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#1 |
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Senior Member
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Money is no object. Each of you needs to aquire what you think is the best equipment you can to be a working photographer in the world of concert photography.
What would you aquire and why would that set up work best for you?
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www.amsaddler.com Capturing the passion of performance The "simple and sweet" equipment list: 40D, 7D, 300 f/2.8 IS L, 200mm f/2.0 IS L, 70-200 f/2.8 IS L MkII, 17-55 f/2.8 IS, Canon 1.4 extender |
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#2 |
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Moderator
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Okay, I'll play, as long as I don't have to carry it
1DMk3 16-35L 24-70L 70-200L IS 200/2.0 1.4x TC. 2x 580EX2 Additional, for low light venues: 20/1.8 28/1.8 50/1.2 85/1.8 135/2.0 Or, for low light venues: 50D 17-55EF-s 30/1.4 100/2.0
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"I think the idea of art kills creativity" - Douglas Adams Why Color Management. Color Problems? Click here. MySpace Get Colormanaged PERSONAL MESSAGING REGARDING SELLING OR BUYING ITEMS WITH MEMBERS WHO HAVE NO POSTS IN FORUMS AND/OR WHO YOU DO NOT KNOW FROM FORUMS IS HEREBY DECLARED STRICTLY STUPID AND YOU WILL GET BURNED.
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#3 |
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Cream of the Crop
Join Date: Apr 2006
Location: North Andover, MA
Posts: 7,183
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this is overkill, but you did say dream, right?
body: 5D mkII + 1DmkIII (haven't used these, just guessing) lenses: 15mm f/2.8 fish 35L f/1.4 85L f/1.2 (haven't used this, just guessing) 135L f/2 16-35L 24-70L f/2.8 70-200L f/2.8 IS 200L f/2 (haven't used this, just guessing) 1.4TC or 300L f/2.8 if there are soundboard restrictions for flashes, it would be cool to be able to use off-camera stuff assuming there are no restrictions. so 2x580EX as well. edit - you did ask for reasons...well i was tempted to list the D700 or D3 but i have no experience relative to nikon or their lenses. i can tell you that canon primes and the 5D are a great pairing, and my list just expanded on that a bit...of the lenses i listed, i own all but the 85 f/1.2, 200 f/2 and 300 f/2.8 (i did rent this one, great lens). so i'm pretty familiar w/ the results they produce. i would be curious to use a 1 series body just to see how the handling/AF differences were. Last edited by narlus : 14th of January 2009 (Wed) at 09:45. |
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#4 |
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Member
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cam bodies:
2x 5DmkII 2x 1DsmkIII 2x 50D (which I already have, but listing anyway) reason for tons of camera bodies, cause this is a dream, and I like options. I'd like having 2 of each, and having several different models for different types of venues, shows, events, etc. flashes: 6x 580EX2 some alienbees too. This is so I can get into some serious strobist stuff for bands. lenses: 200/2.0 1.4x TC. 15mm f/2.8 fisheye 30 f1.4 35L f/1.4 85L f/1.2 135L f/2 16-35L 17-55IS 24-70L f/2.8 70-200L f/2.8 IS 200L f/2 300L f/2.8 I stole alot of these lens idea's from tim and rene, since they pretty much covered my dreams on that part of the camera world. And, Since this is dreaming: I'd like a Canon 17-200mm f/2.8 IS lens. (doesn't exist in real life, but would in my dreams) I'd also like an assistant to carry all this **** for me. Kinda like a golf caddy, only, carries really heavy camera bags And, for when I travel, I'd like some custom flight cases so I know my gear will survive the trips. again, assistant or 2 to carry for me.
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Canon 50D; Battery Grip; Sigma 24-70mm f/2.8; Canon 50mm f/1.8; Canon 430 Speedlight; website Flickr Facebook philbondphotography@gmail.com |
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#5 | |
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Moderator
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Quote:
[OT]Had enough of those. My 1D2 just got back from Canon (again). Let's hope they got it right this time... If they didn't, I'm not sure what I'll do: Either keep my loaner camera (which is fine), or tell 'em to stuff it and go with Nikon.... (which would be too expensive an option really)[/OT]
__________________
"I think the idea of art kills creativity" - Douglas Adams Why Color Management. Color Problems? Click here. MySpace Get Colormanaged PERSONAL MESSAGING REGARDING SELLING OR BUYING ITEMS WITH MEMBERS WHO HAVE NO POSTS IN FORUMS AND/OR WHO YOU DO NOT KNOW FROM FORUMS IS HEREBY DECLARED STRICTLY STUPID AND YOU WILL GET BURNED.
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#6 |
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Cream of the Crop
Join Date: Apr 2006
Location: North Andover, MA
Posts: 7,183
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when i rented the 300 f/2.8 for ATP, my wife was kind enough to carry that for me each day.
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#7 |
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Member
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how much did you spend on your wife after that?
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Canon 50D; Battery Grip; Sigma 24-70mm f/2.8; Canon 50mm f/1.8; Canon 430 Speedlight; website Flickr Facebook philbondphotography@gmail.com |
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#8 |
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Senior Member
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Here's my thinking...the comments on having to carry it all are grounded in experience, so I need to break it down into 2 groups, one for soundboard use, one for photo pit use. When there is no pit, I can mix and match but not take it all.
Bodies 1dMkIII (used it and it will be my next purchase because of how well it focuses in low light) 50D (because of the 17-55mm f/2.8 IS and the extra reach when away from the action) In the pit 15mm f/2.8 fisheye 17-55mm f/2.8 IS 50mm f/1.4 (faster focusing) 135L 70-200mm f/2.8 IS From the soundboard 17-55mm f/2.8 IS 70-200mm f/2.8 IS 85 f/1.8 135L f/2 200L f/2 IS (this lens rocks beyond words) 1.4 TC 300L f/2.8 IS
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www.amsaddler.com Capturing the passion of performance The "simple and sweet" equipment list: 40D, 7D, 300 f/2.8 IS L, 200mm f/2.0 IS L, 70-200 f/2.8 IS L MkII, 17-55 f/2.8 IS, Canon 1.4 extender |
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#9 |
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Cream of the Crop
Join Date: Apr 2006
Location: North Andover, MA
Posts: 7,183
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would you rather use 200+TC or 300?
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#10 |
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Senior Member
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That's hard to say. Both of those lenses are wonderful. If I had to choose only one, which I don't in this topic(!), I think I would go the way of the 200+TC to grab f/2 at 200mm. In my dream kit I would not have to choose since when I am at the soundboard in an arena I usually get to stay the whole show. So, I carry in all my stuff to stay in one place for a few hours. With those two lenses I would probably set up the 1dMkIII with the 200 f/2 and the 50D with the 300 f/2.8 which would give me a good mix of framing possibilities.
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www.amsaddler.com Capturing the passion of performance The "simple and sweet" equipment list: 40D, 7D, 300 f/2.8 IS L, 200mm f/2.0 IS L, 70-200 f/2.8 IS L MkII, 17-55 f/2.8 IS, Canon 1.4 extender |
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#11 |
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Mr T. from the A team
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OK - I'll play.
This is my ideal setup (* shows what I already have) 1D Mark III* 1Ds Mark III 14mm f2.8L 15mm f2.8 fisheye 16-35 f2.8L II* 35mm f1.4L* 24-70 f2.8L* 70-200 f2.8L IS* 85mm f1.8 135mm f2.0 300mm f2.8L IS 500mm f4L IS |
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#12 |
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Member
Join Date: Apr 2006
Location: Sydney, Australia
Posts: 155
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one of these badboys with the ability to go down to f1.2, shooting 6inches from the artists face for the entire set with the stage lights wireless control in the palm of my hand
6x17 digital panoramic camera $56,756AU without lens - 160 MP - god knows how big their raw files are ![]() otherwise 5DMKII + 1dsMKIII 15mm fisheye 24mm, 35mm, 85mm, 135mm, 200mm, 400mm primes 24-70mm, 70-200mmIS with off camera flash setup - sb800's around with pocket wizards
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http://www.dbedford.com - Perth Events Photographer |
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#13 |
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Mr T. from the A team
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I've just got closer to my dream set up - today I found a 5D with 12K actuations for $1050 AU. So now I will be shooting with my 1D Mark III and a 5D (will be retiring my 20D) - I think the 1DM3 + a FF will be an excellent combination.
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#14 |
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Junior Member
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What about your own lighting crew?
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#15 |
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Cream of the Crop
Join Date: Aug 2006
Location: Poconos, PA USA
Posts: 6,645
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Wow, Ski... This is a tough one... I'll need to check Dwight's gear list first, just in case.
I'll add my list here, soon enough, right to this post... Need time to figure this out carefully, cause I do take it very seriously... Cheers.
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John Stoy
www.poconophotos.com My Gear List "Are you only Looking or actually Seeing", from Microbiology 101. |
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