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| View Poll Results: Which type of filter should I buy? | |||
| Polarizer |
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29 | 78.38% |
| Graduated Neutral Density |
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4 | 10.81% |
| Neither, it's not worth it |
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4 | 10.81% |
| Voters: 37. You may not vote on this poll | |||
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#1 |
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Senior Member
Join Date: Feb 2008
Location: Detention Block AA 23 Non-Profane Posts: 16
Posts: 1,495
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I have just (and am continuing) to learn about this aspect of photography. Right now I have UV Haze protective filters for all my lenses, but I am looking into more "advanced" filters. I have decided between getting a graduted neutral density or a polarizer. I realize the latter of the two is more expensive but I'll deal. I am looking for your input into which I should get and would appreciate any suggestions as to what brand/model I should choose. I would like to keep it under $120 for either and I'm getting one for my 24-70L (77mm thread).
Thanks in advance, Henry
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Last edited by Nistelrooydude : 22nd of August 2008 (Fri) at 10:40. |
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#2 |
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Member
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Canon g10 |
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#3 |
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Member
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Purchasing filters are like making any other purchse - get what you need just before you need it (that's optimal, anyway). So the question really becomes, "What type of photography are you doing where you would need one or the other?" When you answer that question, you will be much better advice.
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#4 | |
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Member
Join Date: May 2007
Posts: 258
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Quote:
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EOS 7D, EOS 3, Canon 24-105mm f/4L, Canon EF-S 10-22mm, Canon EF 50 II f/1.8, Sigma 17-50 f/2.8, Speedlite 430EX II Pentax ME Super, Pentax MX, Pentax K1000, Kiev 4A, Yashica 24, Olympus Trip 35. My stuff:- www.giverin.co.uk |
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#5 |
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human (barely) and bribable
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I’ll say get the polarizer even if you’re not sure how to use it. It is the one that photoshop still can’t emulate and once slapped onto a lens takes about 30 seconds to figure out. With the GND, there are photoshop techniques that give you exactly what a GND does and are way more flexible as well. Though I have a GND all I ever use it for is my 10-22 as a polarizer just does not work as well on a wide angle.
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Not sure why, but call me JJ. Today is only yesterday's tomorrow. ::Flickr:: ::Gear:: |
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#6 |
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human (barely) and bribable
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BTW, I'll second HVSTAR. I don't know why anyone would get a filter they sell somewhere else.
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Not sure why, but call me JJ. Today is only yesterday's tomorrow. ::Flickr:: ::Gear:: |
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#7 |
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Africa's #1 Tour Guide
Join Date: Mar 2005
Location: Birmingham, UK
Posts: 20,732
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Think long term and seek to get a CP now from HVstar, as mentioned above, and later get a Lee holder (ideally professional version) and a .3, .6, and .9 ND Soft edge Grad set and maybe a .6 hard edge. Hitech filters are cheaper than Lee and just as good IMO if you want to save money. Don't waste money on the screw in NDG's. The Hoya Super multi-coated pro 1 and B+W MRC are both good and nothing between them IMO other than price.
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#8 |
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Moderator
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The GND and a polarizer have very different uses, so the best way of deciding which to go assuming tight funds, is usage. I'll move this to accessories which will be a better home for it.
1. GND: Used mostly for landscapes to correct balance between bright and dark areas, ie sky and land. Normally best as square filters so the position and angle of the graduation can be adjusted. Normally you get a set of different graduation strengths and hard or soft graduation. Alternatives: Shoot using a tripod, take 2 or more shots at different exposures and combine in photoshop using layers (Sometimes it is enough to make two different conversions from a single RAW image): Advantages of this is more control over the effect, downside is more processing. Problems: Combining the two separate shots can be an issue if scenic elements are moving around the graduation line, ie trees in the wind, rapidly moving clouds. 2. Polarizer Can be useful in a wide range of applications but the effect can be subtle. You must get a circular polarizer. A linear polarizer will mess-up the camera autofocus. a) Increase colour saturation of the sky: Only effective at 90 degree angles from the sun, effect is a bit of a cliché. b) Improve colour saturation of some objects. This works by reducing reflections off the surface of some objects (all reflection introduces a degree of polarisation). This can be very subtle to the point it is not really doing much for you. c) Increase or reduce reflections in water and glass. This can be a strong effect. Available for a square filter systems so you can use the same filter on all lenses (with a different adaptor). Also available as a traditional screw in round filter, normally with better quality coatings. The Hoya SHMC ones are very good and HMC pro 1 Digitals are OK. B+W MRC are also very good. Both B+W and Heliopan do more expensive hermetically sealed versions as well as the basic, these might be worth it for the tropics. Alternatives: None. Can't be emulated in processing. Disadvantages: I find I hardly ever use mine. Also typically cause a 2 stop light loss, not a problem if working from a tripod.
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My Photography Home Page RSS Feed MP-E, EF 100mm, EF 180mm : The Macro Dark Unholy Trinity : Bow down before their darkness and despair! Gear List FAQ on UV and Clear Protective Filters Macrophotography by LordV Last edited by Lester Wareham : 22nd of August 2008 (Fri) at 11:17. |
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#9 |
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Cream of the Crop
Join Date: Aug 2007
Location: San Jose, California
Posts: 8,782
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The "protection" filters you have on your lenses all the time are the biggest waste of money and, possibly and under some circumstances, image quality.
Circular polarizers are the most useful to me, and I think to nearly all photographers. You can mimic the effects of a graduated ND filter in post-processing. You can't even come close to replicating with your computer all that a C-Pol can do. It's the one filter there's really no software equivalent for. You won't get a quality C-Pol in 77mm for $120 or less. Last time I looked the cheapest was roughly $150: a B+W MRC (multi-coated). It' probably $20-25 more for their "Kaesemann" C-Pol which is also multi-coated but upgraded in a few other ways. The next more expensive was a Heliopan SH-PMC. The most expensive by far among the top three brands was the Hoya Pro 1 Super HMC. I don't really get that. I'd buy a Heliopan or B+W over a Hoya any day of the week.
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Alan Myers "Walk softly and carry a big lens." GEAR: 5DII, 7D(x2), 50D(x3), some other cameras, a bunch of lenses & accessories - FLICKR - PRINTROOM |
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#10 |
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Senior Member
Join Date: Feb 2008
Location: Detention Block AA 23 Non-Profane Posts: 16
Posts: 1,495
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Thanks to everyone for all your advice. I am now decided upon the C-Pol. And from all your other suggestions, this is the one I'll get: http://hvstar.net/index.asp?PageActi...ROD&ProdID=731
Thanks again. |
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#11 | |
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Africa's #1 Tour Guide
Join Date: Mar 2005
Location: Birmingham, UK
Posts: 20,732
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Quote:
I just checked and found it hard to get a 'quality' Hoya or B+W CP for more than $150, but I guess I am looking in the right places
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#12 |
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Goldmember
Join Date: Sep 2006
Posts: 4,861
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While I agree that routine full time use of protection filters is not a good idea I disagree that they are a waste of money. Although I can't recall the last time I felt the need to use one I have a UV filter to fit each of my lenses just in case I find myself needing one.
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#13 | |
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Moderator
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Quote:
This covers a lot of the pros and cons as well as providing links to tests and filter technical data. Any conclusion is a matter of opinion of course - so there is no one answer; just the facts.
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My Photography Home Page RSS Feed MP-E, EF 100mm, EF 180mm : The Macro Dark Unholy Trinity : Bow down before their darkness and despair! Gear List FAQ on UV and Clear Protective Filters Macrophotography by LordV |
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