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#1 |
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Senior Member
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I have been ask to shoot another wedding but the last one I didn't feel I got the coloring right with the brides dress. What is the easiest way to make sure I am getting the color right on the dress?
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#2 |
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Member
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eye dropper on the dress?
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#3 |
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Cream of the Crop
Join Date: Jun 2009
Location: Metro Chicago
Posts: 5,094
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Best way to ensure proper color management is to photograph a color (white balance) reference.
There are color checker options like X-Rite Pass Port. Another less formal approach is something like a paper towel. Just tell the bride you are doing a test shot and have her hold the reference object. Then use Lightroom eye dropper to get the proper color temp/tint. If the dress is close, or the groom's shirt etc., then use one of those and make the minor adjustment in LR to color temp/tint.
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#4 |
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BrokenMember
Join Date: Sep 2007
Location: Within the POTN viewing area.
Posts: 36,334
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Set custom wb with a 18% gray card. Will very with lighting used. Also shoot in RAW.
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#5 |
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Senior Member
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So basically take a photo of the gray card in the light I will be photographing the wedding in and set that as custom WB?
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#6 |
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Member
Join Date: Jul 2012
Posts: 33
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Shoot in RAW and adjust WB in PP.
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#7 |
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Member
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The gray card method might work for the ceremony or shots outside, but it also might drive you crazy when it comes time for the reception. Reception lighting constantly changes.
If you shoot in RAW white balance shouldn't be a problem - provided you are familiar with processing the files in ACR or LR.
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#8 |
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Senior Member
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I always shoot Manual and RAW format. I also process with ACR and I also have lightroom. What would you say is the easiest way to achieved proper white balance?
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#9 |
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Goldmember
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Can you post an example to what you are getting? The answer usually is starting with good light. Without good light or mixed light on the bride, it can get difficult.
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#10 |
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Senior Member
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Yes, I will post something in the next hour.
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#11 |
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Member
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I'm not sure what will work best for you, but I use Auto WB on the camera. When I import the files into LR I compare the "As Shot" setting to the "Automatic" setting and then decide where I want it to fall. Every photographer has their own style - some like a little warmer looking photo and some like them a little cooler.
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You can call me JT 5D mkIII | 5D mkII |50D | 50 1.8 II | 85 1.8 | 17-55 2.8 | 16-35 2.8L | 24-70 2.8L | 70-200 2.8L | (3) 600EX-RT | (3) 580EX II |
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#13 |
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Goldmember
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Dresses and cloth in general are sometimes challenging to use as a neutral subject for the eye-dropper because the texture often creates micro-shadows that tinge them usually blue-ish. In other words, sometimes the right color balance for the scene is one such that the dress or white-collared shirt, is very slightly bluish.
My approach is to shoot in RAW, eyedrop a neutral area that is co-planar with the part of the subject receiving the main light, and then adjust slightly in the direction that makes the subject's face look best. Again, if that means the dress is ever so slightly bluish, so be it. If it's dramatically blue, I pull down the blue saturation slider in LR.
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christopher steven b. - Ottawa Wedding Photographer Ottawa Wedding Photography Site | Ottawa Wedding Photographer Blog |
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#15 |
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Member
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We just shoot in AWB. Dresses look different in all kinds of light; as long as we like the way the people look, we're happy.
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[mike and frida] photography - we shoot stuff.
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