 10 optical slaves (for argument sake) at once. Would the slaves farthest away from the main flash be delayed any seeing as they would be triggered by the flash of another optical unit between itself and the main flash? (I have no idea what one would be trying to light with so many flashes at such a large distance lol, just for argument sake)
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Canon 5D | EF 17-40mm f/4.0L USM | EF 50mm f/1.8 II | EF 135mm f/2L USM | 430EX II | SB-26 x3 | Manfrotto 055XPROB w/ 488RC2 flickr |
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#6 | |
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Member
Join Date: Jan 2008
Location: Behind a lens somewhere
Posts: 415
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Quote:
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You can only fish for so long before you gotta throw a stick of dynamite in the water. www.RedlineEventPhoto.com www.modelmayhem.com/1278348 |
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#7 |
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Member
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Well light does travel at 3 x 10^8 m/s but it also takes time for the optical slave receiver to "react" but it should still be way faster than the shutter speed.
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-Will 40d, tamron 17-50mm, 85mm 1.8. a ton of flashes and cybersyncs. |
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#8 | |
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Junior Member
Join Date: Feb 2009
Posts: 11
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Quote:
So I am pretty sure that the distance the optical slaves are away will have no noticeable impact on the speed of the strobe firing. |
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#9 |
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Cream of the Crop
Join Date: May 2004
Location: USA
Posts: 11,519
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Line of sight issues and bright sunlight issues are significant with optical slaves, and there are some decent radio triggers at moderate prices. It's a question of penny-wise, pound-foolish.
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#10 | |
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Junior Member
Join Date: Jul 2008
Posts: 6
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Quote:
Given that all of the EM spectrum (including light and radio waves, microwaves, infrared etc) propagate or more or less the same velocity through the same medium |
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#11 |
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Senior Member
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Just get some cybersyncs and you won't have to worry about any of them firing when you don't want them to.
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flickr | 40/60 Photo | Petey Photography| Canon 5D + 17-40mm f/4L + 50mm f/1.4 | 3x Alien Bee B800 | shuttrr.com - are you in?
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#12 |
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Member
Join Date: Sep 2005
Location: Maryland
Posts: 164
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Actually the problem with others triggering your flashes is that when you go to shoot, your flashes are busy recycling so you either don't get the shot or don't get the lighting you were expecting. For ANYPLACE where others would be shooting their cameras I'd use wireless. Otherwise, in a studio setting I go optical and it works superbly with a very inexpensive setup.
Use the right tool for the job.
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"High Key" is NOT overexposed, and "Low Key" is NOT underexposed. |
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#13 | |
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Cream of the Crop
Join Date: May 2004
Location: USA
Posts: 11,519
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Quote:
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#14 |
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Cream of the Crop
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The issue with optical slaves are many - in a paid shoot. You not only have the issue of other flash units tripping yours but also the recycle delay - will they all be ready when you are?
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