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#1 |
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Member
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Hi,
I've got a 30D, and was wondering if there's any known "issue" with this model typically under exposing by about 1/3 stop? I used to have a 300D, and it appeared to also under expose, but by about the same (sometimes about 2/3 stop). Any info/experiences would be appreciated. Of course, could be that the subjects i'm shooting are predominantly lighter coloured and fooling the internal meter into under exposing a tad. thanks |
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#2 |
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Moderator
Join Date: Feb 2003
Location: ABE, PA USA
Posts: 26,406
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Have you tried shooting a gray card to see if your 30D is really underexposing? It doesn't have to be a perfect 18% gray card as long as it's one solid color. If the histogram shows the spike just to the left of center, the camera meter is working fine.
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...Leo |
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#3 |
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Senior Member
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Here you go read this thread it's full of some great info...
http://photography-on-the.net/forum/...etering+system
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James 1DMKIII, 1DsMKIII, 17-40L, 24-70L, 135L, 70-200 f/2.8L IS,200L, 300 f/4L IS, 400 5.6L, 600L, 85 f/1.8, 100 macro, Sigma 50mm f/1.4 HSM, Sigma 85mm 1.4 HSM, 1.4xII + extension tubes, MPe65 |
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#4 |
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Cream of the Crop
Join Date: Feb 2006
Location: Huntington Station, NY
Posts: 23,863
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Hi tjmaroney,
This sounds like it's a case of the camera's internal metering system being fooled. There are many methods to correct this and many are outlined in the thread James recommended. The metering mode you're using and the complexity of the scene (dynamic range) play a huge factor in achieving correct exposure.
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Please call me Robert or Rob, not TMR Gear List & Feedback | My Online Portfolio "Art is the elimination of the unnecessary." - Pablo Picasso |
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#5 |
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I'm a chimper. There I said it...
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There are tolerances in the manufacturing of all cameras and lenses. They used to be a half stop. Not sure what they are today but if you think about it there would have to be. So you could get two cameras coming of the same production line with a full stop difference between their meters/shutters.
You should always test new equipment. If you know up front how much one way or the other it is or it could be right on you can compensate if need be. |
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#6 |
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thanks everybody, for the very helpful information. i can always count on POTN!
cheers, |
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#7 | |
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Cream of the Crop
Join Date: Feb 2006
Location: Huntington Station, NY
Posts: 23,863
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Quote:
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Please call me Robert or Rob, not TMR Gear List & Feedback | My Online Portfolio "Art is the elimination of the unnecessary." - Pablo Picasso |
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#8 | |
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Member
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Quote:
My understanding was that the spike should be dead center in the histogram - is that incorrect?
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Mike Suggestions / critiques always welcomed - help me learn! My Smugmug site Gear Listing |
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#9 | |
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Quote:
If you google grey card, you'll actually see many debates on whether 18% grey gives true 50% luminance....or if it's closer to 12%. So because no one can agree if 18% is truely 50% luminance or not.....IMO, as long as it's close to center, it's fine. Actually, when I tried typing in 50% luminance in PS's color picker, I got RGB and CMYK values that were slightly darker then "the recommended" values for 18%. So maybe it is true that 18% would be a little left of center. But getting back to the OP....I totally agree with TMR. "Correct" exposure is a subjective measurement. To get the best exposure that you like, you have to be aware of how your camera's meter modes work. Sure, some cameras might actually have quirks....but they give you manual control and different metering modes for a reason.
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Canon 5D EF135mm 2.0L, EF70-200mm 2.8L, EF 50mm 1.4, EF 100mm 2.8 Macro, Tamron 28-75mm 2.8 Last edited by davesrose : 13th of July 2007 (Fri) at 14:29. |
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#10 |
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Member
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Ok, I follow what you're saying...and I remember reading something about a Kodak gray needing a half-stop correction, so what I got for my initial gray card shots may have been correct, as I needed a 2/3 correction to 'center up' the spike.
I agree that "correct" exposure is subjective per the photographer.
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Mike Suggestions / critiques always welcomed - help me learn! My Smugmug site Gear Listing |
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#11 | |
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Member
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Quote:
The way that I see it is that a camera is just trying to reach an average gray with its meter. Now because every grey is slightly different, it's going to be hard to target a grey card to be precisely reading 50%. But you don't really need that, because good exposure actually has a wide varience IMO. You might have to compensate and "underexpose" for the camera trying to reach 50% when much of the scene is in shadow. Likewise, you might have to "overexpose" if much of the scene is light and the camera would want to expose everything to 50% luminence.
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Canon 5D EF135mm 2.0L, EF70-200mm 2.8L, EF 50mm 1.4, EF 100mm 2.8 Macro, Tamron 28-75mm 2.8 |
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#12 |
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Member
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Assuming you're using evaluative, yes... I've actually gotten better exposures using Peterson's tips on exposure and a sort of Zone approach for where I want to place the tone that I meter (spot/manual on 30D for most things).
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Mike Suggestions / critiques always welcomed - help me learn! My Smugmug site Gear Listing |
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#13 |
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Member
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Well it's true for any meter....it's just that spot has the least amount of area in the viewfinder that the camera is metering. Each meter mode takes in a different amount of the scene, and then decides on the average 50% grey based on that. Spot metering can be the most precise because it's letting you select which area of the shot should be that middle grey.
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Canon 5D EF135mm 2.0L, EF70-200mm 2.8L, EF 50mm 1.4, EF 100mm 2.8 Macro, Tamron 28-75mm 2.8 |
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#14 | |
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Moderator
Join Date: Feb 2003
Location: ABE, PA USA
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Quote:
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...Leo |
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#15 |
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Member
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PacAce - I appreciate the info - thanks!
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Mike Suggestions / critiques always welcomed - help me learn! My Smugmug site Gear Listing |
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