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Old 14th of October 2008 (Tue)   #1
KarlosDaJackal
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Default Macro/Close-Up/Master Flash + Slave Flash

I'm trying to work with all these things, this is what I did today. With a Sigma 530 Super Flash on the 40d, and the canon 430EX as a slave to the Sigma. I turned of ETTL and set the powers manually. Think the sigma was at 1/8 and the canon at 1/32, but the canon was closer so that would even it up a bit. In fact from shadows looked like the Canon was close enough to have just a bit more power.

No edits yet, just straight of the camera exported/resized with dpp


Last edited by KarlosDaJackal : 14th of October 2008 (Tue) at 14:10. Reason: added link to flickr photo page
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Old 14th of October 2008 (Tue)   #2
Robert_Lay
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Default Re: Macro/Close-Up/Master Flash + Slave Flash

Why have one sharp and the other out of focus? I see no point in that, whatsoever.
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Old 16th of October 2008 (Thu)   #3
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Default Re: Macro/Close-Up/Master Flash + Slave Flash

Quote:
Originally Posted by Robert_Lay View Post
Why have one sharp and the other out of focus? I see no point in that, whatsoever.
Bob, don't you know, one is "dreamy".

Yeah the lighting looks fine for macro work.
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Old 16th of October 2008 (Thu)   #4
PhotosGuy
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Default Re: Macro/Close-Up/Master Flash + Slave Flash

The lighting ratio looks OK, but I'd clone out the flare in the top of the tubes. Actually, I'd have had the light hit some white/gray cards at the front right of the shot. I prefer to put the reflections I get where I want them to be. Look at the knife & Browning threads here:
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Quote:
Why have one sharp and the other out of focus?
I don't mind that so much, but I'd have moved the OOF one farther back. Unless you need space for text, why even shoot that as a horizontal? Go vertical & move in on the important subject. And straighten it's pins at the bottom.

Curve your bottom paper up so there's not so sharp a line where it meets the background. And the colorless background with the colorless subject is a bit blah? Maybe a deep blue background would help.
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