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#16 | |
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Senior Member
Join Date: Sep 2001
Location: Hong Kong
Posts: 1,538
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Quote:
Let me know when you decide... we'll figure something out that won't be too painful -- well, for me anyway. ![]() Don |
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#17 | |
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Senior Member
Join Date: Sep 2001
Location: Hong Kong
Posts: 1,538
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Quote:
What's truly inspiring are the comments I receive. It's rather like my Cantonese... Hong Kong people are so generous in their praise of a westerner's ability to speak six words of the local dialect that it drives me to learn more (seven, eight, who knows how many I'll master). ![]() Thanks very much for taking the time each time. Don |
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#18 | |
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Senior Member
Join Date: Sep 2001
Location: Hong Kong
Posts: 1,538
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Quote:
The 093 is interesting... when I was shooting with the normal G1 and the R72, I really enjoyed the light green tones I got on the foliage, using RAW and a custom white balance. Still do, really (my "infrared bali" shots, for example). But I've also enjoyed experimenting with the black-and-white elements of the new filter. It's always a pleasure to try something new to keep yourself out of a rut. I'm glad it's being well received. Cheers, Don |
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#19 | |
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Senior Member
Join Date: Sep 2001
Location: Hong Kong
Posts: 1,538
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Quote:
These pictures are definitely not straight out of the camera, although the manipulation is simple and straightforward. Everything I do goes through Photoshop, but I'm lazy -- I don't spend hours trying to create a photograph out of a snapshot: the picture elements have to be there in the first place and the exposure has to be good before I'll work on it. So, to share the workflow on this series: 1. Take properly exposed picture... as a note, I usually set exposure compensation anywhere from -1/3 to -1 to retain detail in the highlights. For color, I always set the G2 to -1/3. I'm setting the modifed G1 up to -1. 2. Open Photoshop 7, drag in picture. 3. Auto-Contrast (Ctrl-Shft-Alt, L) in PS7 or use Auto-Levels in other programs. 4. Ctrl-J to duplicate the layer (which will appear highlighted in your Layers palette). 5. Click on the little drop-down menu box in the top-left of the Layers palette and select Multiply. By default, you'll see 100% in the box just to the right of that. For this series, I've been leaving it there, but you can adjust to any value that you like. For many color photos, you'll find that 10-30% looks nice. 6. Flatten image. 7. Slight (and I do mean slight) S-curve in Curves to brighten highlights and darken shadows. Alternatively, you can boost Contrast by 5-10. 8. Resize. 9. Sharpen using your favorite technique or tool. 10. Voila. I've only used the "duplicate layer and multiply" routine on the "dark streets" series here (and a different broom floating around in another thread). Usually you can forego all that, as I did with the rainy day shot midway through this thread -- that was just auto-contrasted, slight curves and sharpen. And one last thing... there were a few of those little white spots you see in the broom photo around the fire hydrant -- I cloned them out to keep the focus where it belonged. With the broom, they're related. Thanks for your comments... I'm always happy to hear others' likes and dislikes and insights. Don |
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#20 |
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Cream of the Crop
Join Date: Jul 2002
Location: republic of Ireland
Posts: 20,864
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that new photograph is just wonderful
I , for one love it very much the umbrellas seem so unreal. its a romantic type of picture great to have taken the opportunity . sometimes I wish I said nothing about pictures as then no one feels an obligation to reply and they don't need to but how else can one say what one thinks about a picture ![]() so I mostly say it nothing to do with what I just said but the hydrant shot is very fine and shows great detail I should not have said about the red at all, as colour was not the issue here. it was the technique the bottles are photographed beautifully like that. thanks a lot for explaining no worries if you don't get a chance sometimes. this takes up a lot of time when you could be out shooting more beauties thanks don marie meant to say also that those butts are more of a worry where they are, then on the ground.. maybe blocking something there in that hole
__________________
Regards,Marie. CanonG12, GIX( <gift from my son) : )dslr 40D.Canon lens 24-105Lmm10-22mm,17-40,17-85, 70-300,60mm |
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#21 |
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Senior Member
Join Date: Apr 2003
Posts: 1,188
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love the umbrella photo! very dreamy indeed. Don, your work is gorgeous!
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#22 |
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Senior Member
Join Date: Jul 2003
Posts: 1,537
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Love the rainy day umbrella shot. I like the almost glowing leaves contrasting to the wet and dark ground. Also enjoy the contrast in the movement in the people (standing still to walking by quickly.)
Spectacular photo. |
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#23 |
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Goldmember
Join Date: Jul 2002
Location: Cloverdale B.C.
Posts: 3,368
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Excellent photos Don. The hydrant is exceptional.
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