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#1 |
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Member
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What can you tell me about obtaining credentials to be allowed onto the floor of some event? I assume newspaper and press photogs have valid credentials through their employment. How do others obtain credentials to allow admittance or does it just vary from venue to venue and event to event?
Thanks, Nic |
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#2 |
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*hic
Join Date: Feb 2007
Location: Cardiff
Posts: 589
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what kind of events are you talking about? i'm a music press photog in the UK and i get my photo passes through the record companies. i work for magazines and it's just a case of building up a good network of press people at Record companies that you can call on for passes.
best way to get a photopass for any sort of even (not just music) is to get on assignment from a magazine or widely read website. x
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www.racmedia.co.uk TV Cameraman and Photographer EOS 5D + 24-70mm f2.8 are my main weapons of choice. |
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#3 |
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User is banned from forums
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unless you work for someone its very difficult
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#4 |
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POTN Landscape & Cityscape Photographer 2005
Join Date: Apr 2003
Location: southern Alberta, Canada
Posts: 10,761
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It varies from event to event. Sometimes it will be the venue that allows the access while others it may be the entertainer.
These are difficult to obtain unless you have a letter stating that you are shooting for a recognized and associated publication, news agency, etc. If you are trying to get this just to shoot for yourself, your chances are pretty slim but you can always ask. Just be prepared for a no answer. There are some that try and use this to just get free admittance to an event. Are you shooting for anyone or is this just a personal thing.
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My life is like one big RAW file....way too much post processing needed. Sheldon Simpson | My Gallery | My Gear updated: 20JUL12 |
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#5 |
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Member
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This is a finals for high school dance competition. Some of the kids have asked me to come and photograph it. So, I'm just trying to anticipate how I can get on the floor of this large venue if there are limitations to who can be on the floor.
I might talk to the local paper and agree to provide pics to them in return for a press pass? |
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#6 | |
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Senior Member
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Quote:
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20D, BG-E2, 24-70/2.8L, 70-200/2.8LIS, 430EX |
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#7 |
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Member
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I would contact the school or governing body of the competition.
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#8 |
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Member
Join Date: Jan 2007
Location: USA
Posts: 53
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I don't work for anybody, but I wanted to shoot a major harness race. I contacted the race track via email. I rec'd a press pass for the event. I stood side by side with the pros at the finish line & 50,000 fans. They were really cool about it too. Can't wait to go back next year.
jls
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#9 |
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Senior Member
Join Date: Dec 2006
Location: Near Plymouth, MA
Posts: 1,446
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Wow thats pretty cool jls, maybe I'll try that out someday. I'd love to shoot something bigger and actually be close to the action and in the presence of some pros.
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