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#16 | |
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Cream of the Crop
Join Date: May 2004
Location: USA
Posts: 5,506
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An entire cottage industry has sprung up suddenly of professional attachments to fit the 5D2 to niche uses in professional videography--at their level of economics, the 5D2 is practically an impulse purchase. If they use five minutes of 5D2 video in a professional production, it's been more than worth purchasing the camera. |
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#17 |
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Senior Member
Join Date: Nov 2004
Location: Oceanside, California
Posts: 1,060
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#18 |
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Member
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Another reason the videos from professionals look stunning is editing. If you take a 12min clip, realize that there may be 1-2 min of usable footage. If I take the family on a week vacation, I may take 90 min of video that is then edited into a 8-10 min movie.
As far as the issue of catching your daughter dancing, remember the resolution of the video is significantly less than your stills, creating the impression of more depth of focus than you are used to. If you want to catch every move on video at 1080p, step back, stop down, and you should be fine. Though with proper editing, capturing someone moving either in or out of focus is a wonderful technique -- something that the 5DII video professionals have used repeatedly.
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7D / 28 1.8 / 85 1.8 / 135 2 / 300 4 IS / 1.4x TC |
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#19 | |
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Canon Fanosapien
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I don't do a lot of video yet, primarily because I'm almost clueless about video. But I did find that being able to use manual settings helped immensely when handholding and shooting video. I can set a small-enough aperture to get reasonable depth-of-field. I set the ISO to auto, and set a shutter speed that puts me in the middle of the ISO range - say, 400 or so. That way, the camera can automatically adjust exposure without messing with my aperture. Focusing is difficult, especially handheld. I did get a helpful tool - the hoodman - so that I can hold the camera up to my face while shooting video. It does make it feasable to zoom and focus "on the fly" without a tripod. I can forsee a future when, in video or live-view mode, the image is superimposed in the viewfinder so that the camera can be held more steadily against the face. I can also see a day when sensor-based autofocus is improved to a level where it will be able to keep up somewhat with a moving subject while shooting video.
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Tom 5D II, 7D, & various lenses |
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#20 |
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Senior Member
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If the Live view AF mode is set to "Live" or Face mode, you can AF in the middle of shooting video on the 7D. But, it acts like single shot focus mode. Every time you re-frame to something of a different distance, you must press the AF button again.
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EOS 50D 7D, 5D, G9 580 EXII,28-135 F3.5-5.6 IS, 75-300 F4-5.6 IS, 100-400L-IS,50 F1.4, 85 F1.8, 100 F2.0, 24-70 2.8L, 24-105 F4 L, 70-200 F2.8L IS, EFs 10-22, EFs 60 Macro, EFS 17-55IS, 1.4X and 2X TC, 24-105L, 17-40L http://www.flickr.com/photos/smopho/ |
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#21 |
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Member
Join Date: Mar 2009
Location: belgium
Posts: 55
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manual focus only and one of these; http://store.zacuto.com/Z-Finder.html ?
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#22 |
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Member
Join Date: Oct 2005
Posts: 111
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OMG!!! For that price, I can almost get another videocamera!
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------------------------------------------- EOS 7D, 24-105L, 70-200 /4L, 15-85, 35 /2, 85 /1.8, Speedlite 270EX, 420EX (backup gear: 18-55 IS, 24-85) |
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#23 |
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Goldmember
Join Date: Aug 2004
Location: Santa Monica, CA
Posts: 3,551
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You're not a pro-dslr videographer until you get one.
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#24 |
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Cream of the Crop
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Buy a steadycam.... I don't think one can shoot good video without one unless you limit yourself to a tripod. A chunk of cash, though.
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Bohdan - I may be, and probably am, completely wrong. Gear List Montreal Concert, Event and Portrait Photographer |
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