A better question OP is what is your total budget? We can help you there.
vipergts831 Has the TF retired? Or just being utterly lazy? ![]() 44,143 posts Gallery: 42 photos Likes: 543 Joined Apr 2009 Location: Taking better shots with an iPhone than MDJAK with a 1DX More info | Mar 10, 2012 11:34 | #16 |
John E Goldmember ![]() 1,025 posts Likes: 1 Joined May 2006 Location: Amarillo, TX More info | Mar 10, 2012 11:36 | #17 Billginthekeys wrote in post #14061377 ![]() I don't think "everyone think(s) more reach is magically better." If you shoot birds it most definitely is. Yes, "optically" speaking a crop camera does not change the focal length of a lens, but it definitely has advantages. For instance a 7D has 18MP on a APS-C sensor, and a 5D MKII has 22MP on a full frame sensor, if you crop the image taken by the 5D to the equivelant field of view the 7D would capture on the same lens, you will have a smaller image with less pixels and less detail. Therefore for a full frame body to capture the kind of detail the crop camera can get out of a telephoto lens one would have to use a longer (and therefore generally more expensive) lens. It also is just nice for workflow not to have to crop every single picture you take. The smaller sensor also allows more processing power to be dedicated to allowing larger image buffers, higher FPS, and better ai-servo focus systems (historically speaking anyway). That is why Canon's sports and nature cameras (7D, 1D series) have always been crop bodies, and their studio and wedding bodies (5D, 1Ds) are full frame. If it makes you feel any better I feel the same way when I read threads from people who act like when they "upgrade to full frame" the clouds above them will open up and magical rays of sunlight will suddenly grant them award winning pictures because they have a full frame camera, as you feel then you read about "extra reach" from a crop body. I feel they are all tools for their own purposes, so I own a FF, APS-H, and APS-C body. What a FANTASTIC explanation!!! John Elser
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Billginthekeys Billy the kid ![]() 7,359 posts Likes: 2 Joined Nov 2005 Location: Islamorada, FL More info | Mar 10, 2012 12:20 | #18 backblast wrote in post #14062199 ![]() I suggest that you go with the 5DII or 5DIII kit, the one that comes with a 24-105L lens. This is a good all around lens. You might as well start off with a high quality camera that you will constantly grow into, and then invest in professional photography classes to get the most out of them. Lenses can, and will, come later so don't worry about super-duper lenses yet. This will be money well spent. And what is your logic there? Someone beginning in photography will take years to master any pro-sumer DSLR, even an original 5D, before they begin to "outgrow" it (honeslty I don't know that any photographer will ever NEED a camera better than say a 1DMKIII or 5D, just about anything that has come out since has been superflous improvements, but nothing that prevents you from getting great pictures out of earlier equipment). Anyway, by the time one would have learned all the features of a 5D3 who has no prior experience, if they even have a desire to learn everything there is to know, the camera would be worth half what they paid for it, and then they would have less money for lenses. Or they could buy a very good beginner body, such as an original 5D for $800, and have $3500 to get a good set of lenses that will last them their entire photographic career (the kit price on a 5D3 and 24-105 is $4,300)? Mr. the Kid.
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Mar 10, 2012 15:48 | #19 The animals that I will be shooting are Cheetahs and African Servals. At my age I would rather invest in the right equipment and attempt to master it over the years. Rather than buy lower end and having to resell and invest again. I am an old timer and the chances of me changing out bodies each time something new comes out will be almost impossible. Thus the reason I would rather spend the money now and keep what I have.
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jwcdds Cream of the Crop ![]() More info | Mar 10, 2012 16:04 | #20 You want something that "lasts" (in theory) for Cheetahs and African Servals (assuming you're shooting them in their natural environment and not at a zoo)? And that you want to "invest in the right equipment," then get a 1D Mark IV and then work on your very expensive lens collection: 500/f4, or 600/f4, or 800/f5.6 lenses. Julian
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mikeassk Goldmember ![]() 2,329 posts Likes: 3 Joined Aug 2006 Location: San Diego/ San Fran/ Berkeley More info | Mar 10, 2012 16:16 | #21 FEATHERMEN wrote in post #14063213 ![]() I have a $7,500 budget. Get a used 1DII and a used 600mm f4/500mm f4.
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mmahoney Goldmember ![]() 2,789 posts Joined Jan 2007 More info | Mar 10, 2012 16:17 | #22 FEATHERMEN wrote in post #14063213 ![]() The animals that I will be shooting are Cheetahs and African Servals. Have you considered a 1 series, perhaps the new 1DX, or the 1Dmk4? Newfoundland Wedding Photographer
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backblast Senior Member 319 posts Joined Jan 2009 Location: USA More info | Mar 10, 2012 21:32 | #23 Billginthekeys wrote in post #14062397 ![]() And what is your logic there? I don't believe buying stuff twice make much, if any, sense. Buy right once, be happy. FEATHERMEN wrote in post #14063213 ![]() Both animals are fast and super fast at that. So speed is a factor to get the right shots due to the objects moving at high speeds. Then a 1DmkIV will fit the bill without question. 1Ds MkIII - 1D MkIII & several lenses with red rings.
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MilesW Member 240 posts Likes: 2 Joined Apr 2005 More info | Mar 10, 2012 23:25 | #24 There is a big price difference in the three choices you mention? I don't think there is for the novice justification for the cost difference to jump in with a 5D III. Unless of course money is no object and you still will have plenty over for good glass. 20D Canon EFS 17-85IS, 70-2001:4 L IS, Macro 100 F2.8, Canon 50 1.4Canon ext EF 1.4X II
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Bananapie Senior Member ![]() 522 posts Joined Jun 2011 Location: Seattle, Biloxi, Waco More info | Mar 10, 2012 23:38 | #25 ni$mo350 wrote in post #14060657 ![]() No offense but why are you even thinking about a 5dii or iii if you don't know what full frame is. You should be.more worried about learning the basics before spending thousands of dollars on somethin you might not even like. With that said a 7d would be the best for fast animals and the extra reach of a crop body helps He might know jack about photography, but from the OP's first post, it could go either way.
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Bananapie Senior Member ![]() 522 posts Joined Jun 2011 Location: Seattle, Biloxi, Waco More info | Mar 10, 2012 23:43 | #26 JLai81 wrote in post #14062149 ![]() ![]() Thank God someone finally understands that crop is not an increase in reach, but a narrower field of view. So tired of people saying crop has extra reach that I just stopped correcting them. I'm tired of being corrected whenever I use abbreviated terms to avoid spewing paragraphs of information when trying to help people out.
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-dave-m- Senior Member More info | Mar 10, 2012 23:52 | #27 FEATHERMEN wrote in post #14063213 ![]() The animals that I will be shooting are Cheetahs and African Servals. At my age I would rather invest in the right equipment and attempt to master it over the years. Rather than buy lower end and having to resell and invest again. I am an old timer and the chances of me changing out bodies each time something new comes out will be almost impossible. Thus the reason I would rather spend the money now and keep what I have. I have a $7,500 budget. I have already purchased a 70-200 2.8 L IS. I am also looking at other glass. I haven't purchased the body just yet due to the fact I am not certain if I should go with the 7D or a 5D setup. Both animals are fast and super fast at that. So speed is a factor to get the right shots due to the objects moving at high speeds. I really appreciate all the wonderful feedback and the advice. It is greatly appreciated. If you plan to shoot fast moving animals like a cheetah I would not be looking at a 5D or 5D MkII. In a new body I would look at the 7D or 5D MkIII, used bodies I would look at 7D or something like a 1DMkIV. 5D MkII Gripped | 7D MkII Gripped | 200 f/2.8L | 17-40 f/4L | Σ 24-105 OS f/4 Art | Σ 50 f/1.4 Art | Σ 150-600 OS f/5-6.3 C | 430EX II
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oplous Member 113 posts Joined Jan 2012 More info | Mar 11, 2012 00:21 | #28 As a newbie I am, I wish someone have told me what really full frame is. I would have gone FF from beginning. After I got my 5dii I realize that hey.. 24mm is wide! and how f/4, at same focal length/distance, blurs backgrounds.
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Perfect_10 Goldmember ![]() 1,998 posts Likes: 7 Joined Aug 2004 Location: An Ex Brit living in Alberta, Canada More info | Mar 11, 2012 00:24 | #29 vipergts831 wrote in post #14062198 ![]() How do you know? Have you shot a 5dmkIII? If so tell us how good it is. I have to agree. I'm getting sick and tired of reading about how great the 5DIII is when no-one out there has even got their hands on one yet.
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JLai81 Senior Member 736 posts Joined Oct 2009 Location: Ponte Vedra, FL More info | Mar 11, 2012 00:27 | #30 Bananapie wrote in post #14065254 ![]() I'm tired of being corrected whenever I use abbreviated terms to avoid spewing paragraphs of information when trying to help people out. Another thing people always jump on is the phrase "I like the perspective you get from a (200)mm." Yes, we know that perspective is dependent on the camera's relation to the subject (aka where you are standing), but you are usually standing in a different place when you use a 200mm than when you use a 30mm! Using an abbreviated term is different than giving mis-information that crop has longer reach. Field of view is not the same as reach.
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