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#1 |
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My cousin plays in a band called The Maul Shoppe. You can find them on Facebook, if you're interested in hearing their stuff. =)
Anyhow, I took these at their show last night. All were taken w/ the 17-55IS at 4000-6400ISO. I'll take any and all C&C please. Looking to better my concert/low-light photography... Thanks! 1) ![]() 2) ![]() 3) ![]() 4) ![]() 5) ![]()
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Hello, my name is Joe if you haven't figured it out. |
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#2 |
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Join Date: Aug 2007
Location: London, UK
Posts: 4,907
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Great action shots, but need better editing skills
Plus, when shooting concerts, shoot RAW
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#3 |
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That's why I posted these - to get some c&c. If you're going to say I need some better pp skills, why not suggest what should have been done?
And I always shoot in RAW. Thanks for your input anyhow...
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Hello, my name is Joe if you haven't figured it out. |
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#4 |
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Join Date: Jun 2011
Location: Austin, TX
Posts: 2,575
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They're not bad. I personally think the shots need to be a bit brighter. I would've shot these with a really fast prime instead of the standard zoom you used.
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#5 |
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Join Date: Apr 2008
Posts: 236
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Shooting shows in a small club can be a nightmare, lighting wise, because they aren't big enough or have the same budget as a bigger venue would. You have to get creative with it, but it's still frustrating.
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#6 | ||
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Quote:
Quote:
I'm planning on following their career (my cousin's in the band after all) and shooting their future shows. There's another one coming up in a few weeks. It'll help me get some practice in. Thanks for both of your comments!
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Hello, my name is Joe if you haven't figured it out. |
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#7 |
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Join Date: Jun 2011
Location: Austin, TX
Posts: 2,575
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NP! I suggest using spot metering if you haven't. I shot a show with a 60d and it was so difficult BC there was multiple strobe lights going off and the cameras metering was going wacko. Also use your 430ex but just use it as an ambient flash by bouncing from behind. I noticed it works well for me without killing the mood and lighting of the scene.
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#8 |
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Unfortunately, I didn't have my flash that night. I left it in my other bag, which was at home. I didn't know I was supposed to shoot the show til I was halfway there. Lol.
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Hello, my name is Joe if you haven't figured it out. |
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#9 |
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Join Date: Oct 2011
Posts: 246
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I really like the group shot. Ideally I would have preferred more room under their feet, and shifted them a bit so the guy's head second from the right wasn't intersected with the stripe on the wall. The woman in the centre is in an awkward pose, too. But if it were me and I was a smaller local artist in need of some good images, I would be really happy with it to be honest. I think it's a cool shot.
For the rest, what were you settings? I agree, a kit lens wasn't far from ideal but you worked with what you had. Since it's a local band and they asked you to photograph, I would have gone for some more creative angles instead of just from-the-crowd-shots. |
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#10 |
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Member
Join Date: Jul 2008
Location: UK, SE, Reading, Berkshire
Posts: 442
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byrant, im curious to how using a flash pointing backwards creates ambient light?
I use mine with the flash disabled, so the AF assister still works, this helps with the low ambient light. If your having a problem with metering, shoot in manual, take some test shots and your good to go!
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Canon 40D (for sale), Canon 7D, EFS 17-55mm f/2.8 USM, EF 50mm f/1.4, EF 70-210mm f/3.5 USM, TwinLink Wireless Triggers, 430exII What can you capture with the click of a button? OSX Lion is the way forward! |
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#11 | |
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Join Date: Jun 2011
Location: Austin, TX
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Quote:
But this outlines it a bit more. "I’ve had a fair number of people writing in to tell me that they don’t quite understand what I am bouncing the flash off when I bounce behind me into an open room. What is happening there, is that I am usually at a wide f-stop and a fairly high ISO – something like f2.8 and 800 ISO. This usually means that ANY light that bounces back from various objects in a room, will register in the image. The light from the strobe bounces back from furniture, other objects, part of the ceiling, some of the walls to the side. You’re in effect just flooding the entire place with light from your strobe – and at f2.8 it will register. Obviously it depends on the size of the room, etc. But just try it. Especially when you are using flash to augment the available light – you simply don’t need a lot of flash to have some effect." http://neilvn.com/tangents/2006/09/1...ash-behind-me/
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#12 | |
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Join Date: Aug 2007
Location: London, UK
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No problems, I know that the small venues can and will be an arse to shoot in, but that is where we learn
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#13 |
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Join Date: Jun 2010
Location: California
Posts: 1,428
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I don't know that it's absolutely necessary all the time.
I know I'll end up getting lambasted for that, but it's absolutely true. I'm not saying there's not a benefit to it, but one can certainly get very good results shooting in jpeg... |
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#14 |
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Join Date: Aug 2007
Location: London, UK
Posts: 4,907
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When starting out, its the best policy, if your confident about editing .jpg, then by all means shoot .jpg
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#15 | |
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I used the same settings (1/30-60 4000-6400ISO) throughout the set. Should I not change my settings so much during these events? Because I was going back and forth quite a bit for the ISO to be able to get the shutter speed I needed (drummer required a much faster shutter speed, obviously..) I know I definitely need more practice, but at least now I'm a tad bit more comfortable pushing the ISO. Here's a link to the rest of the photos (well, half of them...Still need to finish up the rest): http://jrassavong.smugmug.com/Music/...0282752_p7rkb2
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Hello, my name is Joe if you haven't figured it out. Last edited by JOEinSD : 28th of November 2011 (Mon) at 08:44. |
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