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Thread started 12 Jan 2012 (Thursday) 09:55
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Why is CA so easily corrected?

 
Tanchistu
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Jan 12, 2012 09:55 |  #1

I know that there are plenty of software solutions that offer CA elimination, and with very good results. But why?

What makes CA so easy to correct in digital post processing?




  
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Dustman
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Jan 12, 2012 11:16 |  #2

I've always had the question on my mind, but never thought to ask here for an awsner, so I'm subsrcibing...........​....I always was curious why you move a slider and the CA disappears, but all the other colors & tones in the images stay the same, why it doesn't effect anything else??


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Jan 12, 2012 11:40 |  #3

CA is caused by the fact that light of different wavelengths (colors) bends by differing amounts when going through the lens and therefore focuses at slightly different spots. An RGB image is usually thought of as having three color values for each pixel, but it can also be conceived of as having three independent color channels or as three images virtually layered one on another. Thus one or two of the layers can be virtually moved laterally to bring them into registration and correct the CA.


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ratempa
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Jan 12, 2012 12:20 |  #4

It might be just me, but I have yet to see it eliminated. Maybe because i'm a pixel peeper, but it's never perfect. Then again I've only used lightroom ACR and aperture. Maybe you've got some better software.


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Jan 12, 2012 13:35 |  #5

ratempa wrote in post #13692441 (external link)
It might be just me, but I have yet to see it eliminated. Maybe because i'm a pixel peeper, but it's never perfect. Then again I've only used lightroom ACR and aperture. Maybe you've got some better software.

Same here. Using DPP.. i can dumb it down mostly, but there's usually some remnants(especially if pixel-peeped). Some is so bad, that i can't get rid of it all, and that's one of the things that scares me about my great desire for the EF 85 f/1.8..and also steered my thoughts from the Tokina 11-16, to the EF-S 10-22. :o


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Jan 12, 2012 13:40 |  #6

It's easy because it's well understood and very predictable. No software will get rid of every pixel, but DPP, arc, photoshop and others can do a really decent job getting rid of most of it.


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cdifoto
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Jan 12, 2012 13:41 |  #7

I don't even mess with it. If it's subtle enough to be eliminated, it's subtle enough to be ignored. If it's bad enough to be neither eliminated nor ignored, it's bad enough to sell the lens.

Then again, I have fairly decent technical habits and avoid shooting tree branches against a blown sky.


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Jan 12, 2012 14:39 |  #8

Because when you look at the digital data it is easy to find with numerical analysis, located along a high contrast edges with predictable hues.


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René ­ Damkot
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Jan 14, 2012 11:33 |  #9

1Tanker wrote in post #13692852 (external link)
Same here. Using DPP.. i can dumb it down mostly, but there's usually some remnants(especially if pixel-peeped). Some is so bad, that i can't get rid of it all, and that's one of the things that scares me about my great desire for the EF 85 f/1.8..and also steered my thoughts from the Tokina 11-16, to the EF-S 10-22. :o

There's lateral and longitudinal CA. One is easy to correct, the other isn't.

https://photography-on-the.net …ight=lateral#po​st12363904

https://photography-on-the.net …9257&highlight=​lateral+ca
https://photography-on-the.net …5307&highlight=​lateral+ca


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wombatHorror
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Jan 15, 2012 14:35 |  #10

Tanchistu wrote in post #13691618 (external link)
I know that there are plenty of software solutions that offer CA elimination, and with very good results. But why?

What makes CA so easy to correct in digital post processing?

all it is is different frequencies of light being bent by different amounts, so they just do a non-linear scaling for the red data and green data and blue data to bring the capture data back as close as they can to if the light had been bent by the same amount for each color

although longitudinal is another issues, lateral is the easy type

it won't be done perfectly due to compelexity of optics though




  
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Jan 15, 2012 14:56 |  #11

Yeah, I find that for the widest apertures, the "corrections" will typically be insufficient, you may need to do some work to get the CA where it's not so noticeable.


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Dooms_day
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Jan 15, 2012 15:22 |  #12

PTLens is a good plugin for Photoshop that basically eliminates any kind of distortion from lenses you can think of.


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531JG
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Jan 15, 2012 15:35 |  #13

The new CA removal tool in LR4 (Beta) seems to be working quite well so far


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tonylong
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Jan 15, 2012 15:48 |  #14

531JG wrote in post #13709049 (external link)
The new CA removal tool in LR4 (Beta) seems to be working quite well so far

Hmm, I may need to check it out with some of my shots! The 85L is pretty "notorious" for CA wide open with high-contrast stuff:)!


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Jan 15, 2012 15:59 |  #15

You really could write a book.


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Why is CA so easily corrected?
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