There were couple of threads a while back. Did anyone get it and how do you like it?
https://www.parabolixlight.com/
bobbyz Cream of the Crop 18,735 posts Likes: 892 Joined Nov 2007 Location: Bay Area, CA More info | Jan 24, 2017 09:35 | #1 There were couple of threads a while back. Did anyone get it and how do you like it? 5dmk3, 35L, 85L II, 300mm f2.8 IS I, 400mm f5.6
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Jan 24, 2017 21:53 | #3 Been using the 35" and 55" for the last few model shoots. Nice!  HOSTED PHOTO please log in to view hosted photos in full size.  HOSTED PHOTO please log in to view hosted photos in full size. Canon Forever! 5D III, 1DX, L Primes & Zooms, Kino-Flo, Einsteins, Diva Ringlight, Phottix Indra 500 TTL, Interfit S1's..... Full studio....
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bobbyz THREAD STARTER Cream of the Crop 18,735 posts Likes: 892 Joined Nov 2007 Location: Bay Area, CA More info | Jan 25, 2017 08:17 | #4 See that you are using on location. How do you like it? How easy to setup, teardown for location? 55" I would heavy I assume requiring a nice heavy duty stand. Definitely looking for more details. Thanks. 5dmk3, 35L, 85L II, 300mm f2.8 IS I, 400mm f5.6
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The 35" Parabolix has become my "go to" modifier for on location work. Very easy setup, and easily movable from place to place. Focused or de-focused it has performed great. The 55" is quite a bit larger, and I've only used it in the studio on heavy duty rolling/cranking stands.  HOSTED PHOTO please log in to view hosted photos in full size.  HOSTED PHOTO please log in to view hosted photos in full size. Canon Forever! 5D III, 1DX, L Primes & Zooms, Kino-Flo, Einsteins, Diva Ringlight, Phottix Indra 500 TTL, Interfit S1's..... Full studio....
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bobbyz THREAD STARTER Cream of the Crop 18,735 posts Likes: 892 Joined Nov 2007 Location: Bay Area, CA More info | Jan 25, 2017 09:39 | #6 Thanks. 5dmk3, 35L, 85L II, 300mm f2.8 IS I, 400mm f5.6
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ethompson53 Mostly Lurking 11 posts Likes: 20 Joined Nov 2014 More info Post edited over 1 year ago by ethompson53. | Jan 25, 2017 20:37 | #7 I recently received a 45" version just after the new year and I'm very please with the design, manufacture and light quality. I've tested it on two shoots so far. Coming from a Cheetahstand RB120 with a Chopstick, it's definitely an upgrade.  HOSTED PHOTO please log in to view hosted photos in full size.  HOSTED PHOTO please log in to view hosted photos in full size.
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SYS Cream of the Crop  More info | Jan 25, 2017 20:40 | #8 ethompson53 wrote in post #18255543 I recently received a 45" version just after the new year and I'm very please with the design, manufacture and light quality. I've tested it on two shoots so far.Coming from a Cheetahstand RB120 with Chopstick, it's definitely an upgrade. Hosted photo: posted by ethompson53 in ./showthread.php?p=18255543&i=i174822767 forum: Flash and Studio Lighting Hosted photo: posted by ethompson53 in ./showthread.php?p=18255543&i=i183891046 forum: Flash and Studio Lighting Well, thanks a LOT! I just got the RB-120 a couple hours ago, and what little excitement I had today was totally ruined by your gorgeous images.
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ethompson53 Mostly Lurking 11 posts Likes: 20 Joined Nov 2014 More info Post edited over 1 year ago by ethompson53. | Thanks but don't be...the RB120 is a very good modifier. You won't be disappointed with your results. The Parabolix is just more elegant modifier but at a higher price point and I've found a difference in the light quality. I'm really growing to like this.
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SYS Cream of the Crop More info | Jan 25, 2017 21:56 | #10 ethompson53 wrote in post #18255575 Thanks but don't be...the RB120 is a very good modifier. You won't be disappointed with your results. The Parabolix is just more elegant modifier but at a higher price point and I've found a difference in the light quality. I really growing to like this. I was just kidding. I'm liking the RB120 already. The Parabolix is in the future for me at some point. Post more photos with the Parabolix, if you don't mind.
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I have both the RB120 and RB150. The Parabolix still remains my "go to" modifier. I've have the luck of driving to the facility in Los Angeles and shooting on site with the founder.  HOSTED PHOTO please log in to view hosted photos in full size.  HOSTED PHOTO please log in to view hosted photos in full size. Canon Forever! 5D III, 1DX, L Primes & Zooms, Kino-Flo, Einsteins, Diva Ringlight, Phottix Indra 500 TTL, Interfit S1's..... Full studio....
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bobbyz THREAD STARTER Cream of the Crop 18,735 posts Likes: 892 Joined Nov 2007 Location: Bay Area, CA More info Post edited over 1 year ago by bobbyz. | Jan 26, 2017 09:44 | #12 Maybe it is me but I am not seeing contrasty, Broncolor para kind of light. I am hoping the budget gets approved and able to pick parabolix 55". 5dmk3, 35L, 85L II, 300mm f2.8 IS I, 400mm f5.6
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kickmaster Senior Member  More info Post edited over 1 year ago by kickmaster. | The more "focused" the more contrast..... Canon Forever! 5D III, 1DX, L Primes & Zooms, Kino-Flo, Einsteins, Diva Ringlight, Phottix Indra 500 TTL, Interfit S1's..... Full studio....
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ethompson53 Mostly Lurking 11 posts Likes: 20 Joined Nov 2014 More info | Part of the Broncolor para contrast comes from the environment it's used in. For example, in a place where you can build contrast by the use of negative fill the look is easily achieved. In my space which is small, with low ceilings, it's more difficult when using modifiers of that size. I solve it by using grids. Here are a couple of images shot with the Parabolix, focused, with a grid, that keeps light from bouncing around my space providing, too much fill.  HOSTED PHOTO please log in to view hosted photos in full size.  HOSTED PHOTO please log in to view hosted photos in full size.
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bobbyz THREAD STARTER Cream of the Crop 18,735 posts Likes: 892 Joined Nov 2007 Location: Bay Area, CA More info | Jan 26, 2017 12:49 | #15 Thanks. 5dmk3, 35L, 85L II, 300mm f2.8 IS I, 400mm f5.6
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