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#16 |
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Cream of the Crop
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www.steelcityphotography.com |
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#17 |
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Member
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Once it's my full time profession then yea it's not an issue to spend 2 full days doing that but until then I may have to outsource but its a catch 22 because I'm not charging heaps due to the fact I have no real portfolio for this type of work. The customers have seen my landscapes and other portraiture work and accepted me based on that but I didn't shoot for the sky on price as I am happy to land a wedding gig at the moment.
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Canon 5D mk2, Canon 17-40L, Canon 70-200LIS f/2.8 Canon 50mm 1.8, Yongnuo YN-468II, Yongnuo RF-603's, Inca 531i tripod, Lowepro 200AW bag |
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#18 |
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Light Bringer
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If you don't have time to do wedding photography well I suggest you don't do it. All you'll get is unhappy customers and a poor reputation.
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NZIPP Qualified Professional wedding photographer.
Camera and Lens Reviews ~ Wellington Wedding Photographer Wellington Wedding Photographer (site2) ~ Wellington Wedding Photographer (site3) Read all my FAQs (wedding, printing, lighting, books, etc) |
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#19 |
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Goldmember
Join Date: Jul 2008
Location: NJ
Posts: 3,853
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All of my client's images are fully edited. Then I go back through and selectively pull out a few to do other things to, whether that be B&W, soft focus, or other things.
To me, B&W is something to be used selectively just like anything else. There are images that can be made more powerful by taking away the distraction of color and drawing you in to the emotion of the captured moment. But (IMO and for the clients that I attract), there is no need or reason to do B&W's of group family shots. Clients are always given the base color version for every image that I do effects processing on.
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5D3, 5D2, 50D, 350D * 16-35 2.8 II, 24-70 2.8, 70-200 2.8 IS, 100-400 IS, 100 L Macro, 35 1.4, 85 1.2 II, Tokina 10-17 fish * 580 EX II (3) Stratos triggers * Other Stuff plus a Pelican 1624 to haul it all |
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#20 |
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Member
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Ok yea I like the idea of doing 15-20 B&W's in every 100 but still giving the colours for those too.
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Canon 5D mk2, Canon 17-40L, Canon 70-200LIS f/2.8 Canon 50mm 1.8, Yongnuo YN-468II, Yongnuo RF-603's, Inca 531i tripod, Lowepro 200AW bag |
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#21 |
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Member
Join Date: Apr 2009
Location: Tucson, AZ
Posts: 159
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We don't have a set number of B&W that we try to maintain. After all photos from the event are properly processed, I will go back through and convert only those that will actuall benefit from the conversion. We also look at things like soft focus, saturation changes, etc.
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#22 | |
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Senior Member
Join Date: Jun 2010
Location: Kingwood, TX
Posts: 1,210
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Quote:
Everything I deliver in B&W, I also deliver in color unless the situation does not permit it (like getting ready room with florescent and tungsten lights. |
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#23 |
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Senior Member
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Great question!
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