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#1 |
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Senior Member
Join Date: Mar 2006
Location: Montana
Posts: 1,004
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ok...johneric8 asked a question about camera size and status to the pro verses the "wanna-be" shooters..(As I call us...lol) And his question has me wanting to know...just what makes a pro photographer? Is it the equipment that one has...is it the knowledge of using that equipment...is it in the quality of the end result?
Can one that does not have much knowledge of the workings of a camera but knows the end result they are looking for and can get it...yet couldnt tell ya about what lens is best or setting..not a pro?..even though the shots may be wonderful? I ask this because I'm that person. I'm still learning....at this point I need to take a class cause I'm not even sure of the questions to ask....lol. However...I do sell my images. I have been frustrated because my little knowledge has limited me in allowing this 20D to do what some think its capable of doing. So is it more knowing the equipment that makes one a pro...or the end result of the image that makes one a pro?
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*~~I find.....the more I learn about photography, the more there is to learn about photography. Canon 20D EF-S18-55mm 1:3.5-5.6 ll, EF50mm1:1.8 ll, EF24-70 1:2.8L USM, EF75-300mm 1:4-5.6 lll, Sony DSC F828 AC close-up lens |
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#2 |
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Member
Join Date: Mar 2006
Location: Western New England
Posts: 342
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Pro has simply connoted for me that you make money or perhaps even a complete living at it. The term professional is often used in this way these days although there was a time when there were a limited number of actual professions - medicine and law are the two traditional professions that come to mind.
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#3 |
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Member
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you sell prints as art or portrait or what? either way, some would consider you a professional, however with photography many bring home some money, yet not enough to keep them alive. I don't know what I would consider a professional because it really depends on what field whether that be portraits, sports, journalism, etc. I am slowly learning the business of portrait shooting and hopefully it will be a financially worthwhile journey.
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5D, 300D, Tamron 17-35mm f/2.8-4, Canon 70-200mm f/4, 135mm f/2, 24-105mm f/4, 50mm f/1.4, Sigma ef 500 dg super, Canon 580EX http://www.spideronthefloor.com/ |
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#4 |
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Member
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For me a professional is the one who sells his work...doesnt matter if its good or bad, cheap or expensive.
If you get paid for, you're pro. Of course, lots of "amateurs" will do a better job. But if there is someone paying you, you gotta be doing something right... at least.
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Canon 30D - Peleng 8mm F3.5 - EF-S 10-22 - Tamron 28-75 XR Di ( next buy ) - Bigma 50-500 F4-6.3. - Speedlight 580ex |
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#5 |
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321 123 33
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to me, a pro is some one knows what he/she is doing extensively and gets paid, equipment helps, but it's knowledge.
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WONKA WONKA! |
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#6 |
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Member
Join Date: May 2004
Posts: 493
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It's one of those terms that gets thrown around quite a bit. A profession is one that is an occupation or career, but it doesn't necessarily mean that you're good at the art of it, just good at the business side of things. I've seen some professionals (meaning people who make a living with it) who turn out crappy results. There are lots of beginners and what are commonly called "pro-sumers" who can do outstanding work. Many of them better than the professional. When people see people who are successful at what they do and see how they live, most of the time people automatically assume that the person is a top-notch artist. While that can be true sometimes, there are some of them who are sprinkled around who are simply good business people. That's a professional. Now, being a master of the craft...that's a different issue altogether.
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EOS T2i w/batt grip | EF 50mm F1.8 | Sigma 18-50 2.8 | Sigma 10mm F2.8 Fisheye | Sigma 10-20mm | 420EX w/ST-E2 | Glidecam HD-1000 | Rode Videomic | Tascam DR-07 Recorder http://facebook.com/kentfrostphoto http://facebook.com/kentfrostpartypix |
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#7 |
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Goldmember
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As I have been commissioned a couple of times for real money, I could fall into that category.
However, I feel it should be qualified by "makes the majority of their living by photography". That would exclude me - and make me feel much more comfortable! Even an amateur who makes more money from photography than their "day job", deserves to be called a professional. Then again, it should not be just about money. You could be incredibly professional and not make a bean. Pass Graham
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. Lamb dressed as mutton. |
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#8 |
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Cream of the Crop
Join Date: Dec 2002
Location: Southeastern WI, USA
Posts: 18,500
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A professional - in any field - is simply a person who makes a regular income (usually their primary source of income) in that field. Unfortunately, most folks assume that means that the individual is competent at what he or she chooses to do for hire. That assumption is all to often a mistake. I have run into far too may "professionals" who I would never hire because of their poor quality work. Many pros are too concerned with productivity instead of quality, and their work suffers as a result. This applies to photographers, drywall hangers, auto mechanics, and the like.
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Skip Douglas A few cameras and over 45 years behind them ..... ..... but still learning all the time. |
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#9 | |
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Member
Join Date: May 2004
Posts: 493
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Quote:
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EOS T2i w/batt grip | EF 50mm F1.8 | Sigma 18-50 2.8 | Sigma 10mm F2.8 Fisheye | Sigma 10-20mm | 420EX w/ST-E2 | Glidecam HD-1000 | Rode Videomic | Tascam DR-07 Recorder http://facebook.com/kentfrostphoto http://facebook.com/kentfrostpartypix |
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#10 |
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"With a professional phototgrapher, you'll only see one in ten of the pictures he takes, whereas an amateur will show you all of his". -Kevin Gilbert
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WONKA WONKA! |
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#11 |
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Senior Member
Join Date: Mar 2006
Location: Montana
Posts: 1,004
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hummmmmm...."master of the craft"...there ya go thats what I want...lol.
I have mostly scenic shots that sell...although thats not what I really like to do...I would like to be more "artistic" with my images. I love macro and fine detail...hope to do more of that...I would like to get into portrait shots..but not sure how many have the patience to wait for me to "get it just so"...lol therefore..yes I still have lots to learn. I do this as a living but mainly as a hobbie...cause I dont feel "pro" . I have a posted a couple of images in the B&W section on this form...of my kitty in infrared if you would like to see my progress with the 20D. I'm finding that this camera may be more for protrait then the long scenic shots that I'm able to print myself...but because I really dont know the ins and outs...I'm probably wrong on that.
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*~~I find.....the more I learn about photography, the more there is to learn about photography. Canon 20D EF-S18-55mm 1:3.5-5.6 ll, EF50mm1:1.8 ll, EF24-70 1:2.8L USM, EF75-300mm 1:4-5.6 lll, Sony DSC F828 AC close-up lens Last edited by picturepages : 23rd of March 2006 (Thu) at 17:12. |
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#12 |
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Goldmember
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Yes.. A professional photographer is one who makes a living taking pictures. That's it.. There is no more to it..
HERE are a bunch of definitions of the word professional. It's got nothing to do with skill or equipment or ability. I know a guy who puts up a booth at fairs and other public gatherings. He uses a cheapie point and shoot camera to take pictures of people. He has a machine that puts the pictures on mugs and plates... He makes a good money taking these pictures. He is a professional photographer in every sense of the word. But normally, we assume a 'Pro' has some skill.... Otherwise nobody would want his/her product. |
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#13 |
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Cream of the Manpanties........ Inventor Great POTN Photo Book
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I'm a professional wanna-be professional.
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#14 |
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Senior Member
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To be professional - means that you're making your living, or a significant amount of your living, from photography. Some of the most famous photographers have been essentially amateurs.
However 'Professionalism' is another issue. This means you can understand the issues required to produce a photograph of a given subject in given conditions. Many 'professionals' aren't great photographers, however they can consistently produce acceptable work, this makes them worth their salary. Some 'professionals' produce consistently great work, this makes them worth more, and their services are highly sought after. As you said - you have no basic understanding of photography, therefore no-one ought to hire you to shoot an event (and you certainly shouldn't push your services for such). When you come unstuck it will be extremely messy and no-one will be a winner. However if you've managed to make some good photographs and you have found a market that'll buy them, good luck to you. |
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#15 |
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Member
Join Date: Sep 2005
Location: Sydney, Aust.originally, now in York, Pa.
Posts: 135
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To me 'professional' would imply not only one who makes his main living off his skill, but who also has considerable bredth, depth and knowledge of his skill, and who can advise others.
However, I've sold some of my art, and i've only been truly at it for a couple of years ... and i can advise some on what i know, but the more i know, the more i realize i don't know, and the more i don't think i'll ever know it. Which leads me to conclude that many of us are "professional" in certain areas only ... It really irks me to see a ski photographer for example, who makes his living setting the camera on a tripod at a race, and pressing the shutter for a round when the racer is in exactly the same place as the last one, and the next racer after that too. If that was my kind of ski photography, i'd die of boredom because i wouldn't be learning anything new, or shooting in a variety of ways. It only irks me because i struggle to learn and grow and please others with my art, and here they are just pressing a shutter at a given time, and making a living from it! I've had wonderful compliments, my most valued being from another photographer who said they've never liked my kind of subject matter until they saw MY images. And yet i know nothing compared to so many of you out there. But some would call me a pro just because i know more than average. I don't consider myself a pro, and probably neve will ... the pros are who i ask and receive good advice from, because they make a living at what they do AND know their trade.
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~ jane 30-D, 20-D - 60mm 2.8 macro - 10-22mm 3.5 - 18-55mm 3.5 - 70-200mm 2.8L USM - 300mm 2.8L IS USM - Sigma 18-200 mm 3.5 - Kata R-103 bag & E-702 rain jacket - couple of Tamrac bags - 480 & 580ex Now i can't blame my equipment anymore |
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