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#16 |
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Goldmember
Join Date: Oct 2007
Location: Wichita, Kansas
Posts: 2,649
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Let's go back to basics first before we go out and buy a $5,000 lens.
Set ISO to H (3200) in this low light. Check your manual. I believe DDCSD is right about it being on the custom function menu. Shoot Av at first. (Use manual later if the light is constant across the venue--if you want. If the light is variable, stay with Av.) Check your shutter speeds and exposure (histogram) on the resultant images. Adjust
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Phil Zivnuska Gear List www.zivnuska.zenfolio.com "It's not tight until you see the color of the irides." |
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#17 | |
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#20 |
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GIVIN' GOOD KARMA
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Just to add, you might be able to get away with an 85mm f/1.8 with as close as you seem to be on most of these. 135 might be a bit long.
But if I didn't have to justify it to my wife, I'd get the 135. |
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#21 |
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GIVIN' GOOD KARMA
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Oh, and great attitude! You'll well on your way to some great images.
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#22 | |
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Thanks for the compliment on the shot. That was shot in full manual. The arena was open on 3 sides with no real lighting in the inside so I ended up pushing the ISO to 640-800. It was shot in the summer in the middle of the day so back lighting was ugly. Keep practicing and it will get easier. You will get to the point where you can take one look at the arena and be able to get your settings close the first time. Looking forward to see what you get. Michael
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Michael Springfield - Atlanta, GA Canon 1DsMkII, Canon 1DMkIII, Canon 28-70mm 2.8L, Canon 70-200mm 2.8L IS, Canon 100mm F/2, Canon 100mm F/2.8L IS Macro, Canon 135mm F/2L, Canon 200mm F/1.8L, Canon 300mm F/4L IS, Canon EF 1.4x II |
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#23 |
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Thanks for your feedback .... I was also thinking of the 85 which seems to be very reasonable in cost. I have had fun and some success with the 70-200 outdoors ..... this indoor low light with speed has been a fun/frustrating challenge. What is great about all of this is that I enjoy the competitions and I get to have fun with a great hobby too.
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#24 | |
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I am looking forward to the next show. Of course, it will be at a different venue so my challenge will be to steal away while they are getting my daughter schooled and ready to find the right spot and do some test shots. I really think that will be the key for me (along with knowing the camera better) to get better results. I also need to stay calm and not get nervous as in a class (pre-children hunter pony) there are three rounds of at least eight jumps. I was able to position my self to get two jumps from one position so that's really only two good attempts at great shots in each round ..... that's why I am really working on improving my margin of error |
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#25 |
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Goldmember
Join Date: Oct 2007
Location: Wichita, Kansas
Posts: 2,649
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I'm as guilty as anybody about spending waaaaaaay too much money on toys. The 200mm in a 1.8 or 2.0 is serious wonderful stuff. Mega jealous here!
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Phil Zivnuska Gear List www.zivnuska.zenfolio.com "It's not tight until you see the color of the irides." |
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#26 |
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Nice job on the indoor. Being a rider and a photographer I know how hard that can be. I'm hoping this thread will continue so I can get some ideas. It's one thing to shoot but I let mom use my camera for when I ride and she can't change all that stuff during my round.
I'm assuming that since you're a horse parent that you know the no flash thing for h/j. I see it in a lot of western events but hardly ever in a stadium arena. (For good reason! Some of our crazy english horses freak out haha) |
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#27 |
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Member
Join Date: Jan 2008
Location: Springfield, MA
Posts: 128
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Zivnuska
I am an Equine Photographer - and I have to disagree about the flash rule. Every indoor show that I do, I can use flash. These shows include Appaloosa, Arabian, Hunter/Jumper, and Reining. Every competitor has always been ok with the flash. When you go to big shows such as nationals, or finals - photographers have strobes and flashes set up all around the ring. Just my 2 cents... Also, are you shooting in raw?
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Mystical Photography New England Equine Photography
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#28 | |
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Pete Canon 40D & 7D 24-70 F2.8 L 70-200 F4 L Norman 400B, AB800,AB1600 White Lighting 3200 |
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#29 | |
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Join Date: Sep 2007
Location: Kansas
Posts: 938
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This is so true, and I see people do it all the time. I actually went to the midwest barrell racing finals in Oklahoma City one time, and they had a "hired" photographer taking pictures of the riders coming around the 3rd barrell, they had a powerful strobe mounted about 20' in the air aimed directly into the horse and riders eyes as they came around the barrell, I could believe it. And then to have the odacity to put up signs everywhere that "pro" camera's and photography arent permitted, images can be purchased by "x".
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Bill - Equipment : Quaker Oatmeal box with a little tiny hole in it... and a 400 2.8 |
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#30 | |
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Join Date: Sep 2007
Location: Kansas
Posts: 938
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Not to mention.... Look at Dr. Z's main toy in his avatar.. then to discourage people... tsk.. tsk..!
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Bill - Equipment : Quaker Oatmeal box with a little tiny hole in it... and a 400 2.8 |
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