![]() |
|
|
#1 |
|
Member
Join Date: Nov 2011
Location: Central PA
Posts: 534
|
Hi everyone, i'd like to see what's your opinion about these two lens for weddings. I'm thinking of trading the 24-70 to a 16-35 to go a little wider with lower aperture than 17-40 f4 that i also currently have. The reason because i also have a 50mm that i can switch if needed and i do have lenses for longer reach for ceremony or candit shots.
Much appreciate your thoughts |
|
|
|
| sponsored links |
|
|
#2 |
|
Senior Member
Join Date: Jun 2010
Location: Kingwood, TX
Posts: 1,220
|
All depends on your style. I don't like using either lens at weddings. I think they are both on the lower-end of quality for L lenses Canon has made (at least talking about the 24-70L I )
In fact, I own both, but neither gets packed for a wedding. |
|
|
|
|
|
#3 |
|
Member
|
In what situations have you found yourself needing 2.8 in a wide angle? (i'm not saying there aren't any, I just havent found many myself so i'm curious) I personally have the 17-40, 35L, 50L and 70-200. I use the 17-40 a lot for dancing pictures during the reception but have never needed 2.8. With those shots i'm using flash and with people moving around i'd rather a little more depth of field anyway.
With my style I don't like using wide angle for much and the times I do need it I can't justify the price difference for 2.8. If you don't have a 35 though you will probably need something wider than 50 if you're with a bride getting ready in a small room. That's the only time I would use the 16-35 personally. It's all about your style and preference though, I like to get the emotions on their face without being in their face, so I prefer longer lenses when I can use them.
__________________
5d Mark II, 7D 17-40L, 35L, 50L, 85 1.8, 70-200 2.8L IS II
|
|
|
|
| sponsored links |
|
|
#4 |
|
Cream of the Crop
Join Date: Sep 2005
Location: CT
Posts: 8,809
|
I don't own a 24-70, but I do use my 16-35 for dancing shots during the reception.
__________________
connecticut wedding photographer |
|
|
|
|
|
#5 |
|
Man I Like to Fart
|
I sold my 24-70L because I never use it. I hardly ever use my 16-35L MKII. I mean, I pack it, and will use in on those rare occasions where I might need 16-24mm. Otherwise, my primes pretty much cover everything for me. If I want UWA, I use my 8-15L. In fact, ever since I got the 8-15L, I've hardly used the 16-35, except for maybe a few dancing shots here and there.
Still, I'll hang on to the 16-35. It's a nice lens.
__________________
NYC Wedding Photographer | Blog | facebook | Galleries | Flickr | Gear My 5D Mark III Review |
|
|
|
|
|
#6 |
|
Light Bringer
|
I use Nikon 16-35 and 24-70 lenses at every wedding, and I wouldn't want to be without either one.
__________________
NZIPP Qualified Professional wedding photographer.
Camera and Lens Reviews ~ Wellington Wedding Photographer Wellington Wedding Photographer (site2) ~ Wellington Wedding Photographer (site3) Read all my FAQs (wedding, printing, lighting, books, etc) |
|
|
|
|
|
#7 | |
|
Cream of the Crop
|
Quote:
^^^^^^^^ This |
|
|
|
|
|
|
#8 |
|
Member
Join Date: Nov 2011
Location: Central PA
Posts: 534
|
Thanks eveyone. I'll only use the 16-35 in tight room and when they dance.... Thought an extra stop will help since i dont like to work with flashes too much... I guess it more of personal preferrence. And the reason i want to get it of the 24-70 because i rarely use it lately
|
|
|
|
|
|
#9 |
|
"inadequately equipped"
|
f/2.8 too dark for receptions IMO, f/2 or faster preferred for me. 16-35 I use for specific purposes including the dress, environment...24-70 I sold in favor of primes.
__________________
Las Vegas Wedding Photographer: http://www.joeyallenphoto.com |
|
|
|
|
|
#10 |
|
Member
Join Date: Apr 2012
Location: Ontario, Canada
Posts: 231
|
It really depends on whether you do your own lighting or solely rely on the available light at the reception venue. If it's too dark, even f/1.4 may not cut it. f/2.8, ISO 3200 + lighting handles any dim reception for us.
__________________
Ottawa Wedding Photographer |
|
|
|
|
|
#11 |
|
"inadequately equipped"
|
I would/have never relied SOLELY on available light at a reception venue, it is ALWAYS a blend. However, the less ambient being picked up, the less natural everything looks. Therefore, I want more ambient, and f/2.8 doesn't give me enough ambient unless I drag the shutter and induce ghosting, which I also don't want.
__________________
Las Vegas Wedding Photographer: http://www.joeyallenphoto.com |
|
|
|
![]() |
| Thread Tools | |
| Display Modes | |
|
|
Similar Threads
|
||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| Using T/S at weddings | Raymond Lin | Canon EF and EF-S Lenses | 23 | 22nd of August 2010 (Sun) 00:48 |
| 24-70 f2.8 or 24-205 f4 for weddings?? | Sglshotkw | Canon EF and EF-S Lenses | 16 | 24th of June 2008 (Tue) 16:28 |
| How is The 30D for Weddings | rollsman | Canon EOS Digital Cameras | 24 | 18th of April 2008 (Fri) 18:22 |
| 24-70 vs 17-55 for weddings | ToddziLLa | Canon EF and EF-S Lenses | 7 | 25th of July 2007 (Wed) 17:59 |
| Red Eye for Weddings? | Molydood | Weddings and Other Family Events | 17 | 23rd of May 2006 (Tue) 07:01 |