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#1 |
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Hello all i was wondering if you would consider this edit usable...i horribly underexposed this match (kind of a tenancy for me unfortunately) i brought up the exposure and did hue/saturation and shadow/highlight edit on top of curves and the usual but the colors seem unnatural to me...how do the look to you all?
Original ![]() Edit ![]() is there something else i can do pp wise to make the colors more natural?
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Canon 40D, 70-200 f/4L, 28-135 IS, 50 f/1.8 |
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#2 |
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Canon xti 400D W/ BG-E3 grip / 18-55 kit Canon 70-300 f/3.5-5.6 IS Canon 17-55 f/2.8 IS.. Canon 60mm f2.8 Macro Canon 580EX flash... Dynatran Carbon Fiber Tripod Canon Pro 9000 printer |
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#3 |
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Goldmember
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I'm not a big fan of this aggressive Shadow/Highlight effect - what with all the haloes, and flat midtones, and everything.
If it was my shot (and there weren't too many) I'd select the girls using Quick Mask, and simply use Curves to adjust their exposure. I probably wouldn't touch the exposure of the background - it looks ok.
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Damien Trying to build a Brisbane retouching, restoration and canvas printing business in the face of a global financial crisis Check out my Photoshop portfolio, tutorials and articles, and my blog: The Info Palette |
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#4 |
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where is quick mask?
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Canon 40D, 70-200 f/4L, 28-135 IS, 50 f/1.8 |
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#5 |
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Goldmember
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Damien Trying to build a Brisbane retouching, restoration and canvas printing business in the face of a global financial crisis Check out my Photoshop portfolio, tutorials and articles, and my blog: The Info Palette |
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#6 |
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hows this re attempt?
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Canon 40D, 70-200 f/4L, 28-135 IS, 50 f/1.8 |
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#7 |
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Goldmember
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That's better, IMO. Well done.
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Damien Trying to build a Brisbane retouching, restoration and canvas printing business in the face of a global financial crisis Check out my Photoshop portfolio, tutorials and articles, and my blog: The Info Palette |
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#8 |
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thanks, great advice on using curves to adjust exposure...i just used lasso tool then adjusted in curves
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Canon 40D, 70-200 f/4L, 28-135 IS, 50 f/1.8 |
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#9 |
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Goldmember
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Ah yes, so you did. I can see the nasty lasso line around the hair. Better get familiar with masking, pronto!
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Damien Trying to build a Brisbane retouching, restoration and canvas printing business in the face of a global financial crisis Check out my Photoshop portfolio, tutorials and articles, and my blog: The Info Palette |
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#10 |
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Member
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ooopppsssss sooo didnt see that...yeah im pretty crappy at editing
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Canon 40D, 70-200 f/4L, 28-135 IS, 50 f/1.8 |
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#11 |
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Goldmember
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By the way, I don't think you under-exposed at all - I'd say you did the best job possible under the circumstances.
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Damien Trying to build a Brisbane retouching, restoration and canvas printing business in the face of a global financial crisis Check out my Photoshop portfolio, tutorials and articles, and my blog: The Info Palette |
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#12 |
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Member
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thanks
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Canon 40D, 70-200 f/4L, 28-135 IS, 50 f/1.8 |
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#13 |
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Member
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and this quick masking seems likes its difficult without cutting off parts of the player
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Canon 40D, 70-200 f/4L, 28-135 IS, 50 f/1.8 |
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#14 |
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Goldmember
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Well, it takes a bit of getting used to. Often I zoom in to 400% to do the precise areas. But for hair, a big soft blob will do it.
Here's an example of beginning my mask - you'll see I was precise around the hard edges, but soft for the hair: maskin.jpg
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Damien Trying to build a Brisbane retouching, restoration and canvas printing business in the face of a global financial crisis Check out my Photoshop portfolio, tutorials and articles, and my blog: The Info Palette |
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#15 |
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interesting...so you color in the players? the guide you linked me to says to color in the backround
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Canon 40D, 70-200 f/4L, 28-135 IS, 50 f/1.8 |
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