Show us your setup and the final result!

Paulos75 wrote in post #13369475
David, love the pano. Nice DIY pano rig.
Rick, awesome stuff, but I reckon the landscape guys would do their nut over that tree/fountain.

One of my favourite things for rainy day photography or any day when I'm just too lazy to get out and take photos

Have a look on my flickr for photo notes about the setup.

IMAGE LINK: http://www.flickr.com/​photos/paulos75/631765​2528/ Drop Collisions Setup by Paulos75, on Flickr"]http://www.flickr.com/​photos/paulos75/631765​2528/ Drop Collisions Setup by Paulos75, on Flickr

This is the shot that you can see in the setup. Unedited except for a slight crop and jpeg convo.

IMAGE LINK: http://www.flickr.com/​photos/paulos75/631712​8999/ Drop Collision Setup Shot by Paulos75, on Flickr"]http://www.flickr.com/​photos/paulos75/631712​8999/ Drop Collision Setup Shot by Paulos75, on Flickr

Ha! I'm not sure which is a more impressive shot - the close up or catching the camera catching the close up.

My guess is that he had a remote to trigger both cameras at the same time.

Mike...I love your stuff! And I really love the setup you showed!!

Setup:

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IMAGE LINK: http://www.flickr.com/​photos/rickrphoto/6325​584985/

^ Classic, Rick... Love it, my fellow photog!!!

airbutchie wrote in post #13370652
^ Classic, Rick... Love it, my fellow photog!!!

Thanks Butch! we still have to set up a shoot together sometime!

Zerimar wrote in post #13370588
Setup:

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Very helpful to see you in action. Great shots and congrats on explore yesterday!

Zerimar wrote in post #13370667
Thanks Butch! we still have to set up a shoot together sometime!

If you're going to bring that type of talent/model to the shoot, I'M THERE!!! Bwahahahahahha... But yes, let's try to get together soon Rick... Peace!!!

airbutchie wrote in post #13370935
If you're going to bring that type of talent/model to the shoot, I'M THERE!!! Bwahahahahahha... But yes, let's try to get together soon Rick... Peace!!!

Only as long as you can use your 200L, right?

^ I think that was already assumed!! Hehehheheehe... Wwwwaaaazzzzzaaaaaappp​pppp Harm!!!

I hope this counts but it is showing the very final result ;]

Setup:

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mikekelley wrote in post #13369580

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Arclight by mike kelley / mpkelley.com, on Flickr

Hey Mike, love your work, follow you on Flickr, etc... Why do you include blurred shots of people in your final result? I have see you do this with some of your other final images including indoor and outdoor shots. Just curious if it's something that the client wanted or that you thought the shot needed?
Thanks!

setup

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^^ Was asking myself the same question!

ewheeler20 wrote in post #13372525
Hey Mike, love your work, follow you on Flickr, etc... Why do you include blurred shots of people in your final result? I have see you do this with some of your other final images including indoor and outdoor shots. Just curious if it's something that the client wanted or that you thought the shot needed?
Thanks!

Just been doing it a little more lately. I can include them or get rid of them with the click of a button, they're just a layer in photoshop - but the thing is - I think it would look a little weird if I had a movie theatre completely devoid of people, you know? Like, here's a place that people are supposed to come and have a good time, yet it's completely free of people. A house exterior I can understand there not being people, though. And architecture is all about human interaction with the piece, so I figure I'd try it out. I have only done it a couple times but in this case, I also think the people help to break up the expanse of cement in front of the camera and add some motion and interest to an otherwise expansive shot.

I'm not really sure what I think of it either - I think it works in this shot, but like I said it's something I don't have much experience with, so I'm totally open to others' feelings on it.