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#1 |
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Friday I have an interview/training with a local youth sports photography company. The take action shots all around the area at different sporting events, then sale the discs immediately after the game to the parents.
All fine and dandy for outdoor sports right? Sure. ISO 100 and still get 1/1000 or so. Okay, here is my issue. Of all the sports for me to get my "interview/training" for, it had to be basketball. Not that I dislike basketball by any means, it's just one of the hardest to shoot due to the poor lighting. I have no problem bumping to ISO 1600 and firing away, going home and running them through some noise reduction and all is well. The only problem is that they shoot JPEG and the pics get cropped and burned on the spot. Are they just going to be noisy and that's that? Is there any type of NR software that works well with JPEG that they could have installed? I'm not at all concerned about my ability to get the shots, just concerned that the outcome, due to lighting conditions I can't control, may not be all that great since you are pretty much forced to shoot at ISO 1600 for indoor sports. Would you suggest using flash? I don't think it would do anything to help my ISO since it would mostly be just a fill. Thanks, and any info is greatly appreciated. |
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#2 |
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Goldmember
Join Date: Oct 2007
Location: Wichita, Kansas
Posts: 2,653
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The answer is going to be dependent on the venue. Can you shoot ISO1600 and stop the action? If you shoot with your 70-200 f/2.8, that may or may not be possible. Shutter speeds of 1/400 is a minimum and 1/640 is better. The prospective employer should be able to tell you what settings they need to make it work where they shoot. Do you own the 85mm f/1.8? That is an inexpensive, fast focusing lens that is popular and gives an edge over a f/2.8 lens.
Fill flash? That won't work. High speed sync is not good for action photography and you still need to get fast shutter speeds (from the ambient) to stop the action. If you need supplemental lighting, it should be powerful enough to get 3 stops over ambient. The flash stops the action, gives lower ISO, has better quality light, and dominates over ambient to avoid ghosting. That is the ideal situation. I realize this explanation is getting more complicated but that is why you need to talk to your future employer about how they have made things work in the past in their venues. I shoot a lot of basketball and the frustrations of shooting ambient in dark gyms led me to get strobes and pocket wizards.
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#3 |
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Goldmember
Join Date: Oct 2005
Posts: 4,077
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High Speed NR in camera could be worth a shot. Other than that, invest in some lighting equipment or faster glass (85/1.8, 135/2)
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#4 |
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dǝǝɥs ɐ ʎq pǝʞuɐds
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I think that's going to be tough.
Do they edit/crop/straighten/color correct on the spot, or just crop? And, do you have to do that work there, with them? |
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#5 |
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from the way it sounds, ill shoot all through the game then just hand over my CF card to them and they do the rest. I guess i'll just find out tomorrow.
One plus is that i just found out that its at a brand new (1yr old) gym, so hopefully the lighting is better than most. |
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#6 | |
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Quote:
They have 3 versions... - demo (free, but for single images only, no batch) - Home ($29, batch up to 50 images at a time) - Pro ($59, unlimited batch size) http://www.neatimage.com/download.html
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#7 | |
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dǝǝɥs ɐ ʎq pǝʞuɐds
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Quote:
You'll be fine! |
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#8 |
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Don't get pissy with me
Join Date: Dec 2005
Posts: 32,711
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Do a CWB, nail the exposure, and let in-camera NR do its thing.
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#9 |
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Goldmember
Join Date: Oct 2005
Posts: 4,077
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And kiss your buffer goodbye
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#10 |
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Don't get pissy with me
Join Date: Dec 2005
Posts: 32,711
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The buffer with JPEG is awesome compared to RAW...
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#11 |
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Goldmember
Join Date: Oct 2005
Posts: 4,077
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High Speed NR is murder though...
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Last edited by AdamLewis : 19th of March 2009 (Thu) at 18:38. |
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#12 |
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Don't get pissy with me
Join Date: Dec 2005
Posts: 32,711
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Didn't know there was such a thing. I'm on old tech.
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#13 | |
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Goldmember
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With in-camera NR, the 40D buffer holds 7 shots before it slows down...
http://www.komar.org/faq/camera/cano...hooting-sound/ Quote:
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For Sale: 1D Mk III, 1D, T1i, 800mm, 600mm 5D3, 1D4, 7D, 600/4L, 200/1.8L, Sigmonster 300-800mm, 80-200/2.8L MDP, 28-70/2.8L, 85/1.8, 50/1.4, 12-24mm, (4) 550EXs, (4) WL strobes, PW MiniTT1/FlexTT5s/AC3/AC9s LoCo-Photo.com, MaxPreps |
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#14 |
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Goldmember
Join Date: Oct 2005
Posts: 4,077
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You said "let in-camera NR do its thing" ?..
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#15 | |
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Goldmember
Join Date: Oct 2005
Posts: 4,077
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Quote:
Say someone drives to a basket and you take a modest 3 shots. Shot gets blocked and goes to the floor and you take 2 more shots. Players fight for a couple seconds and you take 4 shots...er...wait... You cant. Because you hit your 7 shot buffer two shots ago. Now you cant shoot the outcome of the grapple, the reaction from the players, the coach, or the fans. When everything really starts unfolding and you document it all, you cant hit your buffer very quickly. There doesnt have to be any "spray and pray" to it.
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