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#1 |
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Cream of the Crop
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In many cases it is recommended to get low for sports photography. From marathons, cycling, football, tennis, motor sports and seemingly everything in between, recommendations are to get low.
In fact I agree with this recommendation, but my reason for this thread is WHY? Why does getting low produce a more pleasing perspective in the shot? Is it simply that the photograph is from a perspective that the casual observer typically does not see? Does getting low put the horizon in a position that the brain reads as acceptable? Is getting low to clean up the background? does it open up the sensor to more light than pointing the camera level or slightly down? Maybe getting low helps capture the facial expressions of the athlete? When I see sculptures/statues of famous people, they are usually in a straight on perspective, not "looking up", same is true of paintings. There must be an element to photography that getting low is advantageous, any one know what it is?
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mark iin; mark iid(S); 7d; G10: Canon 17-40, nifty 50, Canon 24-70L, Canon 10-22, Canon 70-200/2.8 L II, 300 2.8, 400/5.6, L 135, Canon 85/1.8: Canon 100 macro, tubes, Canon 1.4 tele conv. =======>>> play W.A.I.N. |
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#2 |
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Member
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In my opinion, any average "photographer" with a digital camera will be shooting down onto the players, and will result in the same type of average pictures. I suppose for sports such as swim, water polo (I shoot these two sports), it's a must to get down to the players level, and I often find myself having to lie down on the deck to get some good shots in.
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#3 |
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Member
Join Date: Apr 2009
Location: Toronto, Ontario
Posts: 215
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The whole idea is to give a lesser seen perspective. Most people are either shooting/viewing sports from eye level or, as lawlz_xD noted, down on the athletes.
It just makes the shot more interesting. Also as you noted, it can unclutter the background without needing bokeh.
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1D Mark III - 70-200mm f/2.8 L IS - 24-70mm f/2.8 L - 50mm f/1.4 - 580EX II
flickr http://www.alexpylyshyn.com |
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#4 |
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Cream of the "Prop"
Join Date: May 2007
Location: Probably Chasing Aircraft
Posts: 57,298
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In the NFL, if you shoot from the endzone, you have to get down to avoid blocking TV cameras and/or crowd.
Nothing will get you a AA Battery to the back of the head faster than blocking some drunk-azz football fans view of the field.
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"If you aren't getting extraordinary images from today's dSLRs, regardless of brand, it's not the camera!" - Bill Fortney, Nikon Corp. |
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#5 |
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Senior Member
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Helps capture faces and also brings the viewer of the image into the action.
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#6 | |
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Senior Member
Join Date: Jul 2009
Location: Evanston (Chicago), Beijing
Posts: 1,670
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Puts a little foreground in your picture for a sense of scale, position, intimacy. Easier to get the Rule of Thirds happy. Puts the horizon at a visually better position. Birdseye, antseye views are usually more interesting.
Quote:
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#7 |
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Cream of the Crop
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definitely gets more 'faces' in the shots.
dave
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Canon 5D2 > 35L-85L-135L |
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#8 |
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Member
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The biggest reason to get low is to eliminate distracting backgrounds like sideline crowds, buildings, and parked cars. Try shooting half a soccer game from your knees and the other standing...it shows how much you can eliminate. Alot of the newspaper photographers in my area stand and shoot and then quickly travel on to the next game. I always look at their shots in the paper and look at the difference in perspective of mine from down low....sometimes a big difference in bg.
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Christopher Cecere My Website | My Blog MaxPreps Galleries | Sportshooter Gear List |
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#9 | |
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Member
Join Date: Oct 2009
Posts: 65
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Quote:
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#10 |
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Goldmember
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Bicycle racing from a standing position.
![]() Bicycle racing from ground level. ![]() Yes, there's a difference. |
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#11 |
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Cream of the Crop
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DC Fan, thanks for posting, great examples.
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mark iin; mark iid(S); 7d; G10: Canon 17-40, nifty 50, Canon 24-70L, Canon 10-22, Canon 70-200/2.8 L II, 300 2.8, 400/5.6, L 135, Canon 85/1.8: Canon 100 macro, tubes, Canon 1.4 tele conv. =======>>> play W.A.I.N. |
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#12 |
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#13 | |
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Member
Join Date: Apr 2009
Location: Toronto, Ontario
Posts: 215
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Quote:
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1D Mark III - 70-200mm f/2.8 L IS - 24-70mm f/2.8 L - 50mm f/1.4 - 580EX II
flickr http://www.alexpylyshyn.com |
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#14 |
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Cream of the Crop
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Football with camera approx 2' from ground level ... I can get down pretty low still for an old guy!
Example: ![]()
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Canon 5D2 > 35L-85L-135L |
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#15 |
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Senior Member
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John E. Canon 5D MK II; 30D; EF 85 f/1.8; EF 70-200L f/2.8 IS II; EF 24-105L f/4; EF 135L f/2; EF 24-70L; Canon 580 EX II(x3). |
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