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#1 |
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Member
Join Date: Feb 2006
Location: Jyväskylä, Finland
Posts: 808
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Not sure if anybody else except René will have anything to say about the subject, but I would like to hear experiences regarding Canon EOS film backs and their usability in concerts.
I just ordered a dirt-cheap second-hand (obviously) EOS-3 to replace my EOS-1n, mainly because the EOS-1n had only one cross-type AF point (bad for composing subjects that won't stop moving). |
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#2 |
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Moderator
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Sorry, I only have used the Eos 1n and Eos 5 for concerts... Nothing so fancy as an Eos 3
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"I think the idea of art kills creativity" - Douglas Adams Why Color Management. Color Problems? Click here. MySpace Get Colormanaged PERSONAL MESSAGING REGARDING SELLING OR BUYING ITEMS WITH MEMBERS WHO HAVE NO POSTS IN FORUMS AND/OR WHO YOU DO NOT KNOW FROM FORUMS IS HEREBY DECLARED STRICTLY STUPID AND YOU WILL GET BURNED.
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#3 |
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Member
Join Date: Feb 2006
Location: Jyväskylä, Finland
Posts: 808
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Okay then... I'll continue to listen to the crickets.
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#4 |
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Cream of the Crop
Join Date: Apr 2006
Location: North Andover, MA
Posts: 7,186
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we are all digital children, kalle.
or at least i am...i've never operated a film SLR. |
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#5 |
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Member
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I used to shoot on a Minolta 207.... but never for concerts. sorry.
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Canon 50D; Battery Grip; Sigma 24-70mm f/2.8; Canon 50mm f/1.8; Canon 430 Speedlight; website Flickr Facebook philbondphotography@gmail.com |
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#6 |
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Member
Join Date: Feb 2006
Location: Jyväskylä, Finland
Posts: 808
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But film cameras have all sorts of scifi- and high end features, like eye controlled focus, 10 fps (EOS-1v for instance; so, the fastest full frame camera is a film camera).
And film photography can be a lot of fun. Or at least I believe using my Hasselblad (made in the fifties, fully mechanical) will be fun once I learn to breathe and focus it at the same time. |
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#7 |
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My brain hurts
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I've never used one at a concert. However I took my 1N to the football once and got some very nice shots out of it. I don't have anything scanned to show you though, sorry. The light was fairly low, however, still in a lit stadium, nothing like inside a venue.
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#8 | |
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Member
Join Date: Sep 2008
Location: Copenhagen, Denmark
Posts: 33
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Quote:
It was perfectly ususable: a fine meter, a bright viewfinder, sensitive autofocus, responsive, great handling. Hmm...I shouldn't have sold mine. An example; bear with the file...I didn't really know how to use Photoshop back then. ![]()
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+2000 concerts +35.000 photos - http://foto.jacobdinesen.net |
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#9 |
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Mr T. from the A team
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I'm waiting on an EOS 3 to arrive too - I scored it on ebay and I plan on using it for mainly B&W stuff. I took out my old EOS 630 on Saturday and ran a couple of rolls of B&W through it when I went up to photograph the devastation from the Black Saturday bushfires.
Hopefully the EOS 3 will be here this week for me to start playing around with. |
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#10 |
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Member
Join Date: Apr 2006
Location: Sydney, Australia
Posts: 155
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Sydney Tog Nic Bezzina just recently made the switch to the D3 after using film for many years as the venue photographer for Annandale Hotel, Blunt Magazine & now shooting in Vaig Studios
http://www.nicbezzina.com/ http://www.boudist.com/archive/2006/...ic_bezzina.php "2nd hand fully manual Nikon FE2 and an 85mm lens"
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http://www.dbedford.com - Perth Events Photographer |
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#11 |
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Mr T. from the A team
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Tony Mott (www.tonymott.com) has also made the move to digital although he still prefers film. He's a long time Nikon shooter and is using the D3 for digital.
My EOS 3 has arrived. I'll give it a whirl on the weekend to take some music shots at a small festival. |
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#12 |
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Member
Join Date: Feb 2006
Location: Jyväskylä, Finland
Posts: 808
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Photographed a club concert with the EOS-3. All other things seemed to be fine except auto focus was not nearly as good as on 5D or 1D mark 3 (would not lock/track in bad light). Otherwise it was rather fun. Shot a 36 roll film of Ilford Delta 3200 during the whole concert. I had to hurry at the end to get the whole film exposed (sent it yesterday to be developed, although I hope I'd have the time to develop BW films myself in the future.
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#13 |
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Goldmember
Join Date: Jul 2007
Posts: 2,052
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Interesting experience, I haven't used my EOS 3 in years. It's somewhat depressing to look at the big hulk of an EOS 3 with the PB-E2 booster looking mildly abandoned since I never cleaned off the grime when I stopped using it and it has a mixture of that and dust on it. Normally it's been kept in a bag wedged in the back of my closet the past four and a half years.
I shot a few concert-like events and didn't have any real trouble with the EOS 3 AF but I don't know how comparable the lighting conditions are. Every time I think I should sell it I look at what they go for online, get depressed and put it back in my closet. I think I'll just keep it, never know when you'll want to shoot film, right? Heh, that argument gets weaker and weaker every time I use it to convince myself I might as well keep the 3 rather than take in the meager amount of cash selling it would generate. |
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#14 |
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Cream of the "Prop"
Join Date: May 2007
Location: Probably Chasing Aircraft
Posts: 57,027
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Sorry but all my film experience goes back to the FD days...
Never owned any EF film gear.
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"If you aren't getting extraordinary images from today's dSLRs, regardless of brand, it's not the camera!" - Bill Fortney, Nikon Corp. |
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#15 |
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Member
Join Date: Feb 2006
Location: Jyväskylä, Finland
Posts: 808
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I had something like 1/60 s - 1/125 s, f2.8, ISO 3200, distance to rather energetic performers was around 1,5-3 meters most of the time (so the percentage of the disance variation due to movement was rather high)
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