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#16 |
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Goldmember
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Before changing brands, you might try panning to freeze the subject and put the blur onto the background.
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#17 |
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"all warm and fuzzy"
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I may be missing the reasoning of the OP and the follow-up posts, but for his info (and my own learning) isnt it possible to sync the camera at any speed with the 430ex set to High Speed Sync? i have shot with my digital rebel (i know!) and my 430ex at any shutter speed when i have the flash set to high speed sync... is there something about OP's set up that i don't understand that is limiting the sync speed? I just ordered a 30d and an st-e2, so any info on sync speed limits would be helpful to me as well...
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#18 | |
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Cream of the Crop
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Quote:
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#19 |
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"all warm and fuzzy"
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so will his 30D/430ex sync at the high speeds still? I was under the impression it would - due to the flash's capability... so is his only problem that the perceived effectiveness/output of the flash is being diminished by the high shutter speed?
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#20 | |
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Senior Member
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Quote:
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EOS 20D w/ BG-E2 grip Nifty fifty, EF 28mm f/2.8, EF 70-200mm f/4L USM Speedlights SB-25/SB-26/580EX, Pocket Wizards and such My Gallery |
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#21 |
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Master Flasher
Join Date: Apr 2005
Location: Northern Illinois, US
Posts: 18,993
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It will, but the range with HSS is about half what you could get with normal flash at X-sync speed. Combine that with a wide zoom setting and competition from the sun, and it just won't have much reach.
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#22 | |
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"all warm and fuzzy"
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Quote:
Does anyone find it ironic that a photographer can drop shutter speed down at an airshow to get prop blur, and yet retain a crisp image of an aircraft, and the OP is struggling with motion blur at 1/250 on a skate boarder? is it a distance to subject issue or what? I am still trying to fully grasp the effects of relative shutter speed vs. light vs. distance to object - any thoughts? Last edited by Andrushka : 27th of November 2007 (Tue) at 19:01. |
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#23 | |
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He's a Mod, He's a Mod.
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Quote:
It's mostly a distance to subject thing. But, its also an accleration thing. While a plane can move at several hundred miles an hour, the human body can out acclerate it. So its very easy to follow a plan, and track as it changes speed, turns, climbs etc. Try following someones arms as they wave them around in front of you. It this rapid change of direction and speed that makes panning difficult and leaves arms and legs blurred in many sports photos. Re: Converting to Nikon to get a faster sync speed, there is one thing to note: The fastest avlaible on the noinks is 1/500th. If a 580 fires at 1/800th, even with a shutter speed of 1/250, the flash exposure is taking place at 1/800th. or 1/300th of a second faster than the Nikon. |
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#24 |
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....winded
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Yeah, I don't know if Archie is still watching this conversation, but it seems natural for him to at least try out a 580. It has more power, so High Speed Synch may meet his needs.
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Tony Two Canon cameras (5DC, 30D), three Canon lenses (24-105, 100-400, 100mm macro) Tony Long Photos on PBase Wildlife project pics here, Biking Photog shoots here, "Suburbia" project here! Mount St. Helens, Mount Hood pics here |
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#25 |
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Member
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I am indeed watching this thread and have learnt quite a lot. I will try to borrow a 580ex to do some tests. And do as Circa has suggested in a another thread - try using two of my existing sunpak 383 flashes set to half speed to reduce their flash duration and maintain full power light output.
However I am still finding it difficult to get my head around the 'flash duration' concept as the motion blur would be visible at 250th of a sec regardless of their being flash present or not. Can anyone explain this to me here? |
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#26 | |
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Cream of the Crop
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Quote:
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#27 |
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....winded
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Archie, you mention sunpaks, does that mean you're using them for slaves? If you have slave flashes and then set your camera and 580 to High Speed synch, it seems like you would have your problem solved, since the slaves can have a high power output. But, I'm not experienced in flash photography. I'm trying to learn, so keep us posted!
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Tony Two Canon cameras (5DC, 30D), three Canon lenses (24-105, 100-400, 100mm macro) Tony Long Photos on PBase Wildlife project pics here, Biking Photog shoots here, "Suburbia" project here! Mount St. Helens, Mount Hood pics here |
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#28 |
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Member
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I wish it was solved Tony. The problem with shooting the sunpaks as slaves at any shutter speed above 250th is that you get an obvious black band at the bottom of your images from your shutter curtains.
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#29 | |
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Moderator
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First off, as noted, some Nikons with CCD sensor will sync at any speed (as long as the camera isn't aware there is a flash > PC sync cord, no TTL). Same as a 1Dino. (Link) Second: A nikon flash has roughly the same flash duration as a Canon flash, so no difference there. You'ld still get a stop faster shutterspeed, so less motion from the ambient. Third: A flash like the 580 or SB-800 at full power has way less freezing capability then the same flash at half power, since the flash pulse isn't "cut off", but 'dies slowly" (Link), and Link with examples So you'ld want an as high as possible sync speed, so you can use 'normal (not High Speed Sync) flash, at as low power as possible: Flash duration on a 580EX. If you are going to use HSS, the motion freezing is going to depend *entirely on your shutterspeed*. The flash won't do it for you. (Link).
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#30 |
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He's a Mod, He's a Mod.
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If the problem is action not being frozen by the flash, then moving to a higher sync speed will not help, and nor will using HSS. As your links (which were extremely interesting) show the best way to stop motion with a flash is to use a regular sync speed and rely on the flashes very short duration to stop the action. If the intention is to use ambient light and fast shutter speed to freeze the action, and the flash is only going to be used for fill, then HSS sync will work, and there is no need for a fast sync speed except to save flash power (as recycle times are longer with HSS). One thing to note about electronic "shutters" on CCD sensor cameras, its often very easy to get a shutter speed faster than the flash duration, especially if the flash is used at full power. This can effect exposure, as the sensor is turned off before the flash finishes out putting all its light (this is easily demonstrated with a digital compact with manual or Tv mode, and a flash on an optical trigger). |
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