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#1 |
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Junior Member
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Hello all,
My girlfriend dances ballet and I am struggling to take good photos of her presentations. I'm using ISO 1600; 1/60 and f/2.8. Took this photos from the eight row and didn't use RAW because the presentation was really fast and I would not be able to take a lot of photos that way. I have a Rebel Digital (aka EOS 300D) and the following lenses: EFS 18-55 f/3.5-5.6; EF 28-200 f/3.5-5.6 USM and the EF 100 f/2.8 Macro USM. I was using the 100mm for this shots because of the large aperture. Any thoughts on improving the shots?? Go for a better camera (thinking about the 50D), better glass (EF 70-200L f/2.8 IS or non IS or other) or trying to "shoot better" (getting closer, using a tripod/monopod, etc)?? Thanks in advance.
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Canon Rebel Digital Canon EF-S 18-55 f/3.5-5.6; Canon EF 28-200 f/3.5-5.6 USM; Canon EF 100 f/2.8 USM Macro; Canon EF 85 f/1.8 USM; Canon Macro Ring Lite MR-14EX Flickr: http://www.flickr.com/photos/brandeburgo/ |
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#2 |
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Moderator
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If these are heavy crops, a 70-200 f/2.8 will help, since you can frame bigger, otherwise not: The aperture is the same. So the shutterspeed will be as well.
If these are uncropped, I'd say the focal length is okay, but you either need a faster aperture (85/1.8 or 200/2.0) or higher ISO (newer camera with cleaner High ISO). Tripod / monopod / IS will help prevent camera shake (which doesn't look to be a big problem here (with this focal length), but won't stop subject motion (which is a problem in some).
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"I think the idea of art kills creativity" - Douglas Adams Why Color Management. Color Problems? Click here. MySpace Get Colormanaged PERSONAL MESSAGING REGARDING SELLING OR BUYING ITEMS WITH MEMBERS WHO HAVE NO POSTS IN FORUMS AND/OR WHO YOU DO NOT KNOW FROM FORUMS IS HEREBY DECLARED STRICTLY STUPID AND YOU WILL GET BURNED.
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#3 |
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Junior Member
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Thanks for the feedback!
This are not cropped. I was planning on buying an EF 85mm f/1.8 to try to stop the motion on the photos; maybe that with a new camera would help me? What do you think about the colors? Do you think that the amount of noise is because my camera can't deal well with the high ISO? Thanks again!! Sorry for the amount of questions.
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Canon Rebel Digital Canon EF-S 18-55 f/3.5-5.6; Canon EF 28-200 f/3.5-5.6 USM; Canon EF 100 f/2.8 USM Macro; Canon EF 85 f/1.8 USM; Canon Macro Ring Lite MR-14EX Flickr: http://www.flickr.com/photos/brandeburgo/ |
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#4 |
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Cream of the Crop
Join Date: Aug 2006
Location: Poconos, PA USA
Posts: 6,645
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It's good you ask... next time, you'll have some other ideas to compare too...
If getting additional equipment, the 50D sounds great... It will be less noisy... and if the money isn't that much of an issue go for the ultimate 70-200mm f/2.8L IS... Yes IS makes a big difference with this lens... However, other choices, like the Canon 50mm f/1.4 and Canon 85mm f/1.8 lenses are fast, and focus well...therefore, they do make a substantial difference in your faster shutter speed ("choices") availability.
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John Stoy
www.poconophotos.com My Gear List "Are you only Looking or actually Seeing", from Microbiology 101. |
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#5 |
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Moderator
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Colors: Set white balance to tungsten. Shoot Raw
Yes, newer camera's will have less noise at higher ISO. I'd say at least a stop worth.
__________________
"I think the idea of art kills creativity" - Douglas Adams Why Color Management. Color Problems? Click here. MySpace Get Colormanaged PERSONAL MESSAGING REGARDING SELLING OR BUYING ITEMS WITH MEMBERS WHO HAVE NO POSTS IN FORUMS AND/OR WHO YOU DO NOT KNOW FROM FORUMS IS HEREBY DECLARED STRICTLY STUPID AND YOU WILL GET BURNED.
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#6 |
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Cream of the Crop
Join Date: Aug 2006
Location: Poconos, PA USA
Posts: 6,645
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Ah, yes... Thanks Rene'...
Why do we often forget to mention one of the most important values of the DSLR? RAW is just awesome... very practical for making corrections, modifications, especially in exposure... That in itself is totally worth using RAW... It can make or break the capture... It often saves the day for me in all types of photography... The RAW conversion software comes with the camera... Both, Digital Photo Professional and Zoom BrowzerEX do it.
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John Stoy
www.poconophotos.com My Gear List "Are you only Looking or actually Seeing", from Microbiology 101. |
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#7 |
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Goldmember
Join Date: Jun 2003
Location: The Fun Coast of Florida
Posts: 3,193
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Stage lighting color is reproduced nicely in your shots. I generally have to work from the back of an auditorium or a balcony and use at least a tripod and a big, fast lens. From seats within the audience, it's best to use a monopod and a fast 70-200 zoom. Your camera might even surprise you with its ISO 800 quality using just those two improvements.
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#8 |
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Junior Member
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Thanks again.
I was planning on shooting RAW, so I could have more room to post process, but the buffer on the camera would not allow me to take as many shots as I wanted. I'll start saving up to get some new equipment; probably new glass first and then a new camera. Prices are really high here in Brazil (70-200 f/2.8 IS = USD 3.100,00; 85mm f/1.8 = USD 750,00), so I plan on having someone buying then abroad. Here are some more shots. Stupid question probably, I can only post two photos on each post!?
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Canon Rebel Digital Canon EF-S 18-55 f/3.5-5.6; Canon EF 28-200 f/3.5-5.6 USM; Canon EF 100 f/2.8 USM Macro; Canon EF 85 f/1.8 USM; Canon Macro Ring Lite MR-14EX Flickr: http://www.flickr.com/photos/brandeburgo/ Last edited by René Damkot : 8th of January 2009 (Thu) at 18:42. Reason: too many images |
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#9 |
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Goldmember
Join Date: Jun 2003
Location: The Fun Coast of Florida
Posts: 3,193
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I found this somewhere and copied it. Maybe it will work for you.
"When I save my files in Photoshop, I use Save for Web. I change the image size to 800 on the longest dimension in the Save for Web dialog and I optimize for a size of 150KB. If you have a web site, you can also upload them to that site and then link the image to the post instead of attaching. If you link to the image you are allowed 8 images per post instead of just 2 attachments." |
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#10 | ||
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Moderator
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Quote:
They state: Quote:
__________________
"I think the idea of art kills creativity" - Douglas Adams Why Color Management. Color Problems? Click here. MySpace Get Colormanaged PERSONAL MESSAGING REGARDING SELLING OR BUYING ITEMS WITH MEMBERS WHO HAVE NO POSTS IN FORUMS AND/OR WHO YOU DO NOT KNOW FROM FORUMS IS HEREBY DECLARED STRICTLY STUPID AND YOU WILL GET BURNED.
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#11 |
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Goldmember
Join Date: Dec 2007
Location: Long Island, NY, North America, Sol III, Orion Spur of the Milky Way galaxy.
Posts: 3,899
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Saving for web in Photoshop strips out the exif information. When posting to this site, it is often helpful to others if they can look at your camera settings in the exif data.
The exif data also contains your camera's serial number. You can program some cameras so that your name is also included. This is important if you want to prove ownership of the image. |
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#12 |
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Goldmember
Join Date: Dec 2007
Location: Long Island, NY, North America, Sol III, Orion Spur of the Milky Way galaxy.
Posts: 3,899
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This is a challenging setting. I think you did pretty well. However, shooting in jpeg was a mistake. In marginal conditions like this, you need every bit of image data that you can get. Jpegs use 8 bits per color channel. Raw in your camera gives you 12, I believe.
If you can't use flash, then you're stuck with what the theatre gives you. In this situation, I would seriously consider maxing out the ISO setting and risking noise to get an image with less movement blur. In ballet, there are brief moments when the performers will hold a pose. Take your shot in those moments. However, use the blur in other moments to emphasize the motion. As others have said, get the widest aperture lens with image stabilization (IS) that you can afford. The 50D has good high ISO performance, but only for sRaw images. The 40D has been reviewed as better with full Raw images. If you have the budget and not a large investment in EF-S lenses, consider the 5D II. |
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#13 |
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Member
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My first thought: if the lighting were too dark for a 100mm F2.8, it still will be for a 70-200 F2.8, with or without IS (IS will cover hand shake, but not movement of the dancers). Fast primes seem to be a better choice for this kind of lighting then...
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#14 |
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Junior Member
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I've been away for a while.
Thanks again for all the feedback. I will probably buy a faster prime (EF 85mm f/1.8 USM), shoot RAW on her next performance and later buy a new camera (start saving for the 5D MII).
__________________
Canon Rebel Digital Canon EF-S 18-55 f/3.5-5.6; Canon EF 28-200 f/3.5-5.6 USM; Canon EF 100 f/2.8 USM Macro; Canon EF 85 f/1.8 USM; Canon Macro Ring Lite MR-14EX Flickr: http://www.flickr.com/photos/brandeburgo/ |
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#15 |
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Senior Member
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Here is an example of some Modern Dance photos I took that show what you can do using RAW. This is shot from third row using only theatre lighting. This particular shot I had waited for the subject to enter into better light.
File name IMG_0223.CR2 Camera Model Name Canon EOS DIGITAL REBEL XTi Firmware Firmware 1.1.1 Shooting Date/Time 3/28/2008 18:49:13 Tv(Shutter Speed) 1/160Sec. Av(Aperture Value) F4.0 Metering Modes Partial metering Exposure Compensation 0 ISO Speed 1600 Lens EF85mm f/1.8 USM Focal Length 85.0 mm Image size 3888 x 2592 Image Quality RAW Flash Off White Balance Auto AF mode AI Servo AF Picture Style Standard Parameters Tone Curve : Standard Sharpness level : - Pattern Sharpness : - Contrast : 0 Sharpness : 3 Color saturation : 0 Color tone : 0 Long exposure noise reduction : - High ISO speed noise reduction : - Highlight tone priority : - Color matrix - Color Space sRGB File Size 13991 KB Dust Delete Data No Drive Mode Single-frame shooting Owner's Name Tim Sheridan Camera Body No. 1721153732 Last edited by Tim S : 9th of January 2009 (Fri) at 15:40. |
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