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#1 |
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I've got to shoot a businessman at his desk with his monitor in the background. I assume he'll have his company website on screen, or maybe he just wants to look like he's working hard on a spreadsheet. Regardless, "with a computer screen in the background" is one of the requirements on the assignment form.
Can I get a good shot using... a) shutter speed matching refresh rate b) slow shutter in the 1/4 - 1/2 second range c) it's more complicated than that Your experience would be appreciated. Thanks!
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Tom 5D, 135L, 24-105L, 430EX |
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#2 |
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human (barely) and bribable
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What kind of monitor? The old tube ones if shot slower than refresh you'll get a good pic. The LCD ones are a bit more forgiving as latency is much longer. Experiment a little and see what works.
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Not sure why, but call me JJ. Today is only yesterday's tomorrow. ::Flickr:: ::Gear:: |
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#3 |
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I won't know till I get there, but the event is celebrating a new office opening and there's an emphasis on being tech savvy, so I'm betting on a flat panel LCD.
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Tom 5D, 135L, 24-105L, 430EX |
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#4 |
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human (barely) and bribable
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I'm guessing that if you shoot at 1/60 you'll be safe.
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Not sure why, but call me JJ. Today is only yesterday's tomorrow. ::Flickr:: ::Gear:: |
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#5 |
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Goldmember
Join Date: Mar 2006
Location: London, UK
Posts: 2,375
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If you need to, set up the shot on a tripod to keep the framing consistent - that way you can take separate exposures to get the screen just right and comp it into the final portrait.
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#6 |
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Member
Join Date: Feb 2009
Posts: 46
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Shut down the monitor and photoshop screencapture of the desired content into it. If you want reflections of surrounding just use layer of the original screen with like 10% opacity and none will see the difference, and it will give natural feeling for the photoshopped content on the display.
Last edited by Cromfel : 11th of March 2009 (Wed) at 15:44. |
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#7 |
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human (barely) and bribable
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I really don't think you have to get so complicated as to photoshop in a screen. Flat screens photograph very nicely as is unless they have a a glossy surface or if they are turned at quite an angle the the plane of the sensor. Shoot 1/60 and make sure that the monitor is relatively pointed at the camera and things should be fine.
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Not sure why, but call me JJ. Today is only yesterday's tomorrow. ::Flickr:: ::Gear:: |
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#8 | |
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Moderator
Join Date: Feb 2004
Location: S. E. Michigan
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Quote:
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FrankC - 20D, RAW, Manual everything... Classic Carz, Racing, Air Show, Flowers. www.FrankCizek.com Find the light... A few Car Lighting Tips, and MOVE YOUR FEET! Have you thought about making your own book? // Need an exposure crutch? |
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#9 |
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Senior Member
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#10 |
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"God bless the new meds"
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This space for rent.
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#11 | |
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Don't Hassle....
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Quote:
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#12 |
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human (barely) and bribable
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Computer monitors do not interlace, and plat screens have very high latency, even the fancy new ones.
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Not sure why, but call me JJ. Today is only yesterday's tomorrow. ::Flickr:: ::Gear:: |
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#13 |
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Rick "who is not suited for any one title" Denney
Join Date: Jun 2003
Posts: 2,399
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Standard television refreshes alternating lines on the screen 30 times a second. You need a shutter speed at least as slow at 1/15 not to show scan artifacts. Computer monitors usually refresh the entire screen 60-72 times a second. 1/30 should be fine there. LCD's are not a problem at any useful shutter speed, by my experience, because they stay lit between refreshes pretty well. I had my 10D here at the office, and enough battery for one shot and a quick chimp. 1/125 of my laptop screen showed no issue at all.
Rick "and you can meter the screen normally" Denney
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#14 |
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"God bless the new meds"
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This strobist post is titled "dealing with tvs and crts."
ON TOPIC? Yes, I am repeating myself. http://strobist.blogspot.com/2006/04...h-tvs-and.html
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#15 | |
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Quote:
I just did some test shots with my home LCD monitor. At SS 1/125 and slower the screen didn't show any indication of flicker. However, I had to get much slower for it to be sufficiently bright; essentially exposing for the monitor alone as a self illuminating subject (which doesn't benefit from flash) and letting the bounce flash compensate nicely for everything else. Spinning the wheels of exposure, my test led me to 1/15 (as slow as I want to get with a human subject that needs to be sharp), f5.6 (biggest I can get and still have some DOF), and ISO 200 to fine tune the monitor exposure. How does that sound?
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Tom 5D, 135L, 24-105L, 430EX Last edited by tmoore99 : 11th of March 2009 (Wed) at 23:26. |
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