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| View Poll Results: JPeg or RAW. What do you shoot? | |||
| JPEG. I get it right in camera. RAW is fine for sushi |
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13 | 12.15% |
| BOTH. It depends on the situation |
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32 | 29.91% |
| RAW. Real men (and women) shoot RAW. |
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62 | 57.94% |
| Voters: 107. You may not vote on this poll | |||
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#16 | |
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Goldmember
Join Date: Aug 2007
Location: London, UK
Posts: 4,908
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Quote:
You can do the same two click processing with jpeg, can't you?
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Bodies: Canon 50D, Canon 5DMKII Lenses: Canon 50mm 1.8, Canon 85mm 1.8 USM, Canon 16-35mm 2.8L USM II Canon 24-70mm 2.8L USM, Canon 70-200mm 2.8L IS USM II Compact: Canon G12 |
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#17 | |
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User is banned from forums
Join Date: Oct 2011
Posts: 223
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Quote:
And THEN you select your favorite shots for some deeper editing, like shadow / highlight recovery, white balance, noise reduction color corrections e.t.c. You will achieve much better results, because all your files are still in RAW format and contains alot more data to work with. Last edited by Tonyz : 30th of April 2012 (Mon) at 04:51. |
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#18 |
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Goldmember
Join Date: Oct 2007
Location: Wichita, Kansas
Posts: 2,655
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I've changed my opinion in the last 3-4 years. At first, I shot Jpeg. I did relatively little post processing and even with Jpeg files I was able to adjust the white balance (somewhat) on those few occasions when I did want to change.
Then I began to more critically tweak the white balance on indoor shots. RAW made it easy to batch correct and gave me more latitude to deal with the off colors from light cycling. The best RAW shots had plenty of detail for large prints. I still shot Jpeg for outdoor shots since AWB did a pretty good job in my 1D3. Now I've moved almost totally to RAW. Lightroom 4 does a great job in dealing with the harsh shadows encountered in sports that use helmets, caps or visors. RAW lets me get great skin tones when I pull back overexposed areas of the face. There's a lot of detail in the shadow that can be pulled up as well. Time? Yesterday I downloaded 65 RAW images from a 1D IV in 2 minutes. That's two seconds a shot. In short, the recoverable detail from RAW is terrific. Wonderful, inexpensive software makes that detail accessable and useable. Plus, you never know which image you will want to enhance to the max and use in a large format. I'm convinced.
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Phil Zivnuska Gear List www.zivnuska.zenfolio.com "It's not tight until you see the color of the irides." |
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#19 |
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Member
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Raw.
This is a hobby for me so I don't have to deal with deadlines. On top of that, I am not good/confident enough at getting everything close enough to right on the camera at the time of the shot, so RAW is a huge safety net for me.
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T1i with 18-55, 55-250, 50 1.8 |
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#20 |
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Member
Join Date: May 2007
Location: Mobile, AL
Posts: 338
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I really depends for me. If I'm on a tight, tight deadline then I'll shoot jpg. For nighttime highschool stuff I'll shoot RAW so I can fix the color shifts from the cycling lights and other issues with uneven lighting.
Here's a interesting tid-bit of knowledge: Getty's in-house editing software will not take RAW.
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Nikon D3s / D3 / D300 / 17-35 2.8 / 70-200 2.8 / 400 2.8 My Images with Getty My Sportsshooter Page My Website |
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#21 | |
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Quote:
100% agree
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Website: www.rickyhavlik.com Equipment: Canon 40D, Canon 70-200 2.8, Canon 24-70 2.8, Canon 430 Speedlite. |
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#22 |
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Senior Member
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Situational for sure - I shoot RAW for everything, as it really adds no extra time to the processing when you use Aperture, so why wouldn't you?
The exception is when I'm shooting a race - I photograph lots of local road 5ks - and on my 7D I just don't have the same burst and buffer size / speed when I shoot in RAW. Those, I switch to JPG and can shoot forever. I'm thinking of shooting my next 5k at medium resolution RAW to compensate though - I'll see how it feels.
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7D (gripped) | GoPro Hero HD | Canon 70-200mm f/4 L | Tamron 28-75mm f/2.8 | 40mm f/2.8 | 85mm f/1.8 | 28mm f/1.8 | 3 * 600EX-RT - All gear http://www.rt2photo.com http://www.facebook.com/rt2photo |
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#23 |
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Member
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Here's my take. I batch process using different presets (arena/field, day or night, etc.) in LR4. If i'm just applying basic edits to all my files, therefore not taking advantage of RAW's flexibility, then why should I shoot RAW? All it does it take more space on my HDD, and makes file transfer slightly longer. I will use it in extreme cases, as to cover my butt in case I mess up.
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Andrew Nikon D7000 | 12-24/4 | 35/1.8G | 85/1.8G | Leica IIIc | Summitar 5cm | flickr |
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#24 |
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Cream of the Crop
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I forgot my camera can even shoot in jpeg. I use it just about as ofter and the B&W setting.
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Keep in mind "Its not the camera, its the photographer" works just as well for bad pictures as it does for good ones. ![]() www.the6by6frame.wordpress.com |
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#25 |
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Wow, I switched to jpg for a game the other day due to space concerns (was busy with stuff, and had to deal with a card that was in the camera with pictures from the previous game).
Aweful. After dealing with RAW for so long, editing/fixing jpegs are just flat out hard. Bleh.
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T1i with 18-55, 55-250, 50 1.8 |
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#26 |
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Member
Join Date: Dec 2007
Posts: 431
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Jpg: event. RAW: everything else.
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#27 | |
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Senior Member
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Quote:
1- the batch edit I make is different / better than the batch JPG processing the camera does for me 2- I'm not so starved for time that the extra few seconds per shot it takes to bring in a RAW file *and have future flexibility if I did want to change stuff* is such a big deal As my post started though - it's situational - I shoot both and am not telling you how wrong you are for shooting JPG
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7D (gripped) | GoPro Hero HD | Canon 70-200mm f/4 L | Tamron 28-75mm f/2.8 | 40mm f/2.8 | 85mm f/1.8 | 28mm f/1.8 | 3 * 600EX-RT - All gear http://www.rt2photo.com http://www.facebook.com/rt2photo |
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#28 |
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Senior Member
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Raw, always**.
Reasons: 1. I'm going to be culling/editing anyway. This is just as easy to do with a Raw file vs. a jpeg, so why not keep all the advantages of a Raw file? 2. The advantages to shooting in Raw are enormous. Highlight retention, white balance control, higher bit depth, etc, etc. ** - I'm getting a Fuji X-Pro1 shortly, and since LR4 doesn't support the .RAF files from this camera, I will be shooting Jpegs. Will be a bit like shooting slide film again, I supposed.
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Street and editorial photography in Toronto, Canada DSLR: None Mirrorless: Fujifilm X100|Fujifilm X-Pro1|XF 35 f/1.4|XF 60 f/2.4|XF 18 f/2.0|Yongnuo RF-603 (4) Film: Leica M6 | CV Color Skopar 35/2 | CV Nokton 50/1.5 | Mamiya 7|Mamiya 80 f/4.0|Many, many boxes of Provia 400X and Portra 400 |
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#29 |
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Member
Join Date: Oct 2009
Location: Charlotte, NC
Posts: 362
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It seems like every 6-12 months there is a RAW v JPEG discussion. As a disclaimer, I shoot 100% RAW and have for years. My flow is PM to ACR and convert to JPEG. I do shoot under deadlines and I would agree that it is a little bit slower, but not much. Particularly with thunderbolt and USB 3.0 transfer rates are faster. I do tag in camera which helps. Given the fact that I often shoot in low light, I simply think that it provides a benefit that is worth the small cost in speed.
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www.stevenlimentaniphotography.com http://www.sportsshooter.com/members.html?id=8865 1DX, 1D Mark IV X 4, 5D Mark III; 400 2.8 (II), 300 2.8, 200 2.0, 70-200 2.8 (II),135 2.0, 85, 1.2, 50 1.2, 24 1.4, 17-55 2.8, 24-70 2.8, 16-35 2.8, 28-300 3.5-5.6, 100-400 4.5-5.6, 16-35, 2.8, 8-15, 4.0 fisheye, 1.4 X and 2X TC |
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#30 |
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Goldmember
Join Date: Oct 2007
Location: Wichita, Kansas
Posts: 2,655
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I went out in the back yard yesterday and shot 100 RAW and later 100 Jpeg images. Using a stopwatch to load the images showed that it took an average of 1.1 seconds longer to load a RAW image to Lightroom 4.
Is the best possible image quality worth a second of your time?
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Phil Zivnuska Gear List www.zivnuska.zenfolio.com "It's not tight until you see the color of the irides." |
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