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#1 |
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Senior Member
Join Date: Mar 2010
Location: Stockholm, Sweden
Posts: 1,152
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There is no ZE version of this lens yet, although there is a possibility that Zeiss will launch one at Photokina 2010. Regardless of that, it remains one of the most popular Zeiss lenses ever made and they are quite popular adapted for Canon. On other boards, such as FM, there are long sample threads with images exclusively from this lens, so this thread is an attempt to remedy the situation here at POTN.
![]() The Distagon 1.4/35 was introduced in the late 1960's and has gone through a number of revisions. The two most popular versions are available in Rollei and Contax mount. There are two important differences between them. One is that the Rollei version has three aperture blades, creating a unique triangular bokeh when stopped down. The Contax version has a more traditional 8 aperture blades. The second difference is that the Rollei version has HFT coating while the Contax version has T* coating. This has some impact when it comes to flare resistance but also influences the general color cast. This lens should not be confused with the more recent 2/35 Distagon design - they are quite different in rendering style. Unlike the two fast f/1.4 lenses in the ZE lineup (The 50/1.4 Planar and the 85/1.4 Planar) the 35/1.4 Distagon has a floating element resulting in good performance up close. It has better center sharpness than for instance the 35L while it is comparable or slightly weaker in the corners (depending on version). It is not as sharp as the 2/35 until both are stopped down to about f/5.6. I got this lens two days ago, so I am by no means an expert in using it, but I will post some of my early shots anyway. Last edited by denoir : 23rd of July 2010 (Fri) at 18:09. |
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#2 |
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Senior Member
Join Date: Mar 2010
Location: Stockholm, Sweden
Posts: 1,152
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![]() ![]() ![]() Example of Rollei triangular bokeh when the lens is stopped down ( at f/8 ) ![]() ![]() Last edited by denoir : 23rd of July 2010 (Fri) at 18:10. |
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#3 |
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Senior Member
Join Date: Mar 2010
Location: Stockholm, Sweden
Posts: 1,152
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#4 |
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-Followers of Fidget-
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cool man, I almost picked a C/Y mount some time back - looks good!!!
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#5 |
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Senior Member
Join Date: Mar 2010
Location: Stockholm, Sweden
Posts: 1,152
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Thanks
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#6 |
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Member
Join Date: Aug 2009
Location: Sicily CT
Posts: 63
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Excuse me Sir ,
How did you get triangular bokeh shot ? ciao |
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#7 |
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Member
Join Date: Aug 2007
Location: NoVA
Posts: 835
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The lens has a 3-blade aperture, and the bokeh is triangular.
__________________
Canon 5D MkIII | 40 f2.8 | 50 f1.4 | 50L | 85 f1.8 | 100L | 135L | 24-70 f/2.8L II | 70-200 f/2.8L IS II | 70-300L IS| 600EX-RT x 3 Sigma 35 | Tamron 24-70 | Pro-Optic (Samyang) 14mm f/2.8 |
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#8 |
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Goldmember
Join Date: Feb 2009
Location: Socal
Posts: 2,151
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the c/y mount version of this lens sure isn't cheap!
it's amazing how well these lenses hold their value. the 100mm f2 planar, 35mm f1.4 distagon, and 28mm f2 distagon. all will put major dings in your wallet!!!
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#9 |
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Senior Member
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Who...3 blade aperture...never heard of that before...That produces some interesting bokeh..
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Nikon D700: 16-35 F4, 50 1.4G, 85 1.8,105 VR Micro, 135F2 DC, 80-200 2.8 AFS Olympus XZ-1 ,Ryan Sometimes, I think Photography is worse than Crack. |
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#10 |
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Goldmember
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That triangular bokeh is very nice!
Which one would you choose? The f/1.4 or the f/2? |
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#11 |
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-Followers of Fidget-
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#12 | ||
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Senior Member
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Location: Stockholm, Sweden
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Quote:
Quote:
Anyway, a few more shots: ![]() ![]() ![]() Last edited by denoir : 26th of July 2010 (Mon) at 18:58. |
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#13 |
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Senior Member
Join Date: Mar 2010
Location: Stockholm, Sweden
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#14 |
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Member
Join Date: May 2010
Posts: 199
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That is some razor.....and I mean razor sharp stuff there sir!!!
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Canon 5D mk II | Canon 24-70 f/2.8L USM | Canon 85 f/1.2L USM | Canon 70-200 f/2.8L IS USM | Zeiss Makro-Planar T f2/100 ZE | Zeiss Distagon 35mm T f/2 ZE |
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#15 |
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Senior Member
Join Date: Mar 2010
Location: Stockholm, Sweden
Posts: 1,152
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Actually, the 35/2 is sharper at comparable apertures. The 35/1.4 has the benefit of being a stop faster and has a less dramatic and more subtle rendering style. The 35/2 has a more precise, more clinical feel to it.
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