24-105, great portrait lens.
windpig Chopped liver ![]() More info | Nov 24, 2011 21:32 | #16 24-105, great portrait lens. Would you like to buy a vowel?
LOG IN TO REPLY |
kf095 Out buying Wheaties ![]() More info | Nov 24, 2011 21:47 | #17 I use 28-75 2.8 on Rebel and 5D it is sharp lens at 2.8 from 28 to 75. Old Site
LOG IN TO REPLY |
bberg Senior Member ![]() 407 posts Likes: 5 Joined Apr 2006 More info | Nov 24, 2011 21:55 | #18 What IS the budget? I'd recommend saving a bit more and going for the Canon 17-55 2.8 IS. It's simply an awesome portrait lens and so versatile. I assume you shoot more than just portraits, and the 17-55 will allow for this easily while a prime likely won't.
LOG IN TO REPLY |
iamawinner Member 30 posts Joined Oct 2008 More info | the 17-55 is one of the few I have never owned but have heard GREAT things about; with the range you usually shoot in I would go for the 70-200 f/4 or just pick up the Canon 50mm f/1.4 and move a bit more! or both neither lens will let you down.
LOG IN TO REPLY |
Nov 25, 2011 00:56 | #20 We'll, I'd like to stay at about $500. I technically do have the money for the Canon in my savings, but the thought of spending so much on a lens right now is hard, especially since I'm going to need a new computer soon and I'm trying to save for a trip abroad! Canon XSi // 50 1.8 // 55-250 // Sigma 10-20 // 17-50 2.8
LOG IN TO REPLY |
windpig Chopped liver ![]() More info | Nov 25, 2011 07:25 | #21 I'd quit throwing money at lenses until you can buy something good in the focal length you think you will use a lot. As it's been said, good lenses hold their value and can create nice images. People swear by the 24-70, but that's pretty wide, even on a crop, for head and head/shoulder shots. Figure you want to be at least 6ft from the subject, then go from there. Even though the 24-105 is F4, you still get equiv FF of 38-168, you won't get as much out of focus background, but it's all a compromise. But this is just my opinion. Would you like to buy a vowel?
LOG IN TO REPLY |
ceegee Goldmember 2,320 posts Likes: 7 Joined Mar 2008 Location: Montreal, Quebec More info | Nov 25, 2011 08:16 | #22 Miss Frizzle wrote in post #13448309 ![]() We'll, I'd like to stay at about $500. I technically do have the money for the Canon in my savings, but the thought of spending so much on a lens right now is hard, especially since I'm going to need a new computer soon and I'm trying to save for a trip abroad! I thought the 28-75 sounded best since I already have a 10-20 and the 50-250. It's very easy, on a forum like this, to be persuaded that you "have" to spend $1000 on a lens to get a "good one", but in reality it's not true. The Tamron you're considering is terrific lens: constant f2.8, nice build, very useful range, excellent IQ. It will be a significant upgrade in many respects from your 18-55 kit lens, and its range seems to be more suited to what you do than the 18-55. Of course, it's not perfect. Focusing is a little slower than a USM lens (but the lens is still capable of focusing on moving subjects - I use it all the time for dogs and kids; I find it focuses at least as well as my 55-250) and a little noisier too. However, in my experience its benefits far outweigh its disadvantages. I've tried the "L" lenses in this range (24-70, 24-105), and while they're obviously awesome, they, too, have their disadvantages. The 24-70 is huge and bulky (not to mention extremely expensive), while the 24-105 is an f4, not an f2.8. The Tamron has neither of these disadvantages. Not only that, but it was difficult, if not impossible, for me to find any differences in IQ between them and the Tamron when I tried them out. Like you, I'm not a full-time professional photographer and budget is a factor. I've never second-guessed my decision to buy the Tamron. Over the years it's produced some outstanding images for me and it continues to be my "go-to" lens for people and portrait photography, outdoors and in the studio. Even if I had the money to replace it, I'm not sure I'd do so; I don't like bulky lenses (which kind of eliminates the 24-70), I'd be reluctant to lose the f2.8 capability in this range (which kind of eliminates the 24-105), and the 17-55 range wouldn't be nearly as useful to me - the need for more length on my basic lens was the main reason for replacing my 18-55. All of which makes the Tamron a perfect choice in my case. Whatever lens you choose, there are going to be compromises, even if you spend $1000 or more. So it's a question of deciding which compromise you can best live with. In my case, the slightly slower focusing was easier to deal with than the high price tag, bulk and weight, less useful range and loss of constant f2.8 that came with any of the more expensive alternatives. Gear: Canon 7D, Tokina 12-24 f/4, Canon 24-105L f4, Canon 70-300L, Canon 60 macro f/2.8, Speedlite 580 EXII, 2x AB800
LOG IN TO REPLY |
Nov 25, 2011 08:32 | #23 Miss Frizzle wrote in post #13448309 ![]() We'll, I'd like to stay at about $500. I technically do have the money for the Canon in my savings, but the thought of spending so much on a lens right now is hard, especially since I'm going to need a new computer soon and I'm trying to save for a trip abroad! I thought the 28-75 sounded best since I already have a 10-20 and the 50-250. The 28-75 is quite a bit shorter than the 50-250 so I think I might look at some of my shots and see what focal length I'm actually shooting at for portraits. I wish Adobe Bridge could just come up with a graph with that info for me. ![]() Download a program called exposure plot. Google it. It will graph out which focal lengths, ISOs, AV and TV you used on every shot taken. Canon 7D/350D, Σ17-50/2.8 OS, 18-55IS, 24-105/4 L IS, Σ30/1.4 EX, 50/1.8, C50/1.4, 55-250IS, 60/2.8, 70-200/4 L IS, 85/1.8, 100/2.8 IS L, 135/2 L 580EX II, 430EX II * 2, 270EX II.
LOG IN TO REPLY |
Nov 25, 2011 11:32 | #24 Thank you ceegee! I'm going to try to get to the camera shop today or tomorrow to check it out in real life! I actually pulled out some notes from a workshop by a Tamron presenter maybe a year or two ago. I have written down, "28-75 2.8 - Good lens for portraits/weddings!" Canon XSi // 50 1.8 // 55-250 // Sigma 10-20 // 17-50 2.8
LOG IN TO REPLY |
Dec 11, 2011 00:58 | #25 Just realized the 28-75 does not have image stabilization...... ack! Canon XSi // 50 1.8 // 55-250 // Sigma 10-20 // 17-50 2.8
LOG IN TO REPLY |
watt100 Cream of the Crop 14,021 posts Likes: 29 Joined Jun 2008 More info | Dec 11, 2011 03:47 | #26 Miss Frizzle wrote in post #13445718 ![]() Thought about the Tamron 90mm because it would work for portraits and I would have a macro lens as well, which I would love, but I read that it's focus is too slow for portraits of wiggly children.!
XSi (450D) with Tamron 90mm 2.8 macro - indoors
LOG IN TO REPLY |
Dec 11, 2011 15:13 | #27 I thought I was the only one using 55-250 for portraits Ex-Canon shooter. Now Sony Nex.
LOG IN TO REPLY |
Gel Goldmember ![]() 1,145 posts Likes: 45 Joined Sep 2009 Location: Brighton , East Sussex More info | Dec 11, 2011 15:49 | #28 85L Chris Giles Photography
LOG IN TO REPLY |
wayne.robbins Goldmember 2,062 posts Joined Nov 2010 More info | Dec 11, 2011 16:06 | #29 Amamba wrote in post #13528049 ![]() I thought I was the only one using 55-250 for portraits ![]() ... Another option is getting one of 17-50/2.8 zooms. Tamron non-vc is great for portraits - not the fastest AF but for portraits it's OK, and it's very sharp with good bokeh. I think they are around $350. Sigma 17-50/2.8 OS has faster zoom and stabilization, a tad better bokeh for $300 more. Canon is outside your price range. Honestly I'd not spend any money on a new lens. Been there just to realize that there was nothing wrong with my kit to begin with. I just got some great portraits of my kids in challenging backlit conditions with a cheap ancient Olympus MF lens. I'd rent a lens for a week before bying it. See if it worth spending extra money on your kit. I think most amateur photogs myself included don't ever come close to be held back by the limitations of their equiipment. For what you are asking, to get much better results, I'd agree, you would need to sink considerably more money into the abyss because you really need two lenses to cover a good percentage of the range. EOS 5D III, EOS 7D,EOS Rebel T4i, Canon 70-200 f/2.8 IS II, Canon 24-105L, Canon 18-135 IS STM, 1.4x TC III, 2.0x TC III, Σ 50mm f/1.4, Σ 17-50 OS, Σ 70-200 OS, Σ 50-500 OS, Σ 1.4x TC, Σ 2.0x TC, 580EXII(3), Canon SX-40, Canon S100
LOG IN TO REPLY |
Dec 11, 2011 16:10 | #30 Another issue with switching from 55-250 to 70-200 is losing these 15mm on wide end. It seems like that's not all that much but I bet good 50% of all the portraits I took with that lens were close to 55mm. When cost is an issue, 85 seems a better option than 70-200 /4IS - muuuuch cheaper and faster, and you don't get to keep the 55-70 range either way. Don't get me wrong, I'd love to get 70-200 /F4IS (only the IS version) someday, but I am not ready to pay the price yet. Ex-Canon shooter. Now Sony Nex.
LOG IN TO REPLY |
![]() | x 1600 |
y 1600 |
Log in Not a member yet?
Register to forums
Registered members may log in to forums and access all the features: full search, image upload, follow forums, own gear list and ratings, likes, more forums, private messaging, thread follow, notifications, own gallery, all settings, view hosted photos, own reviews, see more and do more... and all is free. Don't be a stranger - register now and start posting! |
| ||
Latest registered member is suiyuan 726 guests, 288 members online Simultaneous users record so far is 15144, that happened on Nov 22, 2018 |