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#151 | |
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Quote:
There are those rare times, however, when there is no substitute for an additional couple of stops of dynamic range. As with any other camera feature, you might not use it very much, but you will really miss it if it's not there when you need it.
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"There are some things that money can't buy, but they aren't Ls and aren't worth having" -- Shooter-boy Canon: 2 x 7D, Sigma 17-50 f/2.8 OS, 55-250 IS, Sigma 8-16, 24-105L, Sigma 50/1.4, other assorted primes, and a 430EX. Nikon: D600, 24-85 VR, 50 f/1.8G, 85 f/1.8G, Tamron 24-70 f/2.8 VC, Tamron 70-300 VC. |
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#152 | |
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Join Date: Apr 2008
Posts: 2,526
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Quote:
whats teh DR on the 5dmk3?
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Canon 5dmkIII | Canon nifty fifty | Canon 70-200mm F2.8L MK2 | Canon 430EX MK2 Flickr |
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#153 |
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11.7 Ev -- identical to that of the 7D.
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"There are some things that money can't buy, but they aren't Ls and aren't worth having" -- Shooter-boy Canon: 2 x 7D, Sigma 17-50 f/2.8 OS, 55-250 IS, Sigma 8-16, 24-105L, Sigma 50/1.4, other assorted primes, and a 430EX. Nikon: D600, 24-85 VR, 50 f/1.8G, 85 f/1.8G, Tamron 24-70 f/2.8 VC, Tamron 70-300 VC. |
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#154 |
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Goldmember
Join Date: Apr 2008
Posts: 2,526
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the 5d3 really is a 7d in a FF sensor then! it is far too pricey though IMO!!!
TBH mate, if my 400d broke down today, i would get a 7d hands down. its offordable and offers MUCH more variety then the 5dmk2. You know me, i love my bokeh no doubt but if that is the only benefit(which it is compared to the 5d2 ) then it aint worth sacraficing that awsome 7d AF system and framerates over bokeh. plus the fact that with a 5d2 i would need a new walkabout lens to boot.
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Canon 5dmkIII | Canon nifty fifty | Canon 70-200mm F2.8L MK2 | Canon 430EX MK2 Flickr |
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#155 | |||
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Everyone has to make their own decision, of course, but it seems to me that you'd have to have a very strong need for the specific attributes of full frame to justify that kind of premium. I can understand the appeal, but $1900 buys a lot of really good glass if you spend it wisely. Quote:
I dunno. The 7D is so good that it has basically gotten me off the upgrade treadmill. I'm interested in what the 7D2 brings to the table, but I think it's unlikely that it'll knock my socks off, and it would have to in order to make upgrading from the 7D truly worthwhile. And every time I shoot with my 7D, that desire to upgrade almost completely disappears. I expect Canon to try the same sort of "2 stop high ISO improvement!! (*cough* in JPEG *cough*)" BS with the 7D2 that they tried to pull with the 5D3, and I'm not falling for it. RAW is the only place where improvement counts, and then only if the RAW is the actual data from the sensor and not some half-cooked thing. If Canon wipes detail to yield "improved" high ISO noise in RAW, then I'll just manipulate the 7D images to achieve the same level of detail and then see how much different the ISO performance really is. Canon will not pull the wool over my eyes on these things. If the 5D3 is any indicator, I think we'll see about half a stop of real improvement, and that's not nearly enough to knock my socks off. Quote:
Put a 24-105 on full frame, however, and you'll be getting about the same depth of field as with that 17-50 f/2.8 on your crop camera. The f/2.8 zooms (24-70, 70-200, and especially 16-35) are where full frame has the greatest advantage, in my opinion: you get depths of field that are matched only by a f/1.8 or faster prime on crop (f/2 if you want to be a little generous). You have to spend a big pile of money on glass in order to really get the most advantage out of full frame. No, if cost is any real concern, crop is where it's at unless the specific attributes of full frame are mandatory. You can always get a 5D classic if you really want full frame but don't want to pay a lot of money for it.
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"There are some things that money can't buy, but they aren't Ls and aren't worth having" -- Shooter-boy Canon: 2 x 7D, Sigma 17-50 f/2.8 OS, 55-250 IS, Sigma 8-16, 24-105L, Sigma 50/1.4, other assorted primes, and a 430EX. Nikon: D600, 24-85 VR, 50 f/1.8G, 85 f/1.8G, Tamron 24-70 f/2.8 VC, Tamron 70-300 VC. Last edited by kcbrown : 30th of May 2012 (Wed) at 06:12. |
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#156 |
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WRT the 7d and its many functions; what's the best learning resource to use be it video, book or website? Is there a one-stop shop I can refer to in order to learn about the AF and other things? Is there anything anyone can recommend?
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#157 | |
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Join Date: Dec 2009
Posts: 112
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#158 |
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I'll check the name of a video I have when I get home and post it here. It covers alot of the features/functions of the 7d. Also B&H Photo had some good free videos you can watch as well.
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Flickr 5D/Gripped I t2i/Gripped I Canon 135L f/2 I Canon 24-105L f/4 IS USM I Canon 50 f/1.4 I Canon 50 f/1.8 My sister, the professional baker and cake decorator once told me that my camera takes great pics. My reply was that I thought her oven baked great cakes. |
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#159 |
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Cream of the Crop
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The POTN 7D FAQ/Sticky page has alot of links to videos and white papers.
http://photography-on-the.net/forum/...ghlight=7D+FAQ
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7D | 100L | 24-70L | 70-200L f2.8 IS | Σ 50-500 OS | Σ 50 1.4 | Tok 11-16 | 18-55 IS | 55-250 IS Past Equipment | My Gallery | My Mini-Reviews Resources For Sale: Focus Genie MicroAdjustment Chart | Gel Genie Flash Gel Holder | High ISO Denoiser Action |
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#160 | |||
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Goldmember
Join Date: Jun 2007
Location: Chicago, Illinois
Posts: 3,882
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I'm also off the "upgrade bandwagon". Hell, I'm still using Lightroom 3. Tried 4, didn't see an advantage, didn't buy it. The 7D suits my needs for now. I've been burned too many times by the "upgrade game". From now on, I need to see dramatic sensor improvement before upgrading bodies.
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7D | 24-105 L IS | 17-40 L | 300 F4 L IS | 10-20 EX | 55-250 IS | 50 1.8 II | 1.4x II | LR3 | HV30 | bug spray | wilderness Gallatin National Forest, Montana/Lassen Volcanic NP Campgrounds |
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#161 | ||||
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I'd love to have 14 stops of DR for those rare instances where you really need to recover the shadows, but let's face it: what makes most shots look interesting is the fact that they don't look like what our eyes see. The fact that cameras have a limited dynamic range is what causes them to produce a contrastier, punchier image than what our eyes see. Indeed, most people crush their blacks, which further reduces the actual dynamic range that is used. Most people don't need wide dynamic range out of their camera, and most people who claim to want it have no idea what it even is (the range of light intensity that was captured, not the range of tones on the screen or in the output). Some of these very same people will claim that you must be "improperly exposing" when you attempt to push your shadows hard, not understanding that pushing your shadows hard is what you must do to make the most of the camera's dynamic range. Quote:
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"There are some things that money can't buy, but they aren't Ls and aren't worth having" -- Shooter-boy Canon: 2 x 7D, Sigma 17-50 f/2.8 OS, 55-250 IS, Sigma 8-16, 24-105L, Sigma 50/1.4, other assorted primes, and a 430EX. Nikon: D600, 24-85 VR, 50 f/1.8G, 85 f/1.8G, Tamron 24-70 f/2.8 VC, Tamron 70-300 VC. Last edited by kcbrown : 30th of May 2012 (Wed) at 16:26. |
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#162 | |
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Canon 7D, T2i-gripped |Canon EF-S 15-85mm f/3.5-5.6 IS USM, EF-S 55-250 f4/5.6 IS, EF 50mm f1.8 | Σ 10-20 F4-5.6 EX DC HSM, 30mm f1.4 EX DC HSM, 17-70 f2.8-4 DC macro OS HSM, 150mm f2.8 APO Macro DG EX HSM, APO 70-200 f2.8 EX DG OS HSM |Σ EF-610 DG Super, Yongnuo YN-560| Yongnuo RF 603s|Marumi Super DHG ND4, ND8, CPL|Ravelli pro CF ball head tripod |
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#163 |
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Goldmember
Join Date: Jun 2007
Location: Chicago, Illinois
Posts: 3,882
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Please stop trolling. I'm trying to enjoy a camera discussion.
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7D | 24-105 L IS | 17-40 L | 300 F4 L IS | 10-20 EX | 55-250 IS | 50 1.8 II | 1.4x II | LR3 | HV30 | bug spray | wilderness Gallatin National Forest, Montana/Lassen Volcanic NP Campgrounds |
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#164 |
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Senior Member
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I used youtube to get the lowdown on the use of the AF system of the 7D. It's was extrememely helpful over the manual I purchased. The book was great with everything else, but the AF videos were awesome getting me started and helping understand the setup and just what the AF can really do. Coming from the Sony F717 and jumping into the 7D was rough, but fun as hell.
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| 7D Gripped | 28-135 f/3.5-4.6 | 50 f/1.8 || --- Sony F717 digital (infrared) --- Bunch of Film Stuff:- | Nikon & Nikkormat | 50/28/70-150/400 | B & J 4x5 large format | Mamiya C220 | Image Worx Page Flickr page |
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