swldstn wrote in post #13631691
Be careful here with vignetting. I just got my 16-35mm and WA 82 mm adapter to use with my Lee system. I used it with my 17-40 and 24-70 with WA 77mm. Mine is also outfitted with a 4mm and 2mm holder, 105mm adapter and 105mm B+W CPL. With this combo I'm getting vignetting at or about 22mm.
I may have to rethink my setup.
I have seen posts that say CPL can be problematic on UW since you will get uneven polarization across the field of view.
I'm also considering if I can get some kind of step up from 82 to 105mm since I have such a nice 105mm polarizer.
You'll need to remove (IIRC) two slots from the holder if you intend to use the 105 along with the Zeiss 21. When I did some experimenting with mine with a 5D2/17-40L, I was using the Lee holder with three slots, the WA ring, and the 105 polarizer. With this setup, I was getting real heavy vignetting. Removing two slots from the holder helped, but didn't eliminate the vignetting completely. Since going to the 4x4 polarizer, my 105 basically sits in the bag (I probably should sell it). Here are a few test shots I took a few years back using the 105 with a single slot, at 17mm on a 5D...notice the corners (stopping down moderately basically removes the vignetting):
5D + 17-40L at 17mm/f4, WA ring, single slot, 105 polarizer:
| Byte size: ZERO | Content warning: NOT AN IMAGE |
5D + 17-40L at 17mm/f8, WA ring, single slot, 105 polarizer: | Byte size: ZERO | Content warning: NOT AN IMAGE |
As far as a CPL being "problematic" with an ultrawide, that's debatable and is dependent on the use. Most beginners just use a CPL to get sky/cloud shots that you see so often (and usually way over-polarized in many cases). If shooting with a very wide lens, you can get some unevenness across the sky with a CPL. However, a few caveats:
(1) the CPL does much more than yield pretty skies...removes glare from wet surfaces, controls/eliminates reflections, enhances contrast and saturation. Not every shot needs to have a sky in the picture to get the benefits of a CPL, so no problem here.
(2) By shooting in the portrait orientation with a CPL and a wide lens, you can limit the amount of sky in the image and avoid the unevenness. Again, no problem here.
(3) Sometimes, the "unevenness" can contribute to the composition, all depends on how you set the shoot up (unevenness is not always a detriment).
The CPL is just another tool...know when and how to use it and you'll avoid problems. Just be judicious...