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#1 |
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I take a lot of sunrise and sunset photos and use my hard edge GND filters religiously. They balance out the shot very well and minimize the amount of PP I need to do.
Most of the time my horizons are flat, or I don't care about silhouetting part of the foreground that overlaps the sky, but I was wondering what the best way of handling very uneven horizons (without silhouetting) where the sun is on or near the horizon? For example, take this photo of Adam Barker's: http://galleries.adambarkerphotograp...G_5733.jpg.php A hard edge GND would leave the mountain tips dark. A soft edge would leave the sun blown out. Would bracketing exposures and blending them have been necessary? |
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#2 |
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There's Moderators under there....
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I am going to guess and say that image is an HDR. The reason I say that is the small amount of sun rays that cross in front of the mountain on the left which I believe is Mt Owen. That can be somewhat hard to do with blended exposures; not impossible but hard.
The other reason is the way the water looks. It has the look of being flattened due to the multiple exposures. I'll bet you could contact the photographer through his website and he may share how the image was taken. You can also look at a reverse GND but you still have the problem with uneven horizons. |
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#3 |
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Still livin' the cowboylife
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I'm wondering the same thing. I was recently shooting in Sedona and the rocks presented a problem. Using my GND, the tips of the formations were too dark, but without the filter, the sky was blown.
I guess you can use Scott Kelby's "painting with light" technique and use a layer mask in photoshop, but I don't really like doing a ton of pp.
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5DIII | 40D | 17-40 f4L | Tamron 28-75 2.8 | 50 1.4 | 70-200 2.8L | Oly Zuiko 50 macro | Tamron 1.4x Ty - My Portfolio |
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#4 |
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There's Moderators under there....
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I've almost given up on GND's. They are generally more trouble than they are worth for anything other than shots over water. You have more control blending exposures, carry less stuff and save a bunch of money.
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#5 |
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Cream of the Crop
Join Date: Sep 2007
Location: Sitting atop the castle, Edinburgh, Scotland
Posts: 6,124
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I havent ever used GND filters - its as easy to do the work in a good PP package merging exposures. The problem as you have noticed is if the horizon is in the slightest uneven, you are left with the choice of under/over exposing parts of the image. That to me isnt a good choice.
Oh and I'm too tight to buy GND's!
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Having a camera makes you no more a photographer than having a hammer and some nails makes you a carpenter - Claude Adams Keep calm and carry a camera! My Gear |
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#6 | |
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Quote:
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#7 |
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There's Moderators under there....
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blackcap
This shot was with a 3 stop soft edge GND with the grey starting at the base of the mountain. This shot is blended. ![]() |
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#8 |
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Senior Member
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I use a soft-edge two stop GND, and if I needed, I augment that with Lightroom's graduated filter.
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#9 |
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Still livin' the cowboylife
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Is this new in Lightroom 2? Or is this in the original Lightroom as well? I don't remember seeing this feature.
__________________
5DIII | 40D | 17-40 f4L | Tamron 28-75 2.8 | 50 1.4 | 70-200 2.8L | Oly Zuiko 50 macro | Tamron 1.4x Ty - My Portfolio |
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#10 |
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Cream of the "Prop"
Join Date: May 2007
Location: Probably Chasing Aircraft
Posts: 57,119
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IIRC, new in LR Ver2
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"If you aren't getting extraordinary images from today's dSLRs, regardless of brand, it's not the camera!" - Bill Fortney, Nikon Corp. |
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#11 |
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Still livin' the cowboylife
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Of course...just one more thing they make you pay and upgrade
__________________
5DIII | 40D | 17-40 f4L | Tamron 28-75 2.8 | 50 1.4 | 70-200 2.8L | Oly Zuiko 50 macro | Tamron 1.4x Ty - My Portfolio |
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#12 |
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#13 |
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Senior Member
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Yes, in which case I'll either choose to silhouette or just blend exposures.
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#14 |
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Cream of the "Prop"
Join Date: May 2007
Location: Probably Chasing Aircraft
Posts: 57,119
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Or get a reverse grad filter (for $$$$$)
__________________
"If you aren't getting extraordinary images from today's dSLRs, regardless of brand, it's not the camera!" - Bill Fortney, Nikon Corp. |
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#15 |
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Senior Member
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I could be wrong, but I think there could be a way to emulate that effect using the LR2 filter. It's definitely not the best way to handle it (the best way will always be to get it right in the camera), but it's a pretty good start...
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