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#1 |
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Member
Join Date: Feb 2008
Location: Baltimore, MD
Posts: 535
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I didn't notice exactly how dull my photos were (from my other thread) until someone on another thread mentioned she wished they were more vibrant.
So I added a little color. I don't like to add a whole lot of color to photos with more then one person in them, I tend to kill skin tones. Which do you prefer? Original: ![]() Color: ![]()
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7D / 40D / 70-200mm 2.8L / Tamron 28-75mm 2.8 / 50mm 1.8 / Canon 85mm F/1.8 / kenko 1.4 / 580ex |
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#2 |
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Senior Member
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looks good to me
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Canon 7D Gripped|Canon 20D Canon 70-200 2.8 IS|Canon 24-105|Canon 18-135 Canon 580 EX II|Sigma 18-50 2.8 Canon 55-250|Sigma 17-35 2.8| 2 Pocket Wizard II |
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#3 |
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Goldmember
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Or you could reduce the +1 Exposure Compensation that you're using and just lift the shadows without washing out the colors in the first place.
I think the black uniforms are throwing off your exposure, then you're magnifying the problem with the EC.
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#4 |
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Ignored by the TF and i am soo confused
Join Date: Aug 2008
Location: Springfield, MO
Posts: 8,482
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^^you are correct sir...
OP- you are over exposed... if you bring down your exposure then you will be a little better.. bring down that and add a smidge of contrast and youll be happy.
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Dave W.- "I don't want to be famous, I just want to make great photographs" Gear Springfield, Mo Sports Photographer Model Mayhem SportsShooter Selling Gear: 1D mk II N |
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#5 |
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Goldmember
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Plus, by not wasting that extra stop on +1 EC over-exposure, she'll pick up a stop and can get the shutter speed twice as fast.
Or, on a harsh day like that, add a CPL and really watch your colors pop.
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#6 |
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Member
Join Date: Feb 2008
Location: Baltimore, MD
Posts: 535
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If I brought my exposure down they were under exposed and I lost too much under the helmet. The sun was the same the day before and I shot at 2/3 and faces were too dark. When I tried to lighten them with a curves adjustment I got nothing but noise under the helmets and they were horrible.
When I attempted to shoot 2/3 this day my histogram showed underexposed. Isn't it better to over expose a little then to under expose? I took the suggestion of another here on the forum that said before in harsh sun I should turn the contrast down, was this wrong? Thank you for the help, I need all I can get. I'm just not sure I am understanding. I seem to be having problems getting a proper exposure. I don't know how to fix the problem if 2/3 says I am underexposed and +1 you say says I am over? Could it be from my post processing?
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7D / 40D / 70-200mm 2.8L / Tamron 28-75mm 2.8 / 50mm 1.8 / Canon 85mm F/1.8 / kenko 1.4 / 580ex |
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#7 |
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Member
Join Date: Feb 2008
Location: Baltimore, MD
Posts: 535
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So please tell me, if I didn't overexpose by +1, how would I have gotten facial detail under the helmet? Everything I have tried has been wrong?
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7D / 40D / 70-200mm 2.8L / Tamron 28-75mm 2.8 / 50mm 1.8 / Canon 85mm F/1.8 / kenko 1.4 / 580ex |
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#8 | |
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Ignored by the TF and i am soo confused
Join Date: Aug 2008
Location: Springfield, MO
Posts: 8,482
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Quote:
What does your PP work flow look like? you have to remember what you are metering off of.. what was your metering here?
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Dave W.- "I don't want to be famous, I just want to make great photographs" Gear Springfield, Mo Sports Photographer Model Mayhem SportsShooter Selling Gear: 1D mk II N |
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#9 |
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Goldmember
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Post processing is not going to help as much as getting the exposure as correct as possible in-camera in the first place. EC and contrast settings are also going to effect exposure.
Beyond +1 EC, what 40D in-camera Contrast settings are you using? Did you customize Contrast in a Picture Style? What PP are you using? Do you shoot RAW+JPEG? Do you have a quality CPL?
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#10 | |
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Member
Join Date: Feb 2008
Location: Baltimore, MD
Posts: 535
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Quote:
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7D / 40D / 70-200mm 2.8L / Tamron 28-75mm 2.8 / 50mm 1.8 / Canon 85mm F/1.8 / kenko 1.4 / 580ex |
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#11 |
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Goldmember
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Stay away from the cheap ebay CPLs. I learned that lesson the hard way... ruined an entire day of lacrosse shots.
I have good ones from Hoya, Heliopan, and Marumi (various sizes).
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#12 |
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Cream of the Crop
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I've said this a thousand times here but here goes again....low opacity soft light layer. Boosting saturation is not the way to gain vibrance imo. It can help if used sparingly but you need contrast as well. The soft light layer does both. Before that, I'd open the image in PS using the Open As, then select Camera Raw from the drop down. In ACR, use the sliders to add fill, bring down exposure, deepen blacks and add some vibrance (which is really a mid tone contrast adjustment). Then open the image in PS, tweak as desired, add the soft light layer at whatever opacity suits you and I think you'll see a lot more zing. If that doesn't do it, then the image is probably not a keeper. Hope this helps. Let me know if you have questions.
Scott |
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#13 |
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Goldmember
Join Date: Oct 2005
Posts: 4,077
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One thing thats definitely too much here is the sharpening. You need to ease up on that.
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#14 |
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Member
Join Date: Feb 2008
Location: Baltimore, MD
Posts: 535
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This is sharpened for web...the printable version is not sharpened like this. I'll tone down the web sharpening in the future...thanks.
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7D / 40D / 70-200mm 2.8L / Tamron 28-75mm 2.8 / 50mm 1.8 / Canon 85mm F/1.8 / kenko 1.4 / 580ex |
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#15 |
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Cream of the Crop
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I think you might have it backwards then.
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