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#16 |
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Senior Member
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Hmmm not sure who gave you this advice. I see excellent portraits all the time taken at 1.4-1.8. It's a matter of practice and also what you are going for (creatively).
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#17 |
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Goldmember
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Agree, I can take group photos of 15 people at f/1.4 and still have everyone in focus, some of the advice like aperture narrower than 3.5 is very strange
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#18 |
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Member
Join Date: Jan 2011
Posts: 331
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Thoughts on the opening shot:
go to single point focus and focus on your subjects eyes, then frame the shot. The shot looks like the focus is behind your subjects (the stripes on the shirt behind them look sharp) As far as shooting with a ceiling vs open area, I am guessing the shot on the boat had more ambient light on the subjects than in the club (compared to the amount of light in the background) try to place your subjects in as dark a position as possible. Just a thought on starting point: single (center point) focus - focus then frame shot - tripod/monopod/brace camera : more stable - more better iso 200 f2.0 1 60th shutter speed flash manual mode - start at 1/16th power Just some thoughts - Have fun and good luck! |
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#19 |
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Junior Member
Join Date: Apr 2012
Posts: 28
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Hey guys I also have a question. i dont mean to thread steal but when taking portraits of multiple people, what aperature do you want? do you want a wider aperature or a smaller aperature? and if it is multiple people who do you focus on? do you do auto or do you choose the center one and pick the middle person?
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#20 |
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Member
Join Date: Jan 2011
Posts: 331
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I suggest you open a new thread rather than "hijacking" one, so your question and responses can be found.
Cheers! |
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#21 | |
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Cream of the Crop
Join Date: May 2004
Location: USA
Posts: 11,549
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Quote:
You have "good bokeh" and "bad bokeh," not more or less bokeh. One 85mm f/1.2 lens might have ugly bokeh while another design of the same aperture and focal length might have lovely bokeh...and the same amount of blur. |
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#22 |
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Cream of the Crop
Join Date: May 2004
Location: USA
Posts: 11,549
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http://www.flickr.com/photos/rdkirk/...tream/lightbox
http://www.flickr.com/photos/rdkirk/...ream/lightbox/ This was a thirty-second exposure under the sparse lights of a back alley. The red rim light was actually just a red light bulb over a door about 20 feet behind the subject. The ISO was 400. The main lighting was an off-camera flash. The camera was on a tripod, the lens was a 70-200 zoom at about 100mm and f/2.8. I pulled up the tone of the shirt, which increased noise in that area, but it was worth it in this case. Added: This is first-curtain flash, btw. I told the subject to hold the pose after the flash until I say, "Relax." So he doesn't have to hold the smile or refrain from blinking, because that minor activity won't be visible. Last edited by RDKirk : 25th of August 2012 (Sat) at 09:51. |
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#23 |
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Cream of the Crop
Join Date: May 2004
Location: USA
Posts: 11,549
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It doesn't say much about depth of field just to identify the aperture. What's your distance, what's your focal length, what's your format, and what is your enlargement?
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#24 |
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Goldmember
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Thats my point exactly, aperture is just parameter and just altering that is not the only way to go to change DOF
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