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Thread started 01 Apr 2013 (Monday) 12:55
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Wider lens vs panaramic stitching

 
advaitin
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Apr 14, 2013 11:29 |  #16

Shots where not everything was static. CS5 Photoshop introduced a much better stitch program.

IMAGE: http://farm8.staticflickr.com/7098/7125087461_b27e04ded7_b.jpg
IMAGE LINK: http://www.flickr.com/​photos/clgriffin/71250​87461/  (external link)
Bigger Jeep Image (external link) by C L Griffin/Advaitin (external link), on Flickr

This one was four or five parts with a 24-105 zoom
IMAGE: http://farm6.staticflickr.com/5455/7368593858_d1d81606c1_b.jpg
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ElMoropanocs5 (external link) by C L Griffin/Advaitin (external link), on Flickr

And this with a similar wideangle interior with three frames
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IMAGE LINK: http://www.flickr.com/​photos/clgriffin/77810​85550/  (external link)
Maya and Buddha_resize (external link) by C L Griffin/Advaitin (external link), on Flickr

Canons to the left, Canons to the right,
We hold our L glass toward the light,
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That will forever tell our imaged story.

  
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Preeb
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Apr 15, 2013 19:37 as a reply to  @ advaitin's post |  #17

Yet another one with people in nearly every frame:

IMAGE: http://i575.photobucket.com/albums/ss196/priebra/PSE%20Tech/WashMonpano_web-1.jpg

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pocketrounds
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Apr 21, 2013 12:07 |  #18

sshrider wrote in post #15779059 (external link)
Are the two even comparable?

I concur. Fish eye, linear wide angle, 50 mm lens, tele will all give the same scene a completely different feel. There is no one right answer all the time.


Marketplace feedback 1, 2 (external link), 3

  
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Shadowblade
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Apr 22, 2013 19:22 |  #19

Stitched will obviously give you better quality (i.e. more pixels) but there are many situations where you need to capture everything in a single frame due to moving elements (i.e. wide lens and high DR sensor) or you want to use filters (meaning that, if you wanted to stitch, you'd have to use the shift-and-stitch technique with a tilt-shift lens, rather than rotating the lens around the nodal point).




  
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Wider lens vs panaramic stitching
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