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#1 |
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Member
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Can anyone recommend a good external mic to use with the 5D? I get this crackling noise when I film. I am going to be using the mic to record mostly instrumental music (piano). Here is a video that I shot today. The sound isn't bad, it's just the crackling noise. It really takes away from the piece.
http://vimeo.com/4173949 Can anyone give me any advice on what to do/buy so that I will get better sound quality? thanks! |
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#2 |
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Senior Member
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which lens? sounds like IS
??your on a pod so you can turn it off - hit start early and edit out where you touch the cam.... (which youve done anyways...) i hear alot of people looking at the rode video mic... shotgun mic, attaches to where the flash goes.. but havent used one myself... i would imagine youd want something separate for your audio recording in that scenario with a time stamped start and mix it in post - especially seeing as your vid is more about audio than video...
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My gallery - just posted some of my top shots 1DmkIII / 5DMKII [50mm f1.4] [85mm f1.8] [100mm f2.8 MACRO] [17-40mm f/4L] [24-70mm f/2.8L USM] [24-105mm f/4L IS USM] [100-400mm f/4.5-f 5.6L IS USM] Canon 1.4xII - Speedlite 580EXII - EPSON P-5000 - Lowepro Bags - Manfrotto 682B Monopod & 055XproB Tripod - 488RC2 |
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#3 |
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Junior Member
Join Date: Apr 2009
Posts: 5
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I've got a Rode Videomic. It sounds really good, and it won't break your budget. But ditto to the above poster, if you're serious about sound, record outside camera.
http://www.bhphotovideo.com/c/produc...a_Mounted.html |
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#4 |
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Member
Join Date: Apr 2002
Posts: 154
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But how would you attach a Rode on a 5d mk ii when the camera doesn't have a hot shoe?
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#5 | |
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Member
Join Date: Nov 2006
Posts: 223
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Quote:
Phil
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Canon 1D Mk IV / Canon 24 - 70mm f2.8 L USM / Canon 85mm f1.2 L / Canon 70 - 200mm F2.8 L IS USM / Think Tank Antidote V2 / Think Tank Retrospective 30 Pinestone |
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#6 |
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Cream of the Crop
Join Date: Jan 2006
Location: Fort Collins, Colorado, USA
Posts: 9,214
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Huh?
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Gear list "Raw" is not an acronym, abbreviation, nor a proper noun; thus, it should not be in capital letters. Beginner's guide to printing. The PoTN film thread. |
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#7 |
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Member
Join Date: Apr 2002
Posts: 154
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Mea maxima culpa. Or, as Homer Simpson would say, "Duh!" I was muddled...thinking of onboard flash.
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#8 | |
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Cream of the "Prop"
Join Date: May 2007
Location: Probably Chasing Aircraft
Posts: 57,066
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Quote:
Pianos are usually "close mic'd" IOW, the mic is mounted IN the piano or on a side to maximize the sound quality. If nothing else, you want a very directional (aka "shotgun") microphone that will help attenuate surrounding noise. IIRC, the one mentioned above is shock mounted and fits the hotshoe mount.
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"If you aren't getting extraordinary images from today's dSLRs, regardless of brand, it's not the camera!" - Bill Fortney, Nikon Corp. |
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#9 | |
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Cream of the Crop
Join Date: Jan 2006
Location: Fort Collins, Colorado, USA
Posts: 9,214
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Quote:
__________________
Gear list "Raw" is not an acronym, abbreviation, nor a proper noun; thus, it should not be in capital letters. Beginner's guide to printing. The PoTN film thread. |
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#10 |
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Senior Member
Join Date: Sep 2005
Location: A recording studio somewhere in the UK or USA
Posts: 1,957
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Don't expect amazing sound from a budget (less than $500) shotgun mic. The Sennheiser (eg mke 300's) or Rode's will be decent but will never be excellent.
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#11 |
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Member
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I picked up a (Sony ECM-MS-908-C) really did not know how deep I would go into video but so far its been good but have not tryied it outside in windy conditions as yet.
http://www.bhphotovideo.com/bnh/cont...ecmms908c&ci=0
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Gary 5D mkII; D-Lux 5; Lens: 24-105 f4 IS; 24-70 f/2.8; 70-200 f/2.8 IS; 85 f/1.2 II; Extender EF 1.4x II; EF 2x II; Flashs Metz 76 MZ-5; Canon 580EXII ; Leica CF-22 |
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#12 | |
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Member
Join Date: Nov 2006
Posts: 223
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Quote:
I thought mine may have been special Phil
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Canon 1D Mk IV / Canon 24 - 70mm f2.8 L USM / Canon 85mm f1.2 L / Canon 70 - 200mm F2.8 L IS USM / Think Tank Antidote V2 / Think Tank Retrospective 30 Pinestone |
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#13 |
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Member
Join Date: Nov 2006
Posts: 223
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I was thinking about going down the route of a seperate digi recorder like an Edirol / Tascam and then put the video and sound together in software.
Phil
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Canon 1D Mk IV / Canon 24 - 70mm f2.8 L USM / Canon 85mm f1.2 L / Canon 70 - 200mm F2.8 L IS USM / Think Tank Antidote V2 / Think Tank Retrospective 30 Pinestone |
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#14 |
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Junior Member
Join Date: Dec 2007
Posts: 20
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For recording music, the place you have the camera most likely isn't the place you want to place your microphone(s)..
If you're on a budget Korg MR1, Zoom H2 or H4 would get you started.. Be sure to record in 24bit/48kHz to match your movies sample rate.. Import the files in your editing software and sync it with the sound from the camera.. (a short transient like a hand clap will make it very easy to sync) Cheers, Morgan
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#15 |
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Member
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I'm using the Zoom H4n as others have suggested. It's a perfect solution, with stamp for post, and a couple of XLR jacks for whatever mic you'd like to use. It comes with wind screen, carrying case, tripod mount (get a cheap tripod and you're set!) and a 1gig SD card. You can obviously upgrade your card, but I get an hour at 24bit 48k with the 1gig! Pretty decent, considering one of my cams; the 40d or 5d2 came with a 32mb SD card, LOL! It's a true 4 track recorder built in, which is great...the internal mics are also very high quality and switchable to 90/120 degree recording.
I had been using the Tascam, DR-1 which is decent but without the XLR inputs. I'd stay away from recording with the "in camera" audio. The auto gain control is a pain. The Magic Lantern F/W may be worth looking at for ya too. It gives you audio levels and a bit more control over AGC. J
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