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#16 |
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Another question, how does the non IS version compare with the IS version for the f/4
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Body: Canon 450D Gripped Lenses: Canon 70-200 F4 L, 1.4x Tele Converter and Canon 28-80 Kit Lens Website: http://heycoopphotography.webs.com/ |
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#17 |
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Join Date: Mar 2008
Location: Adelaide, Australia
Posts: 284
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Works great if you can get close.
![]() Day 63 - 03_03_2012 Clipsal 500 Saturday (238) Merc SLS by red snapper 205, on Flickr ![]() 03_03_2012 Clipsal 500 Saturday (23) by red snapper 205, on Flickr
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If you do what you always do, you get what you always get. 400D, Sigma 30 1.4, Sigma 17-70, 70-200 f4L (non IS), 430 EX II, flickr |
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#18 | |
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Quote:
<3 King Taco
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[ Canon 5DII/30D | 24-70 f2.8L | Σ 30 f1.4 | Σ 50 f1.4 | 70-200 f4L | 580EX II ]
3.Hundred.6.SIX SmugMug |
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#19 |
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yeah, both are LB. The red one is from 2006 and the yellow one is from 2012.
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image creating thingamajiggy, size and charge addition, Lens that doesnt move, wider lens that doesnt move but less deep like, an even wider lens that doesnt move and even less deep like, zoomy lens, Better zoomy lens, bigger zoomy lens, excellent bigish zoomy Lens, light maker, excellent zoomy Lens magnifier My Photo Blog: http://joetakesphotos.com/ |
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#20 |
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Is it hard to get photo passes there? I missed this year, but since I'm new to LBC, I'd love to get there next time.
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[ Canon 5DII/30D | 24-70 f2.8L | Σ 30 f1.4 | Σ 50 f1.4 | 70-200 f4L | 580EX II ]
3.Hundred.6.SIX SmugMug |
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#21 |
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I have never had a photo pass. Those are from the general admin areas. I usually find a photog hole on the inside fence and then ride the spectator fence so I end up shooting passed it. You can get the super photo pass, but its like $250 for the weekend and the spots are decent, but not great. You do get some pit access for practice I think, but no hot pit access for any races.
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image creating thingamajiggy, size and charge addition, Lens that doesnt move, wider lens that doesnt move but less deep like, an even wider lens that doesnt move and even less deep like, zoomy lens, Better zoomy lens, bigger zoomy lens, excellent bigish zoomy Lens, light maker, excellent zoomy Lens magnifier My Photo Blog: http://joetakesphotos.com/ |
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#22 |
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Senior Member
Join Date: Sep 2008
Posts: 1,051
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The 70-200mm f4 is better than most people that use it. Great lens, light as heck, I shoulda probobly kept mine (but I ain't giving up my 2.8 nonIS!!)
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#23 |
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I had the option and went for the same. But I cant hate on the f4 at all. Great lens.
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image creating thingamajiggy, size and charge addition, Lens that doesnt move, wider lens that doesnt move but less deep like, an even wider lens that doesnt move and even less deep like, zoomy lens, Better zoomy lens, bigger zoomy lens, excellent bigish zoomy Lens, light maker, excellent zoomy Lens magnifier My Photo Blog: http://joetakesphotos.com/ |
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#24 |
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Having held a 70-200 f/2.8 and seen what it can do, I know I want one. But, I will be keeping my f/4 for outdoor sports and such, because it is such a nice lens to carry around.
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Canon EOS 7D | EF 28 f/1.8 | EF 85 f/1.8 | EF 70-200 f/4L | EF-S 17-55 Flickr: Real-Luckless |
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#25 |
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Join Date: May 2011
Posts: 327
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The 70-200 is an amazing lens, regardless its F/4 without IS or the latest 2.8 II IS.
There is no real need for 2.8 for out door, or even IS. The F/4 can be easily hand-held as its much lighter. The only problem is how far you are shooting. If its too far, you can use a 1.4 TC and still get better IQ than your 75-300.
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Gear: 5DMarkIII+Grip | 1D Mark IV Σ 50mm F/1.4 | 16-35 F/2.8L II | 24-70 F/2.8L II | 100mm F/2.8L IS | 70-200 F/2.8L IS II | Extender 2x III |
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#26 |
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f/2.8 is handy if you are doing something that you want that extra bit of depth of field isolation. But usually I'm shooting sports or similar with the 70-200, so I don't want it too narrow to begin with.
I personally prefer using primes over zooms, and only bought the 70-200 f/4L non-IS to shoot paintball, which here is generally always outdoors during the day. (There is The Dome in Moncton, but I haven't gotten around to there, and haven't seen what the light is like.) I figured the f/4 would be more than good enough for my needs, and I would never need that f/2.8. However, I recently got into shooting Roller Derby,... And a dimly lit with odd lighting seems to be a rule or something with the sport.
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Canon EOS 7D | EF 28 f/1.8 | EF 85 f/1.8 | EF 70-200 f/4L | EF-S 17-55 Flickr: Real-Luckless |
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#27 |
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Yup. Having rented the 2.8L IS multiple times, and now owning the f4L...I think having both is just easier. I don't need the weight and heft of the 2.8L IS all the time, as it's much easier to lug the f4L around.
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[ Canon 5DII/30D | 24-70 f2.8L | Σ 30 f1.4 | Σ 50 f1.4 | 70-200 f4L | 580EX II ]
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#28 |
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Member
Join Date: Apr 2012
Location: Ireland
Posts: 263
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£400 isn't bad for a used 70-200 f4, depending on condition, but I would try to haggle with him to get it below £400 to maybe £390 or so.
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Canon 40D gripped · Canon 300D Gripped · Tamron 17-50 f2.8 • Canon 28-200 f3.5-5.6 · Canon 50mm f1.8 · Slik Black Diamond Tripod |
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#29 |
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Member
Join Date: Mar 2007
Location: North-West, England
Posts: 636
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For trackside panning shots 70-200 is a very useful lens. For head-on and 3/4 shots it can be a bit short, though that depends where you're able to stand and which circuit you're at.
The Canon f4 version is cheaper, considerably lighter and more compact than the f2.8 version. If you can land a clean used version, you'll not lose any money on it should you wish to move it on. I like my Sigma 70-200 and have snagged some decent Motorsport shots with it. The OS version gets good reviews and being f2.8 opens up the option to fit 1.4x or 2.0x adapters and still have autofocus..
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Canon G12, EOS 50D, EOS 20D, BG-E2N, 28-200mm USM Sigma 10-20mm EX HSM, 70-200mm f2.8 EX HSM II, 300mm f2.8 EX DG HSM, 1.4x EX, 2.0x EX Velbon Sherpa 600R, Manfrotto 679b Last edited by Geejay : 2nd of September 2012 (Sun) at 07:35. |
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#30 |
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These shots were taken with a non is 70-200 2.8
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7D 24-105L.........70-200F2.8 L .............100-400 L lens |
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