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Thread started 02 Oct 2017 (Monday) 11:52
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My first look at Canon's new 85 mm

 
eaglespremiers
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Nov 07, 2017 05:07 as a reply to post 18490590 |  #91

Matter of preception I guess.
I prefer the image I'm getting out of the new lens more so than my old 85mm f/1.2L II.


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wallstreetoneil
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Nov 07, 2017 05:42 |  #92

eaglespremiers wrote in post #18490609 (external link)
Matter of preception I guess.
I prefer the image I'm getting out of the new lens more so than my old 85mm f/1.2L II.

I've relooked at all your pictures again + the new baby pics (the first one is great) - congratulations to you and mom.

All the posted pictures are all nice - I also really like your processing

The lens looks like a winner - especially with Canon L reliable AF (do you have any comments about the AF compared to other L glass (lets not compare to the 85Lii)

Always nice to have a poster give early feedback on a new lens.

Thanks for posting everything


Hockey and wedding photographer. Favourite camera / lens combos: a 1DX II with a Tamron 45 1.8 VC, an A7Rii with a Canon 24-70F2.8L II, and a 5DSR with a Tamron 85 1.8 VC. Every lens I own I strongly recommend [Canon (35Lii, 100L Macro, 24-70F2.8ii, 70-200F2.8ii, 100-400Lii), Tamron (45 1.8, 85 1.8), Sigma 24-105]. If there are better lenses out there let me know because I haven't found them.

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P4ulG
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Nov 07, 2017 07:14 as a reply to post 18464901 |  #93

Yes £1560 in UK. Gets a very good write up.


Canon 6D Canon 600D Canon M Canons 24-105mm L 70-300mm L. 100mm F2.8 macro L IS. nifty fifty. 22mm macro, 55-250mm IS. Siggys 12-24mm 28-70mmf2.8 120-400mm Speedlights Siggy DG530 super Canon EX430II Vivitar 3700

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Charlie
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Nov 07, 2017 07:59 |  #94

Ah-keong wrote in post #18490590 (external link)
seems like there is a bit of lack of the 3D magic that would come from the 50L and the 85 f/1,2L mark II :p

the SOOC baby pics look great. 50 and 85Lii are nice, but they do have serious issues. If you want the modern sharp wide open lens look, those older versions are not it.

modern look = 24-70Lii, 70-200Lii, 200Lf2, sigma art primes


Sony A7rii x2 - FE 12-24/4 - FE 24-240 - FE 35/2.8 - CV 35/1.7 - FE 50/1.8 - FE 85/1.8 - EF 135/1.8 Art - F 600/5.6 - CZ 35-70, 100-300 - Astro Rok 14/2.8, 24/1.4 - Tamron 28-75 f2.8, 70-200 f2.8 VC

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DaviSto
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Post has been edited 15 days ago by DaviSto.
Nov 07, 2017 08:20 |  #95

Charlie wrote in post #18490670 (external link)
the SOOC baby pics look great. 50 and 85Lii are nice, but they do have serious issues. If you want the modern sharp wide open lens look, those older versions are not it.

modern look = 24-70Lii, 70-200Lii, 200Lf2, sigma art primes

I have a bit of difficulty with the idea of a "modern sharp wide open lens look".

I can see that a lot of lenses and sensors are being sold at photographers on two-dimensional sharpness just now. But it isn't clear to me that the type of image that they are particularly well-suited to delivering is actually what the consumers of visual imagery (modern or otherwise) most want to see. What is it that makes these 'modern look' lenses particularly well-adapted to current demand in terms of delivered images?

This is a genuine question btw ... and something I would really like to understand better. I'm not trying to have a 'dig' at you.


Comment and (constructive) criticism always welcome.

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Charlie
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Nov 07, 2017 08:37 |  #96

DaviSto wrote in post #18490683 (external link)
I have a bit of difficulty with the idea of a "modern sharp wide open lens look".

I can see that a lot of lenses and sensors are being sold at photographers on two-dimensional sharpness just now. But it isn't clear to me that the type of image that they are particularly well-suited to delivering is actually what the consumers of visual imagery (modern or otherwise) most want to see. What is it that makes these 'modern look' lenses particularly well-adapted to current demand in terms of delivered images?

This is a genuine question btw ... and something I would really like to understand better. I'm not trying to have a 'dig' at you.

just very blistering sharp lenses wide open that also have intense blurring abilities. Combine those two with excellent color/contrast, and you get 3D pop.

The most classic example is anyone upgrading from the 24-70 mk 1 to mk2, 70-200 mk1 to mk2. Everything is just crispier, the contrast is just slicing, while older lenses may produce a slightly hazy/muted look.

I'm thinking with a blind comparison, you'de be able to pick out this lens vs the 85Lii. I'de need to see a little more samples to be sure.


Sony A7rii x2 - FE 12-24/4 - FE 24-240 - FE 35/2.8 - CV 35/1.7 - FE 50/1.8 - FE 85/1.8 - EF 135/1.8 Art - F 600/5.6 - CZ 35-70, 100-300 - Astro Rok 14/2.8, 24/1.4 - Tamron 28-75 f2.8, 70-200 f2.8 VC

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MalVeauX
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Post has been edited 15 days ago by MalVeauX.
Nov 07, 2017 08:45 |  #97

DaviSto wrote in post #18490683 (external link)
I have a bit of difficulty with the idea of a "modern sharp wide open lens look".

It's really the micro-contrast and minimal CA at fast focal-ratios that normally are qualities found on a good modern prime, but now are found on good modern zooms.

There was a time of course we are all aware of when soft portraits were the thing. It's a fad. And lenses were made on purpose to produce a soft look.

Now the fad has gone the other way and we're on the hard chiseled high contrast look.

Very best,


My Flickr (external link) :: My Astrobin (external link)

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DaviSto
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Post has been last edited 15 days ago by DaviSto. 4 edits done in total.
Nov 07, 2017 08:51 |  #98

Charlie wrote in post #18490693 (external link)
just very blistering sharp lenses wide open that also have intense blurring abilities. Combine those two with excellent color/contrast, and you get 3D pop.

The most classic example is anyone upgrading from the 24-70 mk 1 to mk2, 70-200 mk1 to mk2. Everything is just crispier, the contrast is just slicing, while older lenses may produce a slightly hazy/muted look.

I'm thinking with a blind comparison, you'de be able to pick out this lens vs the 85 1.2Lii. I'de need to see a little more samples to be sure.

This isn't really answering my question.

I can already see differences between the 85 1.2 Lii and the 85 1.4L IS and, for me, the advantage in 'pop' still clearly lies with the 1.2. That advantage partly comes from the 'dreaminess' that comes with the F1.2 (you might see this itself as the result of flaws attributable to the vintage of the design ... or you might see it more as the result of decisions the designers made about what compromises are best in delivering a desirable image).

I can, for sure, see other features of the 1.4 images that might well be preferred by some photographers ... and I think it is going to have some significant advantages in ease of use for people who need to work quickly and really don't want to miss a shot (wedding and event photographers?).

My question was really focused on the issue of whether the 'modern look' is more closely tuned to current tastes in visual imagery. It isn't to mine ... but I'm just one person.


Comment and (constructive) criticism always welcome.

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fordmondeo
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Joined Sep 2007
Portsmouth England
Nov 07, 2017 09:51 |  #99

Charlie wrote in post #18490670 (external link)
the SOOC baby pics look great. 50 and 85Lii are nice, but they do have serious issues. If you want the modern sharp wide open lens look, those older versions are not it.

modern look = 24-70Lii, 70-200Lii, 200Lf2, sigma art primes

My 85 L ii is harp wide open where it counts and has no serious issues as far as I'm concerned.
I have the 70-200Lf2 and it in no way stacks up to the 85 re bokeh.
The 24-70Lii I sold as, whilst it was very sharp, was one of the most boring focal lengths I owned.

As for the modern "Modern look", you are bold enough to presume that everyone wants it and that sharpness is the "be all and end all".
To my mind, it is not. If it was, why on gods earth would anyone manufacture soft focus lenses?


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Charlie
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Nov 07, 2017 09:52 |  #100

DaviSto wrote in post #18490706 (external link)
This isn't really answering my question.

I can already see differences between the 85 1.2 Lii and the 85 1.4L IS and, for me, the advantage in 'pop' still clearly lies with the 1.2. That advantage partly comes from the 'dreaminess' that comes with the F1.2 (you might see this itself as the result of flaws attributable to the vintage of the design ... or you might see it more as the result of decisions the designers made about what compromises are best in delivering a desirable image).

I can, for sure, see other features of the 1.4 images that might well be preferred by some photographers ... and I think it is going to have some significant advantages in ease of use for people who need to work quickly and really don't want to miss a shot (wedding and event photographers?).

My question was really focused on the issue of whether the 'modern look' is more closely tuned to current tastes in visual imagery. It isn't to mine ... but I'm just one person.

I dont consider dreaminess or glow to be the same as 3D pop.

The 50L/85L are certainly pleasing lenses, but then again, so is a $200 rokinon 85 f1.4 which can provide similar blur levels. Stop any of those lenses down to F2, and you see a massive improvement with contrast and sharpness (assuming no flare issues). Now imagine if you got that sort of IQ wide open....... some modern lenses CAN produce that type of quality wide open.


Sony A7rii x2 - FE 12-24/4 - FE 24-240 - FE 35/2.8 - CV 35/1.7 - FE 50/1.8 - FE 85/1.8 - EF 135/1.8 Art - F 600/5.6 - CZ 35-70, 100-300 - Astro Rok 14/2.8, 24/1.4 - Tamron 28-75 f2.8, 70-200 f2.8 VC

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Charlie
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Nov 07, 2017 10:14 |  #101

fordmondeo wrote in post #18490753 (external link)
My 85 L ii is harp wide open where it counts and has no serious issues as far as I'm concerned.
I have the 70-200Lf2 and it in no way stacks up to the 85 re bokeh.
The 24-70Lii I sold as, whilst it was very sharp, was one of the most boring focal lengths I owned.

As for the modern "Modern look", you are bold enough to presume that everyone wants it and that sharpness is the "be all and end all".
To my mind, it is not. If it was, why on gods earth would anyone manufacture soft focus lenses?

I was stating lens attributes, not preferences. Sure the 70-200's cant match the 85 look, nothing really can, but blurring abilities the 135 f1.8 Art and Canon 200 f2L can match that blur. Different focal lengths have different properties and signature looks.

btw, Soft focus lenses... generally these lenses are very sharp in focus areas, while having the ability to knock out closer backgrounds. Laowa 105 softfocus has super high MTF scores.


Sony A7rii x2 - FE 12-24/4 - FE 24-240 - FE 35/2.8 - CV 35/1.7 - FE 50/1.8 - FE 85/1.8 - EF 135/1.8 Art - F 600/5.6 - CZ 35-70, 100-300 - Astro Rok 14/2.8, 24/1.4 - Tamron 28-75 f2.8, 70-200 f2.8 VC

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DaviSto
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Nov 07, 2017 10:52 |  #102

Charlie wrote in post #18490755 (external link)
I dont consider dreaminess or glow to be the same as 3D pop.

The 50L/85L are certainly pleasing lenses, but then again, so is a $200 rokinon 85 f1.4 which can provide similar blur levels. Stop any of those lenses down to F2, and you see a massive improvement with contrast and sharpness (assuming no flare issues). Now imagine if you got that sort of IQ wide open....... some modern lenses CAN produce that type of quality wide open.

My copy of the 85Lii can be incredibly sharp wide-open across the full centre frame. It may drop off a bit towards the edges but not at all in any area of the frame where I am going to place my subject. I just don't care about edge sharpness. It's most likely distracting. And some fall-off towards the edges can contribute to 'pop'.

I don't always achieve that sharpness ... because I mis-focus or (much more likely) because I set too slow a shutter speed to eliminate photographer flutter. But I am getting less incompetent at this stuff. And focus failures are much less frequent with the 5Div than they were with the 5Dii.

When I get it right (more frequently than before, thankfully) the 85Lii images have a quality that I find simply stunning. It is unlike anything that I can get from any other lens I own. I do have the 135L ... the 200L F2 is right at the top of my wish list but still well down my reality list.

90% of the time, the 85Lii is the lens that is on my camera.

I agree that it doesn't deliver images with the same characteristics of more recent lenses. I'm just questioning whether the 'modern look' that these latterday lenses have is the 'look' that actually best sells pictures to people today. What do discerning people today (NOT photographers) most appreciate and value in a photographic image?


Comment and (constructive) criticism always welcome.

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Charlie
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Nov 07, 2017 11:12 |  #103

DaviSto wrote in post #18490827 (external link)
My copy of the 85Lii can be incredibly sharp wide-open across the full centre frame. It may drop off a bit towards the edges but not at all in any area of the frame where I am going to place my subject. I just don't care about edge sharpness. It's most likely distracting. And some fall-off towards the edges can contribute to 'pop'.

I don't always achieve that sharpness ... because I mis-focus or (much more likely) because I set too slow a shutter speed to eliminate photographer flutter. But I am getting less incompetent at this stuff. And focus failures are much less frequent with the 5Div than they were with the 5Dii.

When I get it right (more frequently than before, thankfully) the 85Lii images have a quality that I find simply stunning. It is unlike anything that I can get from any other lens I own. I do have the 135L ... the 200L F2 is right at the top of my wish list but still well down my reality list.

90% of the time, the 85Lii is the lens that is on my camera.

I agree that it doesn't deliver images with the same characteristics of more recent lenses. I'm just questioning whether the 'modern look' that these latterday lenses have is the 'look' that actually best sells pictures to people today. What do discerning people today (NOT photographers) most appreciate and value in a photographic image?

Edge sharpness can be an issue if you use your lens for more than one purpose. 85mm is very nice for group portraits and blurry people on the sides can detract from a photo.

May or may not be an issue dependent on the intended print size.

in terms of sharpness, I'de rather a lens be uniformly decent than really sharp in center and high drop off on edges. It's more of a predictability thing, shooting without worrying about subject placement is generally more relaxing.


Sony A7rii x2 - FE 12-24/4 - FE 24-240 - FE 35/2.8 - CV 35/1.7 - FE 50/1.8 - FE 85/1.8 - EF 135/1.8 Art - F 600/5.6 - CZ 35-70, 100-300 - Astro Rok 14/2.8, 24/1.4 - Tamron 28-75 f2.8, 70-200 f2.8 VC

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ben805
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Nov 07, 2017 13:41 |  #104

Newer "modern lens" with higher amount of glass elements/groups can often robbed the quality of light. A super sharp lens with capability to obliterate background don't necessary give you the 3D pop, a lot of Sigma Art lens from what I have seen do not have the "pop"...they often look uninteresting and quite flat to me. Awhile back I read somewhere the 3D pop consists of a blend of contrast, vivid colors, lighting direction, DOF, and decent sharpness at the plane of focus, with key element being the micro-contrast. You can check out this article below explaining the 3D pop in a more scientific way....

http://yannickkhong.co​m ...es-or-the-death-of-3d-pop (external link)


5D Mark III, Samyang 14mm, 35LII, 85L II, 100L IS Macro, 24-105L, 70-200L 2.8 IS II. 580EX, AB400, AB800.

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TeamSpeed
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Post has been edited 15 days ago by TeamSpeed.
Nov 07, 2017 13:49 |  #105

I am personally very curious about the Rokinon 85mm f1.2, enough that I might buy it. It just depends if I can deal with MF or not, at least the aperture can be controlled electronically. Otherwise it will either be the Sigma ART or this new Canon one... I will have an 85mm again though for sure. :)


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My first look at Canon's new 85 mm
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