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#1 |
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Member
Join Date: May 2002
Location: Kent, UK
Posts: 866
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OK, I have 1D Mk II (a camera that admitedly, does not reflect the photographer's skill levels) 550 EX and 420 EX and the transmitter. I have tried loads of combinations using Slave/Master set-ups but do not get consistent results. Besides, just going with the 550 EX on camera is the quickest thing and if I could get that good I think I might be content with a few harsh shadows!
In dull conditions (British Winter) do I go for Av, Tv P or M? Av, I get too slow shutter speeds and Tv seems to give shots that look as though they were taken at night (dark background bright subject). I am talking about group, individual people shots out of doors. OK, OK, it's a wedding. My first. I have read all the stuff about reading books, getting lawyers etc. but that just makes me feel more nervous. I have to do this now. I want to do it. Any direct, but gentle advice will be greatly recieved! Regards Martin |
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#2 |
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Goldmember
Join Date: Jun 2003
Location: Nottingham UK
Posts: 3,011
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I agree with a lot of what Bloo Dog has said, and what I disagree with is entirely related to the british weather...(Mr B Dog, you are formally requested to become a UK inhabitent as you clearly bring sun 3/4 of the time
Are you indoors or outside? (please say outside
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If in doubt, I shut up... Gear: 40D, 12-24mm AT-X Pro, 17-85mm, Sigma 150mm Macro Sigma 100-300 F4, 550EX, other stuff that probably helps me on my way. |
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#3 | |
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Member
Join Date: May 2002
Location: Kent, UK
Posts: 866
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Quote:
The church isn't too bad. It's a fairly well lit premises and quite tidy (uncluttered) interior. There's a balcony that might make a good place to stand to take larger group shots too. As for the weather, Bloo Dog, you may have guru status on the photography advice front and even a tour guide but as an adviser on British weather, (in a nutshell) your a little bit shaky! There has to be a first time. Regards Martin. |
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#4 |
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Cream of the Crop
Join Date: Nov 2002
Location: California
Posts: 9,462
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Hmmm. Dull conditions. British winter.
The only good subject is to shoot the piper who stands out in the church courtyard. ---Bob Gross--- |
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#5 | |
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Canon Fanosapien
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In Av, your camera will try to expose as though there were no flash, which usually means a very slow shutter. In Tv, you'll get the overall exposure that the shutter/aperture provides, but the flash will fire only to expose the main subject (I don't know how it chooses the main subject). Those two modes are best left to non-flash and "creative" shooting. BTW, I've found that with my 1D-II and 550EX (or 420EX), I consistently have to use +2/3 stops of flash exposure compensation. Occasionally a bit more or less, but nothing like the compensation changes I had to dial in with the 10D. Oh, and one last thing - don't forget to change modes when you want to work without the flash. Be cognizant of whether you are using the flash or not. The camera won't remember to change from manual to Av for you. I speak from (bad) experience.
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Tom 5D III, 7D, & various lenses |
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#6 |
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Member
Join Date: May 2002
Location: Kent, UK
Posts: 866
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I've just nipped out to the garden with my 1d mk II and 420EX. Selected Manual. Shot a few at f8 1/125 and Bingo! Just did it and oomph! Now I have 80 shots of my clean washing blowing in the wind with a rickety fence in the background and a falling-down shed. A real period peice. Nicely exposed (sky's a bit clipped), lots of detail. Colour good. Now if only I could sell these as Stock!
I have always steered clear of Manual. Not now though! Hmmm. Maybe I should shoot that washing again and check out a few different apertures.... Thanks again Martin |
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#7 | |
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Member
Join Date: May 2002
Location: Kent, UK
Posts: 866
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Quote:
And there I was, thinking I had it cracked! When I tested TW's method it worked. What I thought was happening was that I just set aperture/shutter and the Flash (cleverer than me) popped at what it thought was needed. OK so my stock photograph with towels blowing romantically with the wind were a tad underexposed but, I could live with that. Tomorrow I have more time and I will go out and shoot hundreds of even better shots of nothing much in particular. Til then! Regards Martin |
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#8 | |||||
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Canon Fanosapien
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My point was (and you're right, I oversimplified it) that the photographer is in charge of exposing the background while ETTL takes complete control of the flash. Using the camera in manual and the flash in auto is a pretty quick, easy way to achieve decent flash exposures. My perspective was from a situation of shooting in a room of people, such as a party or reception. You'd want to do a lot more precise work for posed and studio work. Quote:
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Actually, I studied this odd flash system rather slowly, and I still don't get the entire scheme. With Canon's E-TTL, you don't control the flash, it controls you. Quote:
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Tom 5D III, 7D, & various lenses |
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#9 |
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Canon Fanosapien
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Tom 5D III, 7D, & various lenses |
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#10 |
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User is banned from forums
Join Date: Oct 2002
Location: Tallahassee, FL
Posts: 306
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For flash shots, I typically use M with a Canon DSLR. They have E-TTL or E-TTL II.
Those slow exposures using AE result from the camera metering for ambient light. If you use flash as the only source of illumination, you pick your aperture/shutter speed combination with Manual (M) mode and let E-TTL or E-TTL II handle the flash exposure. That's how nature photographers shoot butterflies without a tripod and wide DOF. As long as you are within the range of the flash, E-TTL or E-TTL II will properly expose the subject. Flash falls off at the inverse of the square of the distance. Flash only illumination can result in a dark background even for a brightly-illuminated subject. If you need more background illumination, you can either place a second flash closer to the background or you might want to use AE and a slower exposure or wider aperture to get more ambient background illumination. Cheers, Mitch |
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