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#1 |
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Member
Join Date: Apr 2010
Location: Athens, Greece
Posts: 48
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Black Swan was shot on Super 16mm,
ARRI, Canon 7D & Canon 1D mark IV. Rehearsal footage on Canon 5D Mark II. ![]() More on Momentum |
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#2 |
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Dirty Old Man carrying a full pee and poo can
Join Date: Jun 2010
Location: Michigan, home of the Zombie plague
Posts: 18,979
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No kidding, I'm a bit surprised they went with the 7d for this--5d2 is definitely superior.
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My Gearlist I'm moko ಠ_ರೃ I enjoy long walks on the beach. I also enjoy long walks off a short pier. |
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#3 |
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Senior Member
Join Date: Jan 2010
Location: Bucks County, PA
Posts: 1,123
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Most Director's could care less about subtle differences in Video Performance between these two. Especially a director like Darren Aronofsky, who's preference is 16mm film over any digital camera.
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EOS 5D Mark II | Canon 24-70 f/2.8L | Speedlite 430EX II Interests: Environmental Portraits | Urban/Travel | Wildlife | Landscape | Celestial | Experimental
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#4 |
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Senior Member
Join Date: Nov 2010
Location: Right Behind You
Posts: 1,820
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I knew some of the darker scenes (like visually darker) were shot on digital because of the noise, interesting to see hear it was canon.
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Gear Collectors ruin photography. If you're not using it pass it on. Why do people bother posting "actual shots from XX"? If anything give me the raws. |
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#5 |
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Member
Join Date: Oct 2010
Location: Minnesota
Posts: 110
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Hmm,
I am total new to this film photography. So in what way 7D differentiates itself from 5D II? No essential differences at all? |
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#7 | |
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"I'm a little slow"
Join Date: Oct 2008
Location:
Surrounded by Corn and Rednecks in Indiana
Posts: 3,864
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Quote:
From the article linked by the OP: "We used a Canon 7D or 1D Mark IV for all the subway scenes; I could just carry a 7D and shoot on the subway all day with a very small crew" "The 7D has more depth of field than the 5D, but I needed that because I didn’t have a follow-focus unit and needed to work really fast. I shot everything documentary-style. I did all the focus pulls by hand, and we’d just look at it on the camera’s monitor. I ended up shooting on a Canon 24mm lens at 1,600 ASA to get as much depth of field as possible at a stop of T81⁄2." |
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